Three rich young Englishmen cross pre-World War II Europe in an old car with a mixture of laugh-out-loud humor and perceptive commentary on art and architecture Turning a corner we suddenly found ourselves sliding down a precipice, tilted so far forward that it was necessary to hold ourselves back with our hands pressed against the dashboard, as half a dozen Apennine valleys beckoned invitingly below. Here [St Peter' s] Popes with black faces and golden crowns are wallowing twice life-size in the titanic folds of marble tablecloths, their ormolu fringes festooning upon the arms of graceful skeletons to disclose some Alice-in-Wonderland door or the grim hinges of some sepulchral grill . . . Best known as the author of The Road to Oxiana, published in 1937, Robert Byron had developed his considerable writing skills on this travel book which has not been in print since 1926. It describes a journey Byron made with three friends, driving across Europe between two world wars, and mixes political and historical analysis with architectural insights, classical scholarship, and the day-to-day adventures of three young and not very experienced travelers. For fans of Robert Byron' s work this will be a discovery; for others it will be an introduction. Includes nine original sketches made by the author during his travels.

Despite having emerged in the heyday of a dominant Europe, of which Ancient Greece is the hallowed spiritual and intellectual ancestor, anthropology has paradoxically shown relatively little interest in contemporary Greek culture. In this innovative and ambitious book, Michael Herzfeld moves Greek Ethnography from the margins to the centre of anthropological theory, revealing the theoretical insights that can be gained by so doing. He shows that the ideology that originally led to the creation of anthropology also played a large part in the growth of the modern Greek nation-state, and that Greek ethnography can therefore serve as a mirror for an ethnography of anthropology itself. He further demonstrates the role that scholarly fields, including anthropology, have played in the construction of contemporary Greek culture and Greek identity.

Through the Looking Glass provides readers with an informative record of the exhibition of self-portraits by Ana Mendieta, Carrie Mae Weems, and other leading women artists, held in 2003 at the Palmer Museum of Art as part of the Women's Self-Representation Project at The Pennsylvania State University. Fully illustrated, this catalogue enables readers to revisit the provocative juxtaposition of Yayoi Kusama's Multi-Fabrics and Alba d'Urbano's Couture, or Martha Rosler's Semiotics of the Kitchen and several of Cindy Sherman's famed Film Stills. An essay by Sarah Rich addresses important questions about women's use of self-portraiture. How, for example, does self-representation by women engage with narcissism, a long-time trait long ascribed to the stereotypical &"woman&"? To what extent is gender a necessary element in women's self-portraiture?

This book argues that our perspectives on democratization reflect the intellectual origins of the inquiry. A range of disciplines from anthropology to economics, sociology and legal scholarship, as well as different area studies, offer a rich combination of analytical frameworks, distinctive insights and leading points of concern.

Fifty-five years after its founding at the dawn of the cold war, North Korea remains a land of illusions. Isolated and anachronistic, the country and its culture seem to be dominated exclusively by the official ideology of Juche, which emphasizes national self-reliance, independence, and worship of the supreme leader, General Kim Jong Il. Yet this socialist utopian ideal is pursued with the calculations of international power politics. Kim has transformed North Korea into a militarized state, whose nuclear weapons, ballistic missiles, and continued threat to South Korea have raised alarm worldwide. This paradoxical combination of cultural isolation and military-first policy has left the North Korean people woefully deprived of the opportunity to advance socially and politically. The socialist economy, guided by political principles and bereft of international support, has collapsed. Thousands, perhaps millions, have died of starvation. Foreign trade has declined and the country's gross domestic product has recorded negative growth every year for a decade. Yet rather than initiate the sort of market reforms that were implemented by other communist governments, North Korean leaders have reverted to the economic policies of the 1950s: mass mobilization, concentration on heavy industry, and increased ideological indoctrination. Although members of the political elite in Pyongyang are acutely aware of their nation's domestic and foreign problems, they are plagued by fear and policy paralysis. North Korea Through the Looking Glass sheds new light on this remote and peculiar country. Drawing on more than ten years of research—including interviews with two dozen North Koreans who made the painful decision to defect from their homeland—Kongdan Oh and Ralph C. Hassig explore what the leadership and the masses believe about their current predicament. Through dual themes of persistence and illusion, they explore North Korea's stubborn adherence to policies that have

The Myth: Alice was an ordinary girl who stepped through the looking glass and entered a fairy-tale world invented by Lewis Carroll in his famous storybook. The Truth: Wonderland is real. Alyss Heart is the heir to the throne, until her murderous aunt Redd steals the crown and kills Alyss? parents. To escape Redd, Alyss and her bodyguard, Hatter Madigan, must flee to our world through the Pool of Tears. But in the pool Alyss and Hatter are separated. Lost and alone in Victorian London, Alyss is befriended by an aspiring author to whom she tells the violent, heartbreaking story of her young life. Yet he gets the story all wrong. Hatter Madigan knows the truth only too well, and he is searching every corner of our world to find the lost princess and return her to Wonderland so she may battle Redd for her rightful place as the Queen of Hearts.

12. Bury, Baynes and Toynbee -- 13. O.M. Dalton: 'ploughing the Byzantine furrow' -- 14. R.M. Dawkins and Byzantium -- Section IV Other perspectives -- 15. Du Cange and Byzantium -- 16. Pyotr Ivanovich Sevastianov and his activity in collecting Byzantine objects in Russia -- Section V Encounters with the imagined Byzantium -- 17. Simpering Byzantines, Grecian goldsmiths et al.: some appearances of Byzantium in English poetry -- 18. 'As the actress said to the bishop ... ': the portrayal of Byzantine women in English-language fiction -- Index

Existing theories of cooperation assume a stable geo-political order, led by countries with a shared conception of the modalities of cooperation. These assumptions are no longer justified. Effective Multilateralism makes the case for a new approach to explaining international cooperation through the lens of East Asian.

What can wordplay--as understood in the broadest sense--teach us about language, its functions, characteristics, structure, and workings? Using Lewis Carroll's Alice as a starting point, Yanguello takes the reader on a vivid and unconventional voyage into the world(s) of language, charting the major themes of linguistics along the way. This is an entertaining and original introduction to the nature of language that will appeal to students and teachers alike.

As living subjects rather than static icons, studio-era Hollywood actresses actively negotiated a balance between their public personas, film roles, and corporeal presence. The contemporary audience’s engagement with the experience of these actresses unsettles the traditional model of narcissistic identification, which divides the off-screen spectator from his/her on-screen ideal. Exploring the fan’s desire for a material connection to the performer – as well as the star’s own dialogue between embodied experience and idealized image – Beyond the Looking Glass traces on- and off-screen representations of narcissistic femininity in classical Hollywood through studies of stars like Greta Garbo, Ava Gardner, and Marilyn Monroe. Merging historical and theoretical concerns, with particular attention to the resonance of golden-age Hollywood in new media, this book explores the movie screen as a medium of shared experience between spectator and star.