Yumi is a fun-loving schoolgirl with a deadly fate: she was born with a curse, and now something wicked her way comes.

Yumi is a fun-loving schoolgirl with a deadly fate: she was born with a curse, and now something wicked her way comes.

This book about "Touch of Evil" includes the continuity script, a biography of Orson Welles, an interview with Welles by Andre Bazih, an interview with Charlton Heston, excerpts from several critical essays, major reviews, a filmography and a bibliography.

At last, the long-awaited days of tranquility are here! Tanya begins attending war college, where she spends her time feasting in leisure. But who would've thought that a conversation with General von Zettour would lead to another turn of events...! Will her days of delicious bread and clean bed sheets come to an end?

Contrary to her dearest wish to find a safe place and stay there, Major Tanya von Degurechaff continues to wade through the fog of war with her troops on land, at sea, and in the air. After many battles with the increasingly numerous enemies of the Empire, a chance for a breakthrough finally appears. But when her comrades begin celebrating the glories they've reaped, savoring the sweet nectar of imminent triumph, Tanya alone is frozen in fear. Has the Empire decisively won the war, or is this nothing more than a Pyrrhic victory...?

Delight in fright! Now in value-priced softcover format, the third volume of the EC Archives collection of The Haunt of Fear conjures a trove of unforgettable nightmares, featuring fables of fear from comics giants Al Feldstein, William Gaines, Graham Ingels, Jack Kamen, Jack Davis, George Evans, and others. Includes adaptations of the Ray Bradbury stories “The Coffin!” and “The Black Ferris!” Collects The Haunt of Fear issues #13–#18.

Yumi is a fun-loving schoolgirl with a deadly fate: she was born with a curse, and now something wicked her way comes.

The Evil Eye is mentioned repeatedly throughout the Old Testament, Israel's parabiblical writings, and New Testament, with a variety of terms and expressions. The Old Testament (Greek Septuagint) contains no less than fourteen text segments involving some twenty explicit references to the Evil Eye (Deut 15:9; 28:54, 56; Prov 23:6; 28:22; Tob 4:7, 16; Sir 14:3, 6, 8, 9, 10; 18:18; 31:13; 37:11; Wis 4:12; 4 Macc 1:26; 2:15; Ep Jer 69/70). At least three further texts are also likely implied references to an Evil Eye (1 Sam 2:29, 32; 18:9), with some other texts as more distant possibilities. The Evil Eye is mentioned also in the Old Testament Pseudepigrapha, the Dead Sea Scrolls, and the writings of Philo and Josephus--all of which are discussed in the following pages. Evil Eye belief and practice continued in the early Jesus movement. Jesus mentions the Evil Eye on more than one occasion (Matt 6:22-23; Luke 11:33-36; Mark 7:22). Paul makes explicit and implicit mention of the Evil Eye in his letter to the Galatians (3:1; 4:12-20). Possible implicit references to the Evil Eye are also examined. Both the common and the distinctive features of biblical Evil Eye belief are identified, along with its operation on multiple levels (biological/physiological, psychological, economic, social, and moral) and its serving a variety of purposes. The numerous references to the Evil Eye in Israel's rabbinic writings and those of postbiblical Christianity (second-sixth centuries CE), together with the material evidence from this period, are examined in volume 4.

For every parent tired of telling their kids to PLEASE JUST GET ALONG, this hilarious and imaginative new picture book--from the beloved creators of Babymouse--is here to help. Sort of. Meet the Evil Princess and the Brave Knight. She casts terrible spells, while he fights dragons. He rescues cats in distress, while she makes mischief. No wonder there isn't much peace in this kingdom! But is the Evil Princess really so evil? And is the Brave Knight truly as chivalrous as he seems? Children and parents will laugh at seeing familiar family dynamics play out in this charming and imaginative new story.

While Flannery O'Connor is hailed as one of the most important writers of the twentieth-century American south, few appreciate O'Connor as a philosopher as well. In Return to Good and Evil, Henry T. Edmondson introduces us to a remarkable thinker who uses fiction to confront and provoke us with the most troubling moral questions of modern existence. 'Right now the whole world seems to be going through a dark night of the soul, ' O'Connor once said, in response to the nihilistic tendencies she saw in the world around her. Nihilism--Nietzche's idea that 'God is dead'--preoccupied O'Connor, and she used her fiction to draw a tableau of human civilization on the brink of a catastrophic moral, philosophical, and religious crisis. Again and again, O'Connor suggests that the only way back from this precipice is to recognize the human need for grace, redemption, and God. She argues brilliantly and persuasively through her novels and short stories that the Nietzschean challenge to the notions of good and evil is an ill-conceived effort that will result only in disaster. With rare access to O'Connor's correspondence, prose drafts, and other personal writings, Edmondson investigates O'Connor's deepest motivations through more than just her fiction and illuminates the philosophical and theological influences on her life and work. Edmondson argues that O'Connor's artistic brilliance and philosophical genius reveal the only possible response to the nihilistic despair of the modern world: a return to good and evil through humility and grace.