From Situationism to Beat to Punk, Eyes For Blowing Up Bridges unites a group of remarkable radical artists, poets, writers and activists who initiated, perpetrated and influenced a range of seminal post-war alternative movements.Presenting rarely exhibited material - including cut-ups, film, video, sound and slide, as well as self-published books, pamphlets, anarchist propaganda, punk ephemera and graphics - the exhibition and publication examine the creative interplay between William Burroughs, Guy Debord, Asger Jorn, Alexander Trocchi and King Mob, and their collective influence on Malcolm McLaren in his endeavours to disrupt the cultural and social status quo from the 1960s to his premature death in 2010.McLaren co-opted the intellectual vigour of this powerful and difficult group of individuals to make insurrectionary statements during his days as a Situationist art student in the 1960s, to the end of his life in groundbreaking artistic forays expressed through pop culture (fashion, music, environment, performance, film).Published on the occasion of the exhibition at John Hansard Gallery, University of Southampton, 26 September - 14 November 2015.

This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.

This book tells, for the first time, the story of the Situationist International’s influence and afterlives in Britain, where its radical ideas have been rapturously welcomed and fiercely resisted. The Situationist International presented itself as the culmination of the twentieth century avant-garde tradition — as the true successor of Dada and Surrealism. Its grand ambition was not unfounded. Though it dissolved in 1972, generations of artists and writers, theorists and provocateurs, punks and psychogeographers have continued its effort to confront and contest the ‘society of the spectacle.’ This book constructs a long cultural history, beginning in the interwar period with the arrival of Surrealism to Britain, moving through the countercultures of the 1950s and 1960s, and finally surveying the directions in which Situationist theory and practice are being taken today. It combines agile historicism with close readings of a vast range of archival and newly excavated materials, including newspaper reports, underground pamphlets, Psychogeographical films, and experimental novels. It brings to light an overlooked but ferociously productive period of British avant-garde practice, and demonstrates how this subterranean activity helps us to understand postwar culture, late modernism, and the complex internationalization of the avant-garde. As popular and academic interest in the Situationists grows, this book offers an important contribution to the international history of the avant-garde and Surrealism. It will prove a valuable resource for researchers and students of English and Comparative Literature, Modernism and the Avant-Gardes, Twentieth Century and Contemporary History, Cultural Studies, Art History, and Political Aesthetics.

Arts and Politics of the Situationist International contextualizes the SI within a comprehensive aesthetic and theoretical framework that integrates its concepts and practical activities with previous critical thinkers, political activists, artists, and poets. The SI belongs to a history of radical gestures and cultural practices concerned with re-imagining everyday life and overcoming alienation. This book regards the SI as a critical interdisciplinary endeavor in the history of consciousness, particularly as a moment in an ongoing western-European trajectory of aesthetic negation dating back to the early nineteenth century. The chapters search for origins of the SI in French Symbolist poetry, Dada and Surrealism, Hegelian-Marxism, and Lefebvrian social theory in an effort to provide a clearly-defined ‘something’ out of which the SI developed as an increasingly radical collective of artists, writers, and theorists.

'I couldn't put this book down. Malcolm inspired us to make art out of our boredom and anger. He set us free' Bobby Gillespie, Primal Scream Included in the Guardian 10 best music biographies 'Excellent . . . With this book, Gorman convincingly moves away from the ossified image of McLaren as a great rock'n'roll swindler, a morally bankrupt punk Mephistopheles, and closer towards his art-school roots, his love of ideas. Tiresome, unpleasant, even cruel - he was, this book underlines, never boring' Sunday Times 'Exhaustive . . . compelling' Observer 'Definitive . . . epic' The Times 'Gobsmacker of a biography' Telegraph 'This masterful and painstaking biography opens its doorway to an era of fluorescent disenchantment and outlandish possibility' Alan Moore Malcolm McLaren was one of the most culturally significant but misunderstood figures of the modern era. Ten years after his life was cruelly cut short by cancer, The Life & Times of Malcolm McLaren sheds fascinating new light on the public achievements and private life of this cultural iconoclast and architect of punk, whose championing of street culture movements including hip-hop and Voguing reverberates to this day. With exclusive contributions from friends and intimates and access to private papers and family documents, this biography uncovers the true story behind this complicated figure. McLaren first achieved public prominence as a rebellious art student by making the news in 1966 after being arrested for burning the US flag in front of the American Embassy in London. He maintained this incendiary reputation by fast-tracking vanguard and left-field ideas to the centre of the media glare, via his creation and stewardship of the Sex Pistols and work with Adam Ant, Boy George and Bow Wow Wow. Meanwhile McLaren's ground-breaking design partnership with Vivienne Westwood and his creation of their visionary series of boutiques in the 1970s and early '80s sent shockwaves through the fashion industry. The Life & Times of Malcolm McLaren also essays McLaren's exasperating Hollywood years when he broke bread with the likes of Steven Spielberg though his slate of projects, which included the controversial Heavy Metal Surf Nazis and Wilde West, in which Oscar Wilde introduced rock'n'roll to the American mid-west in the 1880s, proved too rich for the play-it-safe film business. With a preface by Alan Moore, who collaborated with McLaren on the unrealised film project Fashion Beast, and an essay by Lou Stoppard casting a twenty-first-century perspective over his achievements, The Life & Times Of Malcolm McLaren is the explosive and definitive account of the man dubbed by Melvyn Bragg 'the Diaghilev of punk'.

NATIONAL BESTSELLER • From the New York Times bestselling author of The Wind-Up Bird Chronicle and one of the world’s greatest storytellers comes "an insistently metaphysical mind-bender” (The New Yorker) about a teenager on the run and an aging simpleton. Now with a new introduction by the author. Here we meet 15-year-old runaway Kafka Tamura and the elderly Nakata, who is drawn to Kafka for reasons that he cannot fathom. As their paths converge, acclaimed author Haruki Murakami enfolds readers in a world where cats talk, fish fall from the sky, and spirits slip out of their bodies to make love or commit murder, in what is a truly remarkable journey. “As powerful as The Wind-Up Bird Chronicle.... Reading Murakami ... is a striking experience in consciousness expansion.” —The Chicago Tribune

Carin Miller has reluctantly gone to Berlin to work in the bakery of a family friend. She arrives in 1933, just as Adolf Hitler became Chancellor of Germany. Her stay in Germany was to last only two years, but instead spanned over twelve years, until the end of World War II ... Carin falls in love with Peter and then finds out that he is a high-ranking officer in the SS. He confesses his love for her and asks her to wait for him until after the war. As a Christian, she knows that the relationship must end ...

As Josie Belle Gore, daughter of a Louisiana train engineer and Texas seamstress, journeys with her itinerant family through the deserts of the boom-and-bust American West and revolutionary Mexico, she learns that in her life, two things are constant: water is precious, and her role in her family is to save it. When unforeseeable events force the separation of her family, Josie begins an odyssey that takes her from New Mexico’s Jornada del Muerto to Bisbee, Tucson, Los Angeles, and finally post-WWI San Francisco—experiencing betrayal, pandemic, and survivor’s guilt, as well as the compassion and generosity of friends and strangers, along the way. Once she lands in San Francisco, like a river meeting the sea, Josie has nowhere else to run—and she realizes that she must make peace with the past and good on her promise to the family she loves. Inspired by the author’s family lore, The Ways of Water is a lyrical tale of loss, hope, and forgiveness set in the rugged beauty of the turn-of-the-century Southwest that, like Josie, is growing up in fits and starts.

'The best conceivable guide to the city' - an essential cultural history for all visitors of Florence The rich and glorious past of one of the best loved cities in the world, Florence, is brought vividly to life for today's visitor in this collection which draws on letters, diaries and memoirs of travellers to Florence and the Florentines themselves. Of all Italian cities, Florence has always had the strongest English accent: the Goncourt brothers in 1855 called it 'ville tout anglaise'. Though that accent is diminished now, Florence remains for the English-speaking traveller what it always has been - one of the best loved, and most visited, of cities. In this Traveller's Reader, Florence's rich and glorious past is brought vividly to life for the tourist of today through the medium of letters, diaries and memoirs of travellers to Florence from past centuries and of the Florentines themselves. The extracts chosen by cultural historain Edward Chaney include: Boccaccio on the Black Death; Vasari on the building of Giotto's Campanile; an eye-witness account of the installation of Michaelangelo's 'David'; the death of Elizabeth Barrett Browning at the Casa Guidi; and D. H. Lawrence and Dylan Thomas on twentieth-century Florentine society. Sir Harold Acton's introduction provides a concise history of the city from its origins, through its zenith as a prosperous city state which, under the Medici, gave birth to the Renaissance, and up to the Arno's devastating flood in 1966. Sir Harold Acton, man of letters, historian, aesthete, novelist and poet, spent most of his life in Florence. Among his best-known books is The Last Medici, Memoirs of an Aesthete.

Embark on an extraordinary journey alongside Laura as she ventures from the shores of England to the vibrant landscapes of Italy. Set against the backdrop of Italy’s struggle for independence, A Mind Behind unravels the compelling story of one woman’s courageous odyssey.