In the last half of the 19th century, the women of America were beginning to develop their own sense of style. Although influenced by European fashions and the social and economic changes of the time, they made clothing choices based upon their personal aspirations and their practical everyday needs. Providing an overview of fashion influences for each decade from the 1860s to the end of the century, Everyday Fashion in Found Photographs presents iconic garments, using sources from the period, to provide commentary and detailed description of the styles of the time. Previously unpublished vintage photographs show women across the social spectrum wearing items such as the Garibaldi shirt, the cuirass bodice, the Mother Hubbard, bicycle bloomers, and much more. Names, dates and functions of garments are examined in detail, and ties are established between social and historical contexts and the evolution of clothing styles. This illustrated book is for readers who want to identify and understand specific clothing items as well as gain insight into the mind-set of fashionable women from Victorian-era America. Dress history scholars, costume designers, curators of costume collections, social and cultural historians and those who appreciate vintage photographs can learn about elements of late 19th century women's dress and thereby develop an understanding of what was fashionable, and why.

In the last half of the 19th century, the women of America were beginning to develop their own sense of style. Although influenced by European fashions and the social and economic changes of the time, they made clothing choices based upon their personal aspirations and their practical everyday needs. Providing an overview of fashion influences for each decade from the 1860s to the end of the century, Everyday Fashion in Found Photographs presents iconic garments, using sources from the period, to provide commentary and detailed description of the styles of the time. Previously unpublished vintage photographs show women across the social spectrum wearing items such as the Garibaldi shirt, the cuirass bodice, the Mother Hubbard, bicycle bloomers, and much more. Names, dates and functions of garments are examined in detail, and ties are established between social and historical contexts and the evolution of clothing styles. This illustrated book is for readers who want to identify and understand specific clothing items as well as gain insight into the mind-set of fashionable women from Victorian-era America. Dress history scholars, costume designers, curators of costume collections, social and cultural historians and those who appreciate vintage photographs can learn about elements of late 19th century women's dress and thereby develop an understanding of what was fashionable, and why.

After the three page introduction, the work is mainly photographs with short captions.

A visual analysis of the dress of middle-class Americans from the mid- to late-19th century. Using images and writings, it shows how even economically disadvantaged Americans could wear styles within a year or so of current fashion.

Vintage photographs depict girls playing dress-up in their mothers' clothes, a boy dressed in Little Lord Fauntleroy style, and scores of other representative portraits. Captions.

In 1911 the French publisher Lucien Vogel challenged Edward Steichen to create the first artistic, rather than merely documentary, fashion photographs, a moment that is now considered to be a turning point in the history of fashion photography. As fashion changed over the next century, so did the photography of fashion. Steichen’s modernist approach was forthright and visually arresting. In the 1930s the photographer Martin Munkácsi pioneered a gritty, photojournalistic style. In the 1960s Richard Avedon encouraged his models to express their personalities by smiling and laughing, which had often been discouraged previously. Helmut Newton brought an explosion of sexuality into fashion images and turned the tables on traditional gender stereotypes in the 1970s, and in the 1980s Bruce Weber and Herb Ritts made male sexuality an important part of fashion photography. Today, following the integration of digital technology, teams like Inez & Vinoodh and Mert & Marcus are reshaping our notion of what is acceptable—not just aesthetically but also technically and conceptually—in a fashion photograph. This lavishly illustrated survey of one hundred years of fashion photography updates and reevaluates this history in five chronological chapters by experts in photography and fashion history. It includes more than three hundred photographs by the genre’s most famous practitioners as well as important but lesser-known figures, alongside a selection of costumes, fashion illustrations, magazine covers, and advertisements.

Is your closet jam-packed and yet you have absolutely nothing to wear? Can you describe your personal style in one sentence? If someone grabbed a random piece from your closet right now, how likely is it that it would be something you love and wear regularly? With so many style and shopping options, it can be difficult to create a streamlined closet of pieces that can be worn easily and confidently. In The Curated Closet, style writer Anuschka Rees presents a fascinatingly strategic approach to identifying, refining, and expressing personal style and building the ideal wardrobe to match it, with style and shopping strategies that women can use every day. Using The Curated Closet method, you’ll learn to: • Shop smarter and more selectively • Make the most of your budget • Master outfit formulas and color palettes • Tweak your wardrobe for work • Assess garment fit and quality like a pro • Curate a closet of fewer, better pieces Including useful infographics, charts, and activities, as well as beautiful fashion photography, The Curated Closet is the ultimate practical guide to authentic and unique style.

Using previously unpublished photographs collected from many private sources, the author records the history of everyday wear from 1900 to 1999, allowing us to view the clothes worn by ordinary men, women and children over the last 100 years.

In these two volumes the rich collection of England's National Portrait Gallery has been combed to provide a chronological record of what was worn from 1860 to the end of the century by residents in and visitors to the British Isles.

One-piece strapless bathing suits and dresses with plunging necklines for women; business suits with wide lapels for men; bluejeans and plaid shirts for girls; and much more. Over 300 black-and-white illustrations.