Each chapter discusses an aspect of Tal's combinational play, provides examples, and then gives the reader an opportunity to attempt to solve puzzles drawn from Tal's games. Tips and solutions are provided.

In the late nineteenth- and early twentieth-century United States, ideas of genius did more than define artistic and intellectual originality. They also provided a means for conceptualizing women's participation in a democracy that marginalized them. Widely distributed across print media but reaching their fullest development in literary fiction, tropes of female genius figured types of subjectivity and forms of collective experience that were capable of overcoming the existing constraints on political life. The connections between genius, gender, and citizenship were important not only to contests over such practical goals as women's suffrage but also to those over national membership, cultural identity, and means of political transformation more generally. In The Genius of Democracy Victoria Olwell uncovers the political uses of genius, challenging our dominant narratives of gendered citizenship. She shows how American fiction catalyzed political models of female genius, especially in the work of Louisa May Alcott, Henry James, Mary Hunter Austin, Jessie Fauset, and Gertrude Stein. From an American Romanticism that saw genius as the ability to mediate individual desire and collective purpose to later scientific paradigms that understood it as a pathological individual deviation that nevertheless produced cultural progress, ideas of genius provided a rich language for contests over women's citizenship. Feminist narratives of female genius projected desires for a modern public life open to new participants and new kinds of collaboration, even as philosophical and scientific ideas of intelligence and creativity could often disclose troubling and more regressive dimensions. Elucidating how ideas of genius facilitated debates about political agency, gendered identity, the nature of consciousness, intellectual property, race, and national culture, Olwell reveals oppositional ways of imagining women's citizenship, ways that were critical of the conceptual limits of American democracy as usual.

A classic travelogue that brilliantly conjures 1930s Britain. In this series of pen-portraits of England from the 1930s, Victor Canning ‘evocatively captures the pattern and colour of English life’ (The Bookseller), from Cumbria to Cornwall. Canning’s heart-warming and humorous observations of sleepy villages, pastoral scenes and busy industries are a delightful time capsule into life in England during the interwar years. ‘What does the word England mean to you? To all of us England means something different, and yet I think there is for every man and woman some little corner which is more England than anywhere else...’ ***PRAISE FOR EVERYMAN'S ENGLAND*** 'Wonderful... elegant, humorous, exuberant essays.' Guardian 'Evocatively captures the pattern and colour of English life.’ The Bookseller ‘Canning finds beauty everywhere, but never sentimentalises, and is consistently honest enough to highlight poverty and social inequality... Canning, at his very best when waxing lyrical about landscapes, offers vivid images of the English countryside...' The Daily Mail