Evelyn Waugh (1903–1966) is one of the twentieth century’s great prose stylists and the author of a suite of devastating satires on modern English life, from his first unforgettably funny novel Decline and Fall, to his last work of fiction, “Basil Seal Rides Again.” Evelyn Waugh’s Satire: Texts and Contexts renews scholarly debates central to Waugh’s work: the forms of his satire, his attitudes towards modernity and modernism, his place in the literary culture of the interwar period, and his pugnacious (mis)reading of literary and other texts. This study offers new exegetical accounts of the forms and figures of Waugh’s satire, linking original readings of Waugh’s texts to the literary-historical contexts that informed them. Posing fresh readings of familiar works and affording attention to more neglected texts, Evelyn Waugh’s Satire: Texts and Contexts offers readers and scholars a timely opportunity to return to the rich, dark art of this master of prose satire.

"A work of art as rich and subtle and unnerving as anything its author has ever done" (New Yorker), The Loved One is Evelyn Waugh's cutting satire of 1940s California and the Anglo-American cultural divide. Following the death of a friend, the poet and pets' mortician Dennis Barlow finds himself entering the artificial Hollywood paradise of the Whispering Glades Memorial Park. Within its golden gates, death, American-style, is wrapped up and sold like a package holiday--and Dennis gets drawn into a bizarre love triangle with Aimée Thanatogenos, a naïve Californian corpse beautician, and Mr. Joyboy, a master of the embalmer's art. Waugh's dark and savage satire depicts a world where reputation, love, and death cost a very great deal.

Black Mischief was Evelyn Waugh’s third novel, published in 1932. The novel chronicles the efforts of the English-educated Emperor Seth, assisted by a fellow Oxford graduate, Basil Seal, to modernize his Empire, the fictional African island of Azania, located in the Indian Ocean off the eastern coast of Africa. Hilarity ensues from the issuance of homemade currency, the staging of a “Birth Control Gala,” the rightful ruler’s demise at his own rather long and tiring coronation ceremonies, and a good deal more mischief.

Vile Bodies is a 1930 novel satirising the bright young things: decadent young London society after World War I. The title appears in a comment made by the novel’s narrator in reference to the characters’ party-driven lifestyle: “All that succession and repetition of massed humanity... Those vile bodies...”

Paul Pennyfeather is a second-year theology student who, as a result of mistaken identity, has his “education discontinued for personal reasons.” He ends up as a schoolmaster at a fourth-rate school, hired despite not meeting any of the qualifications in their advertisement. He there encounters a cornucopia of eccentric characters, including another master who has a wooden leg, a former clergyman with capital-D Doubts, and a servant who tells everyone he’s rich, but with a different tale for each about why he’s posing as a servant. Paul’s time at school leads to romance with a student’s mother, and that in turn leads to enormous complications in Paul’s life. Inspired in part by his own experiences in school and as a schoolmaster, Evelyn Waugh’s first published novel, Decline and Fall, is a dark and occasionally farcical satire of British college life. It’s something of a perverse coming-of-age story, subverting the expected journey and ending that the archetype usually demands. Shining a devastating light on many of the societal struggles of post-WWI Britain, Waugh took his novel’s title from another work that revealed the ineluctable descent of a great society: Gibbons’ The History of the Decline and Fall of the Roman Empire. Waugh issued a new edition of Decline and Fall in 1960 that contained restored text that was removed by his publisher from the first edition. This Standard Ebooks edition follows the first edition. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Upper-class scoundrel Basil Seal, mad, bad, and dangerous to know, creates havoc wherever he goes, much to the despair of the three women in his life-his sister, his mother, and his mistress. When Neville Chamberlain declares war on Germany, it seems the perfect opportunity for more action and adventure. So Basil follows the call to arms and sets forth to enjoy his finest hour-as a war hero. Basil's instincts for self-preservation come to the fore as he insinuates himself into the Ministry of Information and a little-known section of Military Security. With Europe frozen in the "phoney war," when will Basil's big chance to fight finally arrive?

Scoop, Evelyn Waugh's bestselling comedy of England's newspaper business of the 1930s is the closest thing foreign correspondents have to a bible -- they swear by it. But few readers are acquainted with Waugh's memoir of his stint as a London Daily Mail correspondent in Abyssinia (now Ethiopia) during the Italian invasion in the 1930s. Waugh in Abyssinia is an entertaining account by a cantankerous and unenthusiastic war reporter that "provides a fascinating short history of Mussolini's imperial adventure as well as a wickedly witty preview of the characters and follies that figure into Waugh's famous satire." In the forward, veteran foreign correspondent John Maxwell Hamilton explores in how Waugh ended up in Abyssinia, which real-life events were fictionalized in Scoop, and how this memoir fits into Waugh's overall literary career, which includes the classic Brideshead Revisited. As Hamilton explains, Waugh was the right man (a misfit), in the right place (a largely unknown country that lent itself to farcical imagination), at the right time (when the correspondents themselves were more interesting than the scraps of news they could get.) The result, Waugh in Abyssinia, is a memoir like no other.

Collected for the first time in a single volume: all of the short fiction by one of the 20th century's wittiest and most trenchant observers of the human comedy.