101 Fun Fables is a saucy collection of animal fables with more than a touch of whimsy. Every story, even so, is juicy with its own spiritual spark found in its ending moral and practical life application. The humor is deep but gentle; the life lessons are simple but pointed. Enjoy it as a fun read or make the stories work for you by spicing up your writing, speech, and thinking.

Fractured Frazzled Folk Fables and Fairy Farces is adult literature that satirizes classic children's folk tales, fables and fairy tales into more mature presentations featuring adult language, content and humor. Author Jay Dubya goes right to work retelling Aesop's Fables into "A Sap's Fables." Adult renditions of "The Town Mouse and the Country Mouse," "The Boy Who Cried Wolf," "The Wind and the Sun," "A Wolf in Sheep's Clothing," "The Lion and the Mouse," "The Crow and the Pitcher," and "The Rabbit and the Turtle" are all cleverly portrayed. Other famous fables rewritten into adult accounts are "The Fox and the Crow," "The Goose That Laid the Golden Egg," "The Grasshopper and the Ants," "The Lark and Its Offspring," "The Miller, His Son and the Jackass," "Belling the Cat" and finally "The Dog, the Fox and the Stream." Folk and Fairy Tales from England, France, Germany and Russia are also imaginatively assaulted and converted into adult-oriented stories. Jay Dubya thoroughly corrupts "The Three Little Piglet Brothers," "The Flashing Elves," "The Golden Goose's Goosing Curse," "The Notorious Sleeping Beauty" and "Petite Red Riding Hood." Other classic stories that are not saved from degeneration are "Jack's Magnificent Beanstalk," "Hansel and Gretel Dumkoff," "Little Ebony Sambo," "Rapunzel's Draping Hair" and "Tom Thumb's History." Finally, the author completely corrupts into adult parody rewrites "Peter W. and the Wolf," "The Rumpelstiltskin No-Spin Zone," "Beauty and the Beastly Beast," "Cinderella's Fella'" and the classic folktale "Flaky Snow White and the Seven Midgdwarfs." Fractured Frazzled Folk Fables and Fairy Farces is Jay Dubya's twenty-first book. This book is definitely not written for or to be read by children.

Fractured Frazzled Folk Fables and Fairy Farces, Part II is adult literature satirizing classic childrens stories and the work is written in the spirit of its predecessor Fractured Frazzled Folk Fables and Fairy Farces. The new work FFFF&FF Part II features adult language, adult content and adult satirical humor. Author Jay Dubya goes right to work corrupting familiar childrens stories The Three Scruffy Gruffy Billy Goats, The Gay Tailor Who Became King, Petey Rabbit, Thumbilisa Thumbilina, The Emperors Invisible Clothes and Goldie Lox and the Three Ursas. Several British legends are re-invented with hilarious adult renditions of St. George Slays the Dragon and Arthur Becomes King of England. Greek myths are imaginatively sabotaged with comical presentations of Daphnes Daft Daffiness, Bellerophons Marathon Adventure, Baucis and Philemon, Psyche and Stupid Cupid and Atalantass Last Race. Other popular childrens stories that are put into adult parodies are Pinocchios Personality Problem, The Wolf and the Seven Lame Lambs, The Sorcerers Un-resourceful Apprentice and Peter Pansy Does Kensington Gardens. Finally Author Jay Dubya presents very amusing renditions of the classic tales Alice Visits Wonderland and Aladdins Little Lamp. Fractured Frazzled Folk Fables and Fairy Farces, Part II is definitely not written for or to be read by children.

Covers every aspect of popular entertainment: fairs, cafes, boulevard theatres, and freak shows.

REA's MAXnotes Guide to Literary Terms REA's book is a concise, easy-to-use guide to the literary terms and devices which high school and undergraduate students encounter most often. The main body of the book is an alphabetical listing of approximately 150 of the most-commonly encountered literary terms or devices. The entries are simplified to enable students with no knowledge of the terms to become comfortable with their uses in a short time. Each entry in the book includes a definition of the literary term or device, a history of the term's use and origin, and specific references to texts in which the term has been used.

Though animal stories and fables stretch back into the antiquity of ancient India, Persia, Greece and Rome, the reasons for writing them and their resonance for readers (and listeners) remain consistent to the present. This work argues that they were essential sources of amusement and instruction--and were also often profoundly unsettling. Such authors in the realm of the animal fable as Tolkien, Freud, Voltaire, Bakhtin, Cordwainer Smith, Karel Capek, Vladimir Propp, and many more are discussed.

The best-selling Oxford Dictionary of Literary Terms (formerly the Concise dictionary) provides clear, concise, and often witty definitions of the most troublesome literary terms from abjection to zeugma. It is an essential reference tool for students of literature in any language. It is now available in a new and expanded edition and includes increased coverage of new terms from modern critical and theoretical movements, such as feminism, and schools of American poetry, Spanish verse forms, life writing, and crime fiction. It includes extensive coverage of traditional drama, versification, rhetoric, and literary history, as well as updated and extended advice on recommended further reading and a pronunciation guide to more than 200 terms. New to this edition are recommended entry-level web links updated via the Dictionary of Literary Terms companion website.

Combining the disciplines of folklore and literary criticism in his perceptive readings of works by Irving, Hawthorne, Melville, and Mark Twain, Daniel Hoffman demonstrates how these authors transformed materials from both high and popular culture, from their European past and their American present, in works that helped to form our national consciousness. In his new preface, Hoffman describes the evolution of his critical method and suggests the book's value for contemporary readers.