When a body is found in a burnt-out car, Pathologist Quirke is called into to verify the apparent suicide of an up-and-coming civil servant. But Quirke can't shake off the suspicion of foul play. The only witness has vanished, every trace of her wiped away. Piecing together her disappearance, Quirke finds himself drawn into the shadowy world of Dublin's elite

From New York Times bestselling author Mariah Stewart comes a novel of sexy romantic suspense for fans of Nora Roberts, Catherine Coulter, and Karen Robards. Three devious prisoners vow murderous revenge. Now the third is free. FBI Special Agent Miranda Cahill has always played by the rules: always maintain a respectful professionalism, and never mix business with pleasure. Except when it comes to fellow agent Will Fletcher. Their on-again, off-again relationship has left painful scars even he has never seen. Now, a series of murders has the two agents racing to outwit a killer before he can strike again. Miranda and Will know that lives depend on identifying intended victims and tracking them down before the killer does. But as they begin to unravel this homicidal agenda, it becomes clear that Miranda may be the last and final target in a twisted game. With the clock ticking, time is running out on a killer who is determined to cross Miranda’s name off his hit list . . . permanently.

Sara Tate has just started as a prosecutor in the Manhattan District Attorney's office. Her husband, Jared Lynch, is a defense attorney on the brink of making partner at his prestigious Wall Street law firm. They have a golden future ahead of them and a terrific, high-spirited marriage - the law brought them together and it has never kept them apart. Until Sara and Jared inadvertently find themselves on opposite sides of the same case. When that happens, husband and wife are pitted against each other. And when they're both threatened by parties to the case, the result is unavoidable. No matter who wins, one of them will die.

If you're a dinosaur, all of your friends are dead. If you're a pirate, all of your friends have scurvy. If you're a tree, all of your friends are end tables. Each page of this laugh-out-loud illustrated humor book showcases the downside of being everything from a clown to a cassette tape to a zombie. Cute and dark all at once, this hilarious children's book for adults teaches valuable lessons about life while exploring each cartoon character's unique grievance and wide-eyed predicament. From the sock whose only friends have gone missing to the houseplant whose friends are being slowly killed by irresponsible plant owners (like you), All My Friends Are Dead presents a delightful primer for laughing at the inevitable.

"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.

“Dear Ava, I loved your book.” —Award-winning actress Emma Watson For fans of Kathleen Glasgow and Amber Smith, Ava Dellaira writes about grief, love, and family with a haunting and often heartbreaking beauty in this emotionally stirring, critically acclaimed debut novel, Love Letters to the Dead. It begins as an assignment for English class: Write a letter to a dead person. Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more—though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was—lovely and amazing and deeply flawed—can she begin to discover her own path.

PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert. Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults. A father lusts after his handsome gardener even as he's haunted (literally) by his dead wife; a heartbroken dog runs afoul of an angry neighbor; a young stroke victim drifts westward, his luck running from worse to awful; a sickly musician for whom Alice develops an attraction is drawn instead toward darker imaginings and solutions; and an aging big-game hunter finds spiritual renewal through his infatuation with an eight-year-old—the formidable Emily Bliss Pickless. With nature thoroughly routed and the ambiguities of existence on full display, life and death continue in directions both invisible and apparent. Gloriously funny and wonderfully serious, The Quick and the Dead limns the vagaries of love, the thirst for meaning, and the peculiar paths by which all creatures are led to their destiny. A panorama of contemporary life and an endlessly surprising tour de force: penetrating and magical, ominous and comic, this is the most astonishing book yet in Joy Williams's illustrious career. Joy Williams belongs, James Salter has written, "in the company of Céline, Flannery O'Connor, and Margaret Atwood."

Senior Investigator Shana Merchant has spent years running from her past. But she never imagined a murder case would drive her to the most dangerous place of all—home. After leaving the NYPD following her abduction by serial killer Blake Bram, Shana Merchant hoped for a fresh start in the Thousand Islands of Upstate New York. Her former tormentor has other plans. Shana and Bram share more than just a hometown, and he won’t let her forget it. When the decades-old skeleton of Shana's estranged uncle is uncovered, Bram issues a challenge: Return home to Vermont and solve the cold case, or the blood he spills next will be on her hands. As Shana interviews members of her family and the community, mining for secrets that could help her solve her uncle's murder, she begins to realize how little she remembers of her childhood. And when Bram grows impatient and kidnaps again, leaving a trail of clues Shana alone can understand, she knows his new victim will only survive if she wins the psychopath’s twisted game. In order to solve one mystery, Shana must wade into her murky past to unravel another.

From the author of Pulitzer-nominated The Devil’s Highway and national bestseller The Hummingbird’s Daughter comes an exquisitely composed collection of poetry on life at the border. Weaving English and Spanish languages as fluidly as he blends cultures of the southwest, Luis Urrea offers a tour of Tijuana, spanning from Skid Row, to the suburbs of East Los Angeles, to the stunning yet deadly Mojave Desert, to Mexico and the border fence itself. Mixing lyricism and colloquial voices, mysticism and the daily grind, Urrea explores duality and the concept of blurring borders in a melting pot society.

In Sorenson, Wisconsin, a local bigshot is found with a pool cue through the heart—and Mattie Winston must untangle a web of lies to sink a killer . . . In her previous career as a nurse, Mattie Winston’s job was to keep death at bay. Now, as a medicolegal investigator, she’s required to study death intimately—to figure out causes and timing, and help deduce whether it was natural or suspicious. In the case of Montgomery “Monty” Dixon, a well-to-do Realtor, there can be little doubt: Broken pool cues do not embed themselves. Monty’s body is found in the game room of his lavish house, the walls adorned with photos of Monty and various celebrities. But as Mattie and husband Steve Hurley, a homicide detective, both know, money and connections can’t protect anyone from a killer. The first suspect is Monty’s wife, Summer, who claims to have been at a cooking class at the time. When that alibi is served up as a fake, Summer moves to the top of the suspects list, but is soon joined by Monty’s ne’er-do-well son, Sawyer, who has racked up gambling debts he hoped his dad would pay off. Monty’s twin brother is engaging in shady financial deals. An affair, a Ponzi scheme, a disputed inheritance . . . there are as many motives as suspects, and soon Mattie and Hurley have turned up other, possibly related deaths. Balancing a high-profile case with the demands of their increasingly stressful household isn’t easy. It’ll take all of Mattie’s skill—along with a lucky break or two—to stop a killer from racking up another victim . . .