Part travel guide, part survey of Europe's prehistory,Exploring Prehistoric Europedelves into fifteen of the most famous, most important, and most exciting archaeological sites in Europe. The first volume in the Places in Time series, this beautiful book takes us to locales both famous and obscure, from Ireland to Poland to Malta, ranging chronologically from Terra Amata, a site in southern France occupied some 380,000 years ago, to Borremose, a Danish settlement that dates to Roman times. The author, archaeologist Chris Scarre, examines the haunting cave paintings of Lascaux, France; the stone circle and ritual complexes of Avebury, England; and the ever mysterious Stonehenge--as well as lesser known but no less intriguing sites around Europe. For each location, he conducts a careful tour of the existing remains, describes the history of its excavation, and then interprets how the site might have been built, used, or occupied. Readers will explore a variety of cultures and monuments, from megalithic stone circles to Neolithic villages to Bronze Age tombs, and see intimate portraits of the daily life of Europe's prehistoric ancestors. Perhaps equally important, Scarre has selected the sites with accessibility in mind--all can be easily reached by the modern tourist--and he also highlights local museums and visitor centers where further artifacts and information can be found. Beautifully illustrated with maps and full-color photographs,Exploring Prehistoric Europemakes the perfect companion for the historically minded traveler--or the reader who wants to curl up at home and wander at leisure through the distant past.

Part travel guide, part survey of Europe's prehistory,Exploring Prehistoric Europedelves into fifteen of the most famous, most important, and most exciting archaeological sites in Europe. The first volume in the Places in Time series, this beautiful book takes us to locales both famous and obscure, from Ireland to Poland to Malta, ranging chronologically from Terra Amata, a site in southern France occupied some 380,000 years ago, to Borremose, a Danish settlement that dates to Roman times. The author, archaeologist Chris Scarre, examines the haunting cave paintings of Lascaux, France; the stone circle and ritual complexes of Avebury, England; and the ever mysterious Stonehenge--as well as lesser known but no less intriguing sites around Europe. For each location, he conducts a careful tour of the existing remains, describes the history of its excavation, and then interprets how the site might have been built, used, or occupied. Readers will explore a variety of cultures and monuments, from megalithic stone circles to Neolithic villages to Bronze Age tombs, and see intimate portraits of the daily life of Europe's prehistoric ancestors. Perhaps equally important, Scarre has selected the sites with accessibility in mind--all can be easily reached by the modern tourist--and he also highlights local museums and visitor centers where further artifacts and information can be found. Beautifully illustrated with maps and full-color photographs,Exploring Prehistoric Europemakes the perfect companion for the historically minded traveler--or the reader who wants to curl up at home and wander at leisure through the distant past.

Identity is relational and a construct, and is expressed in a myriad of ways. For example, material culture and its pluralist meanings have been readily manipulated by humans in a prehistoric context in order to construct personal and group identities. Artefacts were often from or reminiscent of far-flung places and were used to demonstrate membership of an (imagined) regional, or European community. Earthworks frequently archive maximum visual impact through elaborate ramparts and entrances with the minimum amount of effort, indicating that the construction of identities were as much in the eye of the perceivor, as of the perceived. Variations in domestic architectural style also demonstrate the malleability of identity, and the prolonged, intermittent use of particular places for specific functions indicates that the identity of place is just as important in our archaeological understanding as the identity of people. By using a wide range of case studies, both temporally and spatially, these thought processes may be explored further and diachronic and geographic patterns in expressions of identity investigated.

This book brings together a classic collection of Andrew Sherratt's work on the economic foundations of prehistoric Europe, which have put forward important new ideas about the development of farming, pastoralism, early technology and trade. In a series of contributions that have included wide-ranging syntheses and detailed local studies, he discusses their implications for the understanding of settlement-patterns, social structures, material culture, and less tangible aspects of prehistoric life such as the spread of languages and the use of narcotics.

Provides a comprehensive account of prehistoric Europe from the coming of the Stone Age to the fall of the Roman Empire, providing information on the changing landscape of Europe and responses and adaptations to these changes.

Abundant prehistoric remains survive in the wide landscapes of Europe, but none are arguably as fascinating or awe-inspiring as the “megalithic” (after the Greek megas: great, and lithos: stone) monuments built by the people who lived here during the three hugely important periods of European prehistory known respectively as the Neolithic, the Copper Age, and the Bronze Age. These huge, prehistoric stone structures can still be found scattered in their thousands across Europe and provide a tentative but evocative link to their builders, and to Europe’s distant past. From the Mediterranean islands to the colder climes of Scandinavia, Exploring Megalithic Europe takes readers to many European countries, examining both famous and lesser-known megalithic monuments and looking at what insights these remarkable reminders of prehistoric life may provide into the ancient communities responsible for their construction.

Until around 10,000 BC art in Europe appears to have been in advance of the rest of the world and throws light on the total history of early man. The great masterpieces of cave-painting at Lascaux are well known, and one tradition of early sculpture is from the first surprizingly classical. With the shelter paintings of the Spanish Levant and the clay modelling and painted pottery of eastern Europe in the fourth and third millennia BC fresh artistic problems were tackled. Later still evolved the high technical accomplishment of the metal-workers, and this study concludes with an account of the new departures of Celtic La Tene art of the last four centuries BC.

Werner Herzog's 2011 film Cave of Forgotten Dreams, about the painted caves at Chauvet, France brought a glimpse of Europe's extraordinary prehistory to a popular audience. But paleolithic cave paintings, stunning as they are, form just a part of a story that begins with the arrival of the first humans to Europe 1.3 million years ago, and culminates in the achievements of Greece and Rome. In Europe before Rome, T. Douglas Price takes readers on a guided tour through dozens of the most important prehistoric sites on the continent, from very recent discoveries to some of the most famous and puzzling places in the world, like Chauvet, Stonehenge, and Knossos. This volume focuses on more than 60 sites, organized chronologically according to their archaeological time period and accompanied by 200 illustrations, including numerous color photographs, maps, and drawings. Our understanding of prehistoric European archaeology has been almost completely rewritten in the last 25 years with a series of major findings from virtually every time period, such as Ötzi the Iceman, the discoveries at Atapuerca, and evidence of a much earlier eruption at Mt. Vesuvius. Many of the sites explored in the book offer the earliest European evidence we have of the typical features of human society--tool making, hunting, cooking, burial practices, agriculture, and warfare. Introductory prologues to each chapter provide context for the wider changes in human behavior and society in the time period, while the author's concluding remarks offer expert reflections on the enduring significance of these places. Tracing the evolution of human society in Europe across more than a million years, Europe before Rome gives readers a vivid portrait of life for prehistoric man and woman.

The discovery of the Dover Bronze Age boat sixteen years ago continues to inspire and stimulate debate about the nature of seafaring and cultural connections in prehistoric Europe; the twelve papers presented here reflect an increasing recognition of cross-channel similarities and a coming together of maritime ('wet') and terrestrial ('dry') archaeology. Contents: Building new connections (Peter Clark); Encompassing the sea: 'maritories' and Bronze Age maritime interactions (Stuart Needham); From Picardy to Flanders: transmanche connections in the Bronze Age (Jean Bourgeois and Marc Talon); British immigrants killed abroad in the seventies: the rise and fall of a Dutch culture (Liesbeth Theunissen); The Canche Estuary (Pas-de-Calais, France) from the early Bronze Age to the emporium of Quentovic: a traditional trading place between south east England and the continent (Michel Philippe); Looking forward: maritime contacts in the first millennium BC (Barry Cunliffe); Copper Mining and production at the beginning of the British Bronze Age new evidence for Beaker/EBA prospecting and some ideas on scale, exchange, and early smelting technologies (Simon Timberlake); The demise of the flint tool industry (Chris Butler); Land at the other end of the sea? Metalwork circulation, geographical knowledge and the significance of British/Irish imports in the Bronze Age of the Low Countries (David Fontijn); The master(y) of hard materials: thoughts on technology, materiality and ideology occasioned by the Dover boat (Mary W Helms); Exploring the ritual of travel in prehistoric Europe: the Bronze Age sewn-plank boats in context (Robert van de Noort); In his hands and in his head: the Amesbury Archer as magician (Andrew Fitzpatrick).

In a brilliant and ambitious thriller that combines elements of Jean Auel’s The Clan of the Cave Bear and Ken Follett’s The Pillars of the Earth into a riveting, multifaceted tale of love, art, courage, and war, Martin Walker brings to life the creation of an extraordinary work of prehistoric cave art and the struggle to possess it in our own time. Martin Walker’s richly interwoven novel opens with the arrival of a mysterious package for a young American woman working in a London auction house. Brought by a British officer, it contains a 17,000-year-old fragment of a cave painting left to him by his father, a former World War II hero. The fragment, significant and stunning in itself, is also the key to the existence of an un-known cave that may be more important in the history of art and human creation than the world-famous one at Lascaux. It triggers a storm of publicity and commands the attention of the French authorities all the way up to the President of the Republic, who seems to know more about the painting's origins than anyone else... As the young American woman, the British officer, and a French government art historian explore the ancient province of Périgord to determine the painting’s origins, their search serves as backdrop for three compelling stories. There is the tale of the British officer’s father who lands in Nazi-occupied France in 1944 to organize the Resistance, culminating in a series of battles to prevent the SS Das Reich Panzer Division from reaching the Normandy beaches in time to repel the D-Day invasion, which leads to an account of the subsequent discovery—and cover-up—of the lost cave and its paintings. And there is also the moving story of the young artist who painted them, the woman he loved, and the ancient culture that produced the first recognizable human art but required the sacrifice of its own creators. Filled with vivid, historically accurate details and imaginative re-creations of prehistoric life, The Caves of Périgord blends a complex plot and richly diverse characters into a seamless narrative of romance, tragedy, and heroism from past to present.