Digital Fabrications is a collection of essays and half-true stories about design software and hardware. Written from the perspective of architectural design, each piece expands on emerging trends, devices, foibles, and phenomena engendered by an increased reliance on interactions with interfaces in the discipline. The essays ask, how do we characterize our post-digital design labor? What are the politics of design software? How is architecture adapting to a world largely dependent on platforms and scripts? What are the spatial mechanisms of the internet and VR? Using storytelling techniques, this book accepts that software is everywhere, and narrows in on a few ways it has taken command of our cultural products. From the perspective of architectural design, a field traditionally associated with sketching and its own myths of creativity, computers are an essential workplace tool. Projects rely on a wide assortment of software packages and standalone applications, but rarely do architects reflect on the structure of those programs or how they have infiltrated our disciplinary conventions. PDFs and JPGs are as much a part of our vocabulary as plans, sections, and elevations. A drawing today might refer to a rendering, a CAD document, a proprietary BIM file, or anything that describes a project visually. While one way of examining this disciplinary shift might be to re-imagine what digital drawing can be, this collection of essays puts forth another way: to look at the behaviors, phenomena, collective trends, and oddities emerging as a result of global software proliferation. In other words, this book accepts that software is everywhere, and narrows in on a few ways it has taken command of our cultural products.

Digital Fabrications, the second volume in our new Architecture Briefs series, celebrates the design ingenuity made possible by digital fabrication techniques. Author Lisa Iwamoto explores the methods architects use to calibrate digital designs with physical forms. The book is organized according to five types of digital fabrication techniques: tessellating, sectioning, folding, contouring, and forming. Projects are shown both in their finished forms and in working drawings, templates, and prototypes, allowing the reader to watch the process of each fantastic construction unfold. Digital Fabrications presents projects designed and built by emerging practices that pioneer techniques and experiment with fabrication processes on a small scale with a do-it-yourself attitude. Featured architects include AEDS/Ammar Eloueini, Atelier Manferdini, Brennan Buck, MOS, Office dA, Florencia Pita/MOD, Mafoomby, URBAN A+O, SYSTEMarchitects, Andrew Kudless/Matsys, IwamotoScott, Atelier Hitoshi Abe, Chris Bosse, Tom Wiscombe/EMERGENT, Thom Faulders Architecture, Jeremy Ficca, SPAN, GNUFORM, Heather Roberge, PATTERNS, Ruy Klein, and servo.

Presents detailed instructions, patterns, supply lists, and illustrations for creating, arranging, and displaying naturally and fancifully decorative fabric and paper flowers.

"—Bobbie Ann Mason"This is fiction of immense beauty, full of wisdom and informed by rare grace."—Steve Yarbrough

The spectacular success of the scientific enterprise over the last four hundred years has led to the promise of an all encompassing vision of the natural world. In this elegant picture, everything we observe is based upon just a few fundamental processes and entities. The almost infinite variety and complexity of the world is thus the product of emergence. But the concept of emergence is fraught with controversy and confusion. This book ponders the question of how emergence should be understood within the scientific picture, and whether a complete vision of the world can be attained that includes consciousness.

Sheet metal fabrication--from fins and fenders to art--with all the necessary information on tools, preparations, materials, forms, mock-ups, and much more.

An analysis of costumes in American movies from a feminist film theory perspective. No index. Annotation copyrighted by Book News, Inc., Portland, OR

WELDING AND METAL FABRICATION, International Edition employs a unique hands-on, project-based learning strategy to teach welding skills effectively and keep you motivated. This groundbreaking new book connects each welding technique to a useful and creative take-home project, making exercises both practical and personal--and avoiding the tedium of traditional, repetitive welding practices. To further enhance the learning process, every welding project includes a set of prints with specifications, like those used in production fabrication shops. This full-featured approach to skill-building reflects the reality of professional welding, where following prints and instructions precisely and laying out, cutting out, and assembling weldment accurately are just as essential as high-quality welding. The included projects are small to conserve materials during the learning process, but detailed instructions and abundant photos and illustrations guide you through a wide range of fabrication skills. Key steps and techniques within the small projects are also linked to larger projects presented at the end of each chapter, enabling you to apply what you have learned by fabricating and welding something more substantial. This thorough, reader-friendly book also prepares you for real-world success by covering shop math and measurement, time and material tracking, and invoicing.

Develop the skills you need to build your own sheet metal parts Expert customizer Tim Remus combines his knowledge with metal-workers Steve Davis, Bob Monroe, Steve Moal, and Craig Naff to provide all the instruction you need to get the job done right. Detailed chapters cover the right tool for the job, materials, welding, repairs, building from scratch and finish work, plus tips on how to repair and modify an existing part starting from square one. Create your own complex shapes from scratch or repair damaged panels with help from today's knowledgeable craftsmen.

In Fabrications of the Greek Past, Vaia Touna demonstrates that present-day meanings of historical artifacts are created by social actors through their ever-contemporary acts of identification, such as their interpretations, categorizations, representations, and classifications.