As the forces of globalisation and modernisation buffet Islam and other world religions, Indonesia's 200 million Muslims are expressing their faith in ever more complex ways. This book examines some of the ways in which Islam is expressed in contemporary Indonesian life and politics. Editors from Australian National University.

Freedom of Expression in Islam is informative not only on the subject of the possibilities of freedom of expression within Islam, but also on the cultural tradition of Islam and its guidelines on social behaviour. Distinguished by its clarity and readability, this book is not only essential reading for anyone interested in Islamic law, in Muslim society or in issues of comparative jurisprudence, but is also an important contribution to the current debate concerning the definition and limits of the principle of free speech. Suitable for undergraduate and post-graduate courses in Islamic Studies, Comparative Jurisprudence and Political Theory.

This is not a book of history; it does not claim to cover every aspect of Islam religion. It confines itself to the search for the true mission of Islam and how that mission has been hijacked in the struggle of faith and power. This is the story of contest between religion and politics where politics was made a sacrament and religion abused. In describing this aspect, the historical part naturally cannot be ignored. This is not a book of religion either. Since religionand politics overlap each other in this study, theology and jurisprudence have their interplay also. The conflict within Islam for the soul of Islam continues. Will the struggle be resolved in the present and the foreseeable future? Or will it make life more difficult for the faithful? This book attempts to find the answers.

Coloring book with brief lessons about Islam.

Emphasizing the esthetic concerns of the Islamic civilization as well as underlining the true nature of the religion, this insightful opus contains a collection of essays on the art of language from a revered contemporary scholar of Islam. Written separately as lead articles for the Turkish literary magazine, Yagmur, the volume eloquently articulates the author’s approach to speech as well as his definitions of poetry, history, and beauty, all of which are deeply embroidered around the lacework of Islam. With powerful emphasis on belief in God, each essay addresses an important matter of language that aptly relates to the current state of affairs in the Muslim world and the nature of human existence in the 21st century as a whole.

Interviews with young Muslims in Chicago explore the complexity of identities formed at the crossroads of Islam and hip hop This groundbreaking study of race, religion and popular culture in the 21st century United States focuses on a new concept, “Muslim Cool.” Muslim Cool is a way of being an American Muslim—displayed in ideas, dress, social activism in the ’hood, and in complex relationships to state power. Constructed through hip hop and the performance of Blackness, Muslim Cool is a way of engaging with the Black American experience by both Black and non-Black young Muslims that challenges racist norms in the U.S. as well as dominant ethnic and religious structures within American Muslim communities. Drawing on over two years of ethnographic research, Su'ad Abdul Khabeer illuminates the ways in which young and multiethnic US Muslims draw on Blackness to construct their identities as Muslims. This is a form of critical Muslim self-making that builds on interconnections and intersections, rather than divisions between “Black” and “Muslim.” Thus, by countering the notion that Blackness and the Muslim experience are fundamentally different, Muslim Cool poses a critical challenge to dominant ideas that Muslims are “foreign” to the United States and puts Blackness at the center of the study of American Islam. Yet Muslim Cool also demonstrates that connections to Blackness made through hip hop are critical and contested—critical because they push back against the pervasive phenomenon of anti-Blackness and contested because questions of race, class, gender, and nationality continue to complicate self-making in the United States.

How do Muslims who grew up after September 11 balance their love for hip-hop with their devotion to Islam? How do they live the piety and modesty called for by their faith while celebrating an art form defined, in part, by overt sexuality, violence, and profanity? In Representing Islam, Kamaludeen Mohamed Nasir explores the tension between Islam and the global popularity of hip-hop, including attempts by the hip-hop ummah, or community, to draw from the struggles of African Americans in order to articulate the human rights abuses Muslims face. Nasir explores state management of hip-hop culture and how Muslim hip-hoppers are attempting to "Islamize" the genre's performance and jargon to bring the music more in line with religious requirements, which are perhaps even more fraught for female artists who struggle with who has the right to speak for Muslim women. Nasir also investigates the vibrant underground hip-hop culture that exists online. For fans living in conservative countries, social media offers an opportunity to explore and discuss hip-hop when more traditional avenues have been closed. Representing Islam considers the complex and multifaceted rise of hip-hop on a global stage and, in doing so, asks broader questions about how Islam is represented in this global community.

At the beginning of the twentieth century, famed theologian Abraham Kuyper toured the Mediterranean world and encountered Islam for the first time. Part travelogue, part cultural critique, On Islam presents a European imperialist seeing firsthand the damage colonialism had caused and the value of a religion he had never truly understood. Here, Kuyper's doctrine of common grace shines as he displays a nuanced and respectful understanding of the Muslim world. Though an ardent Calvinist, Kuyper still knew that God's grace is expressed to unbelievers. Kuyper saw Islam as a culture and religion with much to offer the West, but also as a threat to the gospel of Jesus Christ. Here he expresses a balanced view of early twentieth-century Islam that demands attention from the majority world today as well. Essays by prominent scholars bookend the volume, showing the relevance of these teachings in our time.

This book attempts to analyse the concept of religious expression vis-à-vis freedom of speech in Malaysia from the philosophical, political and theoretical perspectives. It begins by discussing the major sources of religious expression that are firmly rooted in the societal and religious beliefs, constitution and legislation of the country. It also examines multiple facets of the Islamization policy in the country and to what extent such policy affects the exercise of domestic religious expression. The problems and challenges of domestic religious expression, theoretically and practically, will also be examined including the issues of radicalization and terrorism. After a change of power from the Barisan Nasional (BN) to Pakatan Harapan (PH) in 2018, this book attempts to explain PH's approach in dealing with the issue of Islam and religious expression in Malaysia. Lastly, this book intends to identify and observe how Malaysian society and the state react to the issue of religious expression. "Prof. Azizuddin makes an eloquent case for robust freedom of expression that is consistent with Malaysian conditions. This is a most welcome and important book that could and should have a major impact. It is a timely and thoughtful examination of the complex and serious issue of Islam vis-à-vis religious expression in Malaysia. It also illustrates the transition from the restrictive-stability approach of the Barisan Nasional administration to an open-freedom approach of the Pakatan Harapan government." -- Dato' Saifuddin Abdullah, Minister of Communications and Multimedia, Malaysia "Racial and religious hatred are examples of the many difficulties to which freedom of expression can give rise. These difficulties are likely to be especially serious in multicultural and multireligious societies, such as Malaysia. In such contexts there is a need to weigh the importance of freedom of expression for an effective democracy against the need to maintain social order and the conditions of political civility that are also essential to democratic dialogue. This is the challenge that Prof. Azizuddin addresses in his ambitious new book." -- John Horton, Emeritus Professor of Politics, Keele University, United Kingdom "This important book is a must read for anyone interested in understanding the nexus between rights and religion in Malaysia. Not only does it trace the contestation over religious expression, it also provides a valuable analysis of the expansion of the religious bureaucracy and the underlying and changing cultural responses of the Malay community to the new political terrain." -- Bridget Welsh, Honorary Research Associate, University of Nottingham Asia Research Institute Malaysia (UoNARI-M)

From the mountains of Lebanon to the shores of Turkey and North Africa, the Islamic Mediterranean has always been a dynamic cultural hub, where the stories and passions of East and West collide. In a sweeping survey spanning the first Arabic edition of the "Thousand and One Nights" to the novels of the 20th century, Robin Ostle pours through centuries of books, art and architecture to reveal what they tell us about the changing relationship between individual and society in this distinctive culture.In pre-modern literature, individuality was expressed through a series of comic subversions which, through their resolution, ultimately strengthened the social status quo. The great 19th century travelogues represented a more transgressive exploration of the boundaries of the self. This theme was continued in the cultural forms of the 20th century, with their emphasis on self-expression and emotional liberation, something increasingly defined in opposition to the state. "Sensibilities of the Islamic Mediterranean" unravels the emotions, ideas and power relationships which make up the cultural fabric of this fascinating region.