This fascinating selection of photographs traces some of the many ways in which Exmoor has changed and developed over the last century.

Hope Bourne, doyenne of Exmoor writers, was fascinated by the history of herhome, its landscape and its people. She published much on the subject, but themost substantial work was A Little History of Exmoor, published in 1968 andnever reprinted.Although not a professional historian, in that book Hope traced - in her customarilyevocative and eminently readable prose - the key developments in Exmoor'slong heritage: the Celtic and Saxon colonisation; the Norman development of theRoyal Forest; the disafforestation and acquisition by the Knight family of a vasttract of the Moor in the nineteenth century; and the advent of the National Parkin the twentieth century. The text was accompanied by a selection of HopeBourne's fine drawings, which further brought to life the key themes of her story.In this entirely re-set version of the book, new generations can now experienceHope's unique interpretation of Exmoor's history, which was tempered andinformed by her direct experience of living the sort of existence that would havebeen familiar to Exmoor dwellers many centuries before.

When two ambitious families occupy the same patch of English soil, rivalry is sure to take root and flourish. A glimmer of initiative swells into blind desire, and minor hurts, nursed with jealousy, fester into a malignant hatred. When a bitter feud is born, the price for this wild and beautiful piece of ground will take more than three generations to settle. Richard Lanyon answers to no one save the aristocratic Sweetwater family, owners of the land he farms. His bitter resentment is legend within the bounds of their tiny Exmoor community, but as their tenant, Richard must do their bidding. Still, even noblemen don't have the power to contain ruthless ambition, and the Sweetwaters are no exception. Driven to succeed, Richard is prepared to take what is not his, and to forfeit the happiness of his family to claim the entitlements he lusts for. In this epic story Valerie Anand creates a vivid portrait of fifteenth-century English life that resonates with the age-old themes of ambition, power, desire and greed.

Boasting much of the UK¿s most spectacular coastline, together with endless rolling hills of patchwork countryside and the high moorland of Exmoor and Dartmoor, the South West is renowned for its beautiful landscapes and is rich with photographic potential. Author and professional photographer Adam Burton describes 70 of the best locations in Cornwall, Devon and West Somerset for photography in this lavishly illustrated photography-location guidebook featuring 300 stunning photographs, including detailed advice on how to take great photographs.

A Los Angeles Times Best Book of the Year: “Part social satire, part thriller, and entirely clever” (Elle). It is a midsummer’s evening in the English countryside, and the three grown Palmer children are coming to the end of an enjoyable meal in the company of their partners and offspring. From this pleasant vantage point they play a dinner-party game: What kind of society would you be willing to accept if you didn’t know your place in it? But the abstract question of justice, like all their family conversations, is eventually brought back to the more pressing problem of their eccentric mother, Frieda, the famous writer, who has abandoned them and her old life, and gone to live alone in Exmoor. Frieda has always been a powerful and puzzling figure, a monster mother with a mysterious past. What is she plotting against them now? Has some inconvenient form of political correctness led her to favor her enchanting half-Guyanese grandson? What will she do with her money? Is she really writing her memoirs? And why has she disappeared? Has the dark spirit of Exmoor finally driven her mad? The Witch of Exmoor brilliantly interweaves high comedy and personal tragedy, unraveling the story of a family whose comfortable, rational lives, both public and private, are about to be violently disrupted by a succession of sinister, messy events. “Leisurely and mischievous,” it is a dazzling, wickedly gothic tale of a British matriarch, her three grasping children, and the perils of self-absorption (The New Yorker). “As meticulous as Jane Austen, as deadly as Evelyn Waugh.” —Los Angeles Times

Sebastian Jay explores the wonders of this night-time world above our heads from some of the darkest places around Exmoor's International Dark Sky Reserve.

The result of original survey work on Exmoor, which sought out evidence from prehistoric stone settings and burial mounds to medieval castles, lost settlements and 19th century industrial remains.