This book links the leading innovators of modernism to the cult of the modern expert. In historicizing modernism as a distinct mode of knowledge that competes with other forms of expertise from law to psychology, Lois Cucullu shows how three modernist experts - Woolf, Forster, and Joyce - used technical innovations in the novel to replace reigning Victorian beliefs about marriage, procreation and the family. Modernist narratives of consciousness and bodies convert the gendered domestic sphere into an aesthetic one that grants cultural reproduction and a modern cultural class the centrality once accorded biological reproduction and the bourgeois household.

"As commercial magazines began to flourish in the 1920s, they promoted an expanding network of luxury railway hotels and transatlantic liner routes. The leading monthlies--among them Mayfair, Chatelaine, and La Revue Moderne--presented travel as both a mode of self-improvement and a way of negotiating national identity. Magazines, Travel and Middlebrow Culture announces a new cross-cultural approach to periodical studies, reading both French- and English-language magazines in relation to an emerging transatlantic middlebrow culture. Mainstream magazines, Hammill and Smith argue, forged a connection between upward mobility and geographic mobility. Students and scholars of Canadian studies, cultural and social history, publishing, literary studies, cultural studies, communications studies, and print culture will find this book, a first in Canadian middlebrow culture, a must-have on their shelf."-- Provided by publisher.

Bringing together Canadian, American, and British scholars, this volume explores the relationship between modernism and modern celebrity culture. In support of the collection's overriding thesis that modern celebrity and modernism are mutually determining phenomena, the contributors take on a range of transatlantic canonical and noncanonical figures, from the expected (Virginia Woolf and F. Scott Fitzgerald) to the surprising (Elvis and Hitler). Illuminating case studies are balanced by the volume's attentiveness to broader issues related to modernist aesthetics, as the contributors consider celebrity in relationship to identity, commodification, print culture, personality, visual cultures, and theatricality. As the first book to read modernism and celebrity in the context of the crises of individual agency occasioned by the emergence of mass-mediated culture, Modernist Star Maps argues that the relationship between modernism and the popular is unthinkable without celebrity. Moreover, celebrity's strange evolution during the twentieth century is unimaginable without the intercession of modernism's system of cultural value. This innovative collection opens new avenues for understanding celebrity not only for modernist scholars but for critical theorists and cultural studies scholars.

As authors and publishers, individuals and collectives, women significantly shaped the modernist movement. While figures such as Virginia Woolf and Gertrude Stein have received acclaim, authors from marginalized communities and those who wrote for mass, middlebrow audiences also created experimental and groundbreaking work. The essays in this volume explore formal aspects and thematic concerns of modernism while also challenging rigid notions of what constitutes literary value as well as the idea of a canon with fixed boundaries. The essays contextualize modernist women's writing in the material and political concerns of the early twentieth century and in life on the home front during wartime. They consider the original print contexts of the works and propose fresh digital approaches for courses ranging from high school through graduate school. Suggested assignments provide opportunities for students to write creatively and critically, recover forgotten literary works, and engage with their communities.

A Poiret dress, a Catholic shrine in France, Thomas Wallis's Hoover Factory building, an Edna Manley sculpture, the poetry of Bei Dao, the internal combustion engine- what makes such artifacts modernist? Disciplining Modernism explores the different ways disciplines conceive modernism and modernity, undisciplining modernist studies in the process.

This multi-authored volume focuses on Leonard and Virginia Woolf's Hogarth Press (1917-1941). Scholars from the UK and the US use previously unpublished archival materials and new methodological frameworks to explore the relationships forged by the Woolfs

Building on recent work on Victorian print culture and the turn toward material historical research in modernist studies, this collection extends the frontiers of scholarship on the 'Atlantic scene' of publishing, exploring new ways of grappling with the rapidly changing universe of print at the turn of the twentieth century.

Original essays by twelve distinguished international scholars offer critical overviews of the major genres, literary culture, and social contexts that define the current state of scholarship. This Companion also features a chronology of key events and publication dates covering the first half of the twentieth century in the United States. The introductory reference guide concludes with a current bibliography of further reading organized by chapter topics.

The angel can be viewed as a signal reference to modernist attempts to accommodate religious languages to self-consciously modern cultures. This book uses the angel to explore the relations between modernist literature and early twentieth-century debates over the secular and/or religious character of the modern age.

This study focuses on the close connections between literary value and the materiality of popular print artefacts in Britain from 1890-1930. The book demonstrates that the materiality of print objects-paper quality, typography, spatial layout, use of illustrations, etc.-became uniquely visible and significant in these years, as a result of a widely perceived crisis in literary valuation. In a set of case studies, it analyses the relations between literary value, meaning, and textual materiality in print artefacts such as newspapers, magazines, and book genres-artefacts that gave form to both literary works and the journalistic content (critical essays, book reviews, celebrity profiles, and advertising) through which conflicting conceptions of literature took shape. In the process, it corrects two available misperceptions about reading in the period: that books were the default mode of reading, and that experimental modernism was the sole literary aesthetic that could usefully represent modern life.