This hard hitting and intense drama, a sensation Off Broadway, is based on a murder that happened in a small town in Florida in 1952. Ruby McCollum, a black woman, is accused of killing a socially prominent white doctor. Famed writer Zora Neale Hurston is covering her trial for the national black press. With help from another famous reporter, Zora uncovers an explosive collision of race, sex and class that is key to understanding the truth about the murder.

Everybody’s America reassesses Pynchon’s literary career in order to explain the central role played by the racialization of American culture in the postmodernist deconstruction of subjectivity and literary authority and in the crisis in white liberal culture. It charts the evolution of both these cultural transformations from Pynchon’s early short stories, composed in the late 1950s, through Gravity’s Rainbow, published in 1973. This book demonstrates that Pynchon deploys techniques associated with the decentering of the linguistic sign and the fragmentation of narrative in order to work through the anxieties of white male subjects in their encounter with racial otherness. It also charts Pynchon’s attention to non-white and non-Euro-American voices and cultural forms, which imply an awareness of and interest in processes of transculturation occurring both within U.S. borders and between the U.S. and the Third World. In these ways, his novels attempt to acknowledge the implicit racism in many elements of white American culture and to grapple with the psychological and sociopolitical effects of that racism on both white and black Americans. The argument of Everybody’s America, however, also considers the limits of Pynchon’s implicit commitment to hybridity as a social ideal, identifying attitudes expressed in his work that suggest a residual attraction to the mainstream liberalism of the fifties and early sixties. Pynchon’s fiction dramatizes the conflict between the discourses and values of such liberalism and those of an emergent multiculturalist ethos that names and valorizes social difference and hybridity. In identifying the competition between residual liberalism and an emergent multiculturalism, Everybody’s America makes its contribution to the broader understanding of postmodern culture.

Denise Shelby, host of the popular Red Herring Channel show, SHERLOCK AND COMPANY, has a problem. Charles Jessup, New York critic, has cancelled out on her third season premiere and she has less than three hours to find a replacement. What to do? Enter James Prescott, author of the biography of the late and not particularly lamented media mogul, Maxwell "Mad Max" Winston. Winston's life was filled with blackmail, jilted lovers, libel suits, and mysterious death. Just the ticket for a show dedicated to mysteries right? Not necessarily. Winston died in 1980 so there are still plenty of people around who have long memories and big grudges, not to mention personal agendas. Yes, there are many people who would have preferred James not write his book. As Denise and James are about to find out, EVERYBODY'S A CRITIC.

A millionaire consumed with revenge... The Ford family caused Xavier Bordiu's brother's death. Now Sophie Ford works for him! Tempted by her beauty, Xavier will take his revenge in the most pleasurable way... A woman with a secret... Sophie is still a virgin. But, as Xavier's skillful seduction awakens Sophie's sensuality, he finds the ice around his own heart beginning to melt. This is not the kind of revenge on which the Spaniard has bargained!

The first work of its kind, this encyclopedia provides 360 brief biographies of African American film and television acPER010000tresses from the silent era to 2009. It includes entries on well-known and nearly forgotten actresses, running the gamut from Academy Award and NAACP Image Award winners to B-film and blaxpoitation era stars. Each entry has a complete filmography of the actress's film, TV, music video or short film credits. The work also features more than 170 photographs, some of them rare images from the Schomburg Center for Research in Black Culture.

Everybody Loves Pizza is a celebration of America’s favorite dish — its history, its versatility, its staying power. It delves into where pizza came from, where it’s going, and what it means to American culture. Thanks to food writers, pizza insiders, and ordinary, pizza-loving Americans, it also reveals where to find 540 top-notch pizzas across the country, plus recipes from the familiar (Pepperoni or Barbecue Chicken Pizza) to the adventurous (Shrimp Pizza with Tasso Ham, Goat Cheese, and Spinach or Prosciutto Pear Pizza).