Eusebius the Evangelist analyzes Eusebius of Caesarea's fourth-century reconfiguration of the Gospels as a window into broader questions of technology and textuality in the ancient Mediterranean. The four Gospels of the New Testament (Matthew, Mark, Luke, and John) share language, narratives, and ideas, yet they also differ in structure and detail. The sophisticated system through which Eusebius organized this intricate web of textual relationships is known as the Eusebian apparatus. Eusebius' editorial intervention--involving tables, sectioning, and tables of contents--participates in a broader late ancient transformation in reading and knowledge. To illuminate Eusebius' innovative use of textual technologies, the study juxtaposes diverse ancient disciplines--including chronography, astronomy, geography, medicine, philosophy, and textual criticism--with a wide range of early Christian sources, attending to neglected evidence from material texts and technical literature. These varied phenomena reveal how Eusebius' fourfold Gospel worked in the hands of readers. Eusebius' creative juxtapositions of Gospel material had an enduring impact on Gospel reading. Not only did Eusebius continue earlier trajectories of Gospel writing, but his apparatus continued to generate new possibilities in the hands of readers. For more than a millennium, in over a dozen languages and in thousands of manuscripts, Eusebius' invention transformed readers' encounters with Gospel text on the page. By employing emerging textual technologies, Eusebius created new possibilities of reading, thereby rewriting the fourfold Gospel in a significant and durable way.

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Presents a radical new reading of how Christian history was rewritten in the fourth century to suit its circumstances under Rome.

An encyclopedic guide to the interpretation and understanding of biblical literature. Though written by members of the National Association of Baptist Professors of Religion, the 1,450 original entries by some 225 contributors are diverse in viewpoint and devoid of theological prescription. They're

This book examines the various Johannine narratives found in writings in the period from Papias (early second century) to Eusebius (early fourth century). Dean Furlong argues that the first major revision of the Johannine narrative was the identification of John the Evangelist with John the Apostle, the son of Zebedee, at the beginning of the third century. This in turn initiated a process of reinterpretation, as the previously-separate narratives of the two figures were variously spun into new configurations during the third and fourth centuries. This process culminated with Eusebius’s synthesis of the Johannine traditions, which came to form the basis of what is considered the “traditional” Johannine story. Furlong concludes that in the earliest narrative, found in Papias, John the Evangelist was identified, not with the Apostle, but with another disciple of Jesus known as John the Elder.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

This is the extended and annotated edition including * an extensive biographical annotation about the author and his life Book I. The treatise opens with a short statement on the subject of the authority of the Evangelists, their number, their order, and the different plans of their narratives. Augustine then prepares for the discussion of the questions relating to their harmony, by joining issue in this book with those who raise a difficulty in the circumstance that Christ has left no writing of His own, or who falsely allege that certain books were composed by Him on the arts of magic. He also meets the objections of those who, in opposition to the evangelical teaching, assert that the disciples of Christ at once ascribe more to their Master than He really was, when they affirmed that He was God, and inculcated what they had not been instructed in by Him, when they interdicted the worship of the gods. Against these antagonists he vindicates the teaching of the Apostles, by appealing to the utterances of the Prophets, and by showing that the God of Israel was to be the sole object of worship, who also, although He was the only Deity to whom acceptance was denied in former times by the Romans, and that for the very reason that He prohibited them from worshipping other gods along with Himself, has now in the end made the Empire of Rome subject to His Name, and among all nations has broken their idols in pieces through the preaching of the Gospel, as He had promised by His prophets that the event should be. Book II. In this book Augustine undertakes an orderly examination of the Gospel according to Matthew, on to the narrative of the Supper, and institutes a comparison between it and the other Gospels by Mark, Luke, and John, with the view of demonstrating a complete harmony between the four Evangelists throughout all these sections. Book III. This book contains a demonstration of the harmony of the Evangelists from the accounts of the Supper on to the end of the Gospel, the narratives given by the several writers being collated, and the whole arranged in one orderly connection. Book IV. This book embraces a discussion of those passages which are peculiar to Mark, Luke, or John.

The three Garima Gospels are the earliest surviving Ethiopian gospel books. They provide glimpses of lost late antique luxury gospel books and art of the fifth to seventh centuries, in the Aksumite kingdom of Ethiopia as well as in the Christian East. As this work shows, their artwork is closely related to Syriac, Armenian, Greek, and Georgian gospel books and to the art of late antique (Coptic) Egypt, Nubia, and Himyar (Yemen). Like most gospel manuscripts, the Garima Gospels contain ornately decorated canon tables which function as concordances of the different versions of the same material in the gospels. Analysis of these tables of numbered parallel passages, devised by Eusebius of Caesarea, contributes significantly to our understanding of the early development of the canonical four gospel collection. The origins and meanings of the decorated frames, portraits of the evangelists, Alexandrian circular pavilion, and unique image of the Jerusalem Temple are elucidated. The Garima texts and decoration demonstrate how a distinctive Christian culture developed in Aksumite Ethiopia, while also belonging to the mainstream late antique Mediterranean world. Lavishly illustrated in colour, this volume presents all of the Garima illuminated pages for the first time and extensive comparative material. It will be an essential resource for those studying late antique art and history, Ethiopia, eastern Christianity, New Testament textual criticism, and illuminated books.

The text's elaborate illumination also brings to life a vibrant artistic center, the Monastery of Gladzor, which long ago disappeared." "The Armenian Gospels of Gladzor includes sixty color reproductions of the manuscript's illuminated pages, ten black-and-white illustrations, and two maps along with an essay that explores the book's artistic richness and theological complexity."--BOOK JACKET.