Hellmann argues that "new journalism" is a new genre of fiction, one that deals with fact through fable, discovering, constructing and self-consciously exploring meaning beyond our media-constructed reality. He applies his theory to books by Wolfe, Thompson, Mailer and Herr.

"In a near-future Southern city, everyone is talking about a new experimental medical procedure that boasts unprecedented success rates. In a society plagued by racism, segregation, and private prisons, this operation saves lives with a controversial method--by turning people white. Like any father, our unnamed narrator just wants the best for his son Nigel, a biracial boy whose black birthmark is getting bigger by the day. But in order to afford Nigel's whiteness operation, our narrator must make partner as one of the few black associates at his law firm, jumping through a series of increasingly absurd hoops--from diversity committees to plantation tours to equality activist groups--in a tragicomic quest to protect his son. This electrifying, suspenseful novel is, at once, a razor-sharp satire of surviving racism in America and a profoundly moving family story. In the tradition ofRalph Ellison's Invisible Man, We Cast a Shadow fearlessly shines a light on the violence we inherit, and on the desperate things we do for the ones we love"--

Barbara Lipke demonstrates what a powerful tool storytelling can be in elementary and middle school science and math instruction.

"The present collection of essays is offered as a contribution towards the realization of a sounder interest in and a more intimate appreciation of certain problems upon which psychology has an authoritative charge to make to the public jury ... to show that the sound and profitable interest in mental life is in the usual and normal, and that the resolute pursuit of this interest necessarily results in bringing the apparently irregular phenomena of the mental world within the field of illumination of the more familiar and the law-abiding. They further aim to illustrate that misconceptions in psychology, as in other realms, are as often the result of bad logic as of defective observation, and that both are apt to be called into being by inherent mental prepossessions. Some of the essays are more especially occupied with an analysis of the defective logic which lends plausibility to and induces credence in certain beliefs; others bring forward contributions to an understanding of phenomena about which misconception is likely to arise; still others are presented as psychological investigations which, it is believed, command a somewhat general interest"--Preface. (PsycINFO Database Record (c) 2005 APA, all rights reserved).

This is a new release of the original 1957 edition.

Despite originating more than two-and-a-half thousand years ago, Aesop's Fables are still passed on from parent to child, and are embedded in our collective consciousness. The morals we have learned from these tales continue to inform our judgements, but have the stories also informed how we regard their animal protagonists? If so, is there any truth behind the stereotypes? Are wolves deceptive villains? Are crows insightful geniuses? And could a tortoise really beat a hare in a race? In Aesop's Animals, zoologist Jo Wimpenny turns a critical eye to the fables to discover whether there is any scientific truth to Aesop's portrayal of the animal kingdom. She brings the tales into the twenty-first century, introducing the latest findings on some of the most fascinating branches of ethological research – the study of why animals do the things they do. In each chapter she interrogates a classic fable and a different topic – future planning, tool use, self-recognition, cooperation and deception – concluding with a verdict on the veracity of each fable's portrayal from a scientific perspective. By sifting fact from fiction in one of the most beloved texts of our culture, Aesop's Animals explores and challenges our preconceived notions about animals, the way they behave, and the roles we both play in our shared world.

This book is an analysis of the social criticism and the political implications of rhetorical strategies in personal-political (nonfictional) narratives by liberal American writers from the 18th century till the 1970s. Using the theories of Mikhail Bakhtin, Schueller examines works by Benjamin Franklin, Henry David Thoreau, Henry James, Henry Adams, Jane Addams, James Agee, Norman Mailer, and Maxine Hong Kingston.

The diary arrived addressed to me, bearing a message: We live forever through our stories. Tell ours. And so began the author's journey into the life and legends of the Naga - a forgotten people living in the far north-east of India, struggling to survive in the modern world. An extraordinarily powerful and evocative literary work that traverses new ground in the hinterland between biography and mythology. Nagaland is the story of Augustine and of the Naga people. With sensitively poetic prose, Doherty deftly draws the reader into worlds of parallel realities. The love story, desperate and damned, destined for tragedy; forged and upheld against the wishes of family and the dictates of culture, with a backdrop of violence and reprisals amidst the brutality of communal conflict. Alongside this is the telling of Augustine's childhood story, growing up in the beautiful mountain state of Nagaland where the traditional way of life, loyalties and beliefs collide with modern imperatives that, for many, lead inexorably to poverty, dislocation, drug addiction, disease and despair. Seamlessly woven through each story, Naga legends and myths connect these disparate worlds, the source of profound insights that are simultaneously confronting and transcendent. Poignant and profound, the reader is left with a yearning nostalgia for a past where eternal truths prevailed, to be gleaned from ancient fables and sages; where a people lived in communities richly endowed with cultural and spiritual certainties, and were valued members of large family and tribal networks. Except, of course, if you choose not to follow the rules...

Archaeologist Aubrey Burl, for more than thirty years a specialist in the study of stone circles, selects a dozen attractive and evocative rings for close examination. Each of the twelve sites illuminates a particular archaeological question - the purpose of stone circles, their construction, age, distribution, design, art, legend and relation to astronomy. Burl asks, and offers sometimes surprising answers to questions about Stonehenge: how were its bluestones transported from south-west Wales, why was its Slaughter Stone not used for sacrifice, and why is Stonehenge - the most British of stone circles - not a stone circle and not British? To conclude his account of the strange subtleties of stone circles, Burl reconstructs the social history of Swinside in the Lake District, describing the builders, their way of life, and the ceremonies they performed inside their lovely ring.

A collection of animal fables told by the Greek slave Aesop.