Poems steeped in the Somali tradition refract the streets of Ferguson, the halls of Guantanamo, and the fields near Abu Ghraib through the myth of Adam and Eve to ask: What does it mean to be a refugee?

An on-the-ground, intimate tour of the human toll of the nation's foreclosure crisis While working with his father's small company that "trashes out"— enters and empties—foreclosed homes in Florida, Paul Reyes wrote Exiles in Eden, a hard-hitting, personal, and poetic portrayal of his own family and the people and communities affected by the foreclosure crisis. Grounded in Florida and Reyes family history, and with character-driven visits to the dark corners of this crisis—including with those who are calling for revolution—Reyes explores the human element of this frightening rattling of the American Dream. From examining the unique "ecosystems" of each failed mortgage to witnessing parts of abandoned Florida returning to its wild natural state, Reyes takes the reader far from the machinations of Wall Street to the sun-baked side streets where the true costs of this crisis can be seen. The result is an extraordinary book about the allure and dream of home—and a portrait of an America where the exiled insist on the right to their own America dreams, even as the terms are forcibly redrawn.

Winner of the Sillerman First Book Prize for African Poets, The Kitchen-Dweller’s Testimony asks: Whose testimony is valid? Whose testimony is worth recording? Osman’s speakers, who are almost always women, assert and reassert in an attempt to establish authority, often through persistent questioning. Specters of race, displacement, and colonialism are often present in her work, providing momentum for speakers to reach beyond their primary, apparent dimensions and better communicate. The Kitchen-Dweller’s Testimony is about love and longing, divorce, distilled desire, and all the ways we injure ourselves and one another.

“A marvel—endlessly inventive, witty.” —Booklist (starred review) From New York Times bestselling author Andrew Smith comes the stunning, long-awaited sequel to the groundbreaking Printz Honor Book Grasshopper Jungle. It’s been sixteen years since an army of horny, hungry, six-foot-tall praying mantises forced Arek’s family underground and into the hole where he was born; it’s the only home he’s ever known. But now, post-end-of-the-world, the army of horny, hungry praying mantises might finally be dying out, and Arek’s ready to leave the hole for good. All he has are mysterious letters from Breakfast, a naked, wild boy traveling the countryside with his silent companion, Olive. Together, Arek and his best friend Mel, who stowed away in his van, navigate their way through the ravaged remains of the outside world. This long-awaited sequel to the irreverent, groundbreaking Printz Honor Book Grasshopper Jungle is riveting, compelling, and even more hilarious and beautifully bizarre than its predecessor.

Looks at the qualities humans developed in order to become successful hunter-gatherers, describes the problems these qualities cause today, and explains how psychotherapy can help

Exiles From Eden sounds a call to the American academic community to begin seeking a solution to the many problems facing higher education today by rediscovering a proper sense of its vocation. Schwehn argues that the modern university has forgotten its spiritual foundations and that it needs to reappropriate those foundations before it can creatively and responsibly reform itself. The first part of the book offers a critical examination of the ethos of the modern academy, especially its understanding of knowledge, teaching, and learning. Schwehn then formulates a description of the "new cultural context" within which the world of higher learning is presently situated. Finally, he develops a view of knowledge and inquiry that is linked essentially to character, friendship, and community. In the process, he demonstrates that the practice of certain spiritual virtues is and always has been essential to the process of genuine learning - even within the secular academy. Schwehn critiques philosophies of higher education he sees as misguided, from Weber and Henry Adams to Derek Bok, Allan Bloom, and William G. Perry, Jr., drawing out valid insights, while always showing the theological underpinnings of the so-called secular thinkers. He emphasizes the importance of community, drawing on both the secular communitarian theory of Richard Rorty and that of the Christian theorist Parker Palmer. Finally, he outlines his own prescription for a classroom-centered spiritual community of scholars. Exiles From Eden examines the relationship between religion and higher learning in a way that is at once historical and philosophical and that is both critical and constructive. It calls for nothing lessthan a reunion of the intellectual, the moral, and the spiritual virtues within the world of higher education in America. It will engage all those concerned with higher education in America today: faculty, students, parents, alumni, administrators, trustees, and foundation officers.

She had been a queen, but could she be a leader?After the great battle which left Eve dead and Adam despondent with grief, their daughter Luluwa steps in to fill the leadership void. Sworn to protect Nyssla, an infant nephilim, with the help of her immortal lover Kesbeel they learn of brewing mutiny among The Fallen. Luluwa has many powerful allies including the archangels. But she has just as many enemies who thrive on chaos. Amidst the backdrop of dazzling cities and epic mountain vistas can Luluwa keep everything together long enough to prepare for the coming war?

Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.

The swooning Victorian ladies and the 1950s housewives genuinely needed to be liberated. That much is indisputable. So, First-Wave feminists held rallies for women's suffrage. Second-Wave feminists marched for Prohibition, jobs, and abortion. Today, Third-Wave feminists stand firmly for nobody's quite sure what. But modern women--who use psychotherapeutic antidepressants at a rate never before seen in history--need liberating now more than ever. The truth is, feminists don't know what liberation is. They have led us into a very boring dead end. Eve in Exile sets aside all stereotypes of mid-century housewives, of China-doll femininity, of Victorians fainting, of women not allowed to think for themselves or talk to the men about anything interesting or important. It dismisses the pencil-skirted and stiletto-heeled executives of TV, the outspoken feminists freed from all that hinders them, the brave career women in charge of their own destinies. Once those fictionalized stereotypes are out of the way--whether they're things that make you gag or things you think look pretty fun--Christians can focus on real women. What did God make real women for?

We all share an experience of exile—of longing for our true home. In this ESBT volume, Matthew S. Harmon explores how the theme of sin and exile is developed throughout Scripture, tracing a common pattern of human rebellion, God's judgment, and the hope of restored relationship, beginning with the first humans and concluding with the end of exile in a new creation.