Through narrative nonfiction text, readers learn about numerous roles of women during the war, including as spies, army nurses, factory workers, and pilots. Additional features to aid comprehension include a table of contents, primary-source quote sidebars, fact-filled captions and callouts, a glossary, an introduction to the author, and a listing of source notes.

Interweaving personal stories with historical photos and background, this lively account documents the history of the more than 40,000 women who served in relief and military duty during World War I. Through personal interviews and excerpts from diaries, letters, and memoirs, Lettie Gavin relates poignant stories of women's wartime experiences and provides a unique perspective on their progress in military service. American Women in World War I captures the spirit of these determined patriots and their times for every reader and will be of special interest to military, women's, and social historians.

Using a very wide range of detailed sources, the book surveys the many different experiences of women during the Second World War.

"Originally published in Russian as U voiny--ne zhenskoe lietiso by Mastatskaya Litaratura, Minsk, in 1985. Originally published in English as War's unwomanly face by Progress Publishers, Moscow, in 1988"--Title page verso.

Details the ways in which women contributed to the war effort, including their roles as doctors, nurses, factory workers, soldiers, and more. Additional features include a bullet-point summary of the events, compelling narrative descriptions, primary source quotes and accompanying source notes, questions to spark critical thinking, sources to guide further research, historical photographs, informative captions, a table of contents, an index, an introduction to the author, and a phonetic glossary.

Informative and innovative, this book focuses on the cultural images, realities, challenges, and contradictions for women in intelligence service in Britain during World War I.

In our collective memory, the First World War is dominated by men. The sailors, soldiers, airmen and politicians about whom histories are written were male, and the first half of the twentieth century was still a time when a woman's place was thought to be in the home. It was not until the Second World War that women would start to play a major role both in the armed forces and in the factories and the fields. Yet there were some women who were able to contribute to the war effort between 1914 and 1918, mostly as doctors and nurses. In Women in the War Zone, Anne Powell has selected extracts from first-hand accounts of the experiences of those female medical personnel who served abroad during the First World War. Covering both the Western and the Eastern Fronts, from Petrograd to Basra and from Antwerp to the Dardanelles, they include nursing casualties from the Battle of Ypres, a young doctor put in charge of a remote hospital in Serbia and a nurse who survived a torpedo attack, albeit with serious injuries. Filled with stories of bravery and kindliness, it is a book that honours the often unsung contribution made by the female doctors and nurses who helped to alleviate some of the suffering of the First World War.

When World War I began, war reporting was a thoroughly masculine bastion of journalism. But that did not stop dozens of women reporters from stepping into the breach, defying gender norms and official restrictions to establish roles for themselves--and to write new kinds of narratives about women and war. Chris Dubbs tells the fascinating stories of Edith Wharton, Nellie Bly, and more than thirty other American women who worked as war reporters. As Dubbs shows, stories by these journalists brought in women from the periphery of war and made them active participants--fully engaged and equally heroic, if bearing different burdens and making different sacrifices. Women journalists traveled from belligerent capitals to the front lines to report on the conflict. But their experiences also brought them into contact with social transformations, political unrest, labor conditions, campaigns for women's rights, and the rise of revolutionary socialism. An eye-opening look at women's war reporting, An Unladylike Profession is a portrait of a sisterhood from the guns of August to the corridors of Versailles. Purchase the audio edition.

What Jobs Did Women Do in the War? Where Did Women Care for the Wounded? Did Any Women Fight in the War? World War I changed the nature of warfare forever and redrew the map of Europe. From the trenches of Western Europe to the battles in Russia and the Middle East, this comprehensive series brings the past to life, using firsthand accounts from a range of primary sources. This book shows how women played a vital role in the war effort of every nation, taking on jobs that traditionally men had done. Find out how many women's lives changed, and what happened after peace was declared. Heinemann Infosearch asks the questions you want answered. Each chapter starts with a question and provides a detailed answer. Book jacket.

Martha Gellhorn was one of the first—and most widely read—female war correspondents of the twentieth century. She is best known for her fearless reporting in Europe before and during WWII and for her brief marriage to Ernest Hemingway, but she was also an acclaimed novelist. In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, A Stricken Field follows a journalist who returns to Prague after its annexation and finds her efforts to obtain help for the refugees and to convey the shocking state of the country both frustrating and futile. A convincing account of a people under the brutal oppression of the Gestapo, A Stricken Field is Gellhorn’s most powerful work of fiction. “[A] brave, final novel. Its writing is quick with movement and with sympathy; its people alive with death, if one can put it that way. It leaves one with aching heart and questing mind.”—New York Herald Tribune “The translation of [Gellhorn’s] personal testimony into the form of a novel has . . . force and point.”—Times Literary Supplement