During World War II, London was transformed into a European city, as it unexpectedly became a place of refuge for many thousands of European citizens who through choice or the accidents of war found themselves seeking refuge in Britain from the military campaigns on the Continent of Europe. In this volume, an international team of historians consider the exile groups from Belgium, France, the Netherlands, Poland, Norway and Czechoslovakia, analysing not merely the relations between the plethora of exile regimes and the British government in terms of its military and social dimensions but also the legacy of this period of exile for the politics of post-war Europe. Particular attention is paid to the Belgian exiles, the most numerous exile population in Britain during World War II.

During World War 2, London was transformed into a European city, as it unexpectedly became a place of refuge for many thousands of European citizens seeking refuge from military campaigns on the Continent of Europe.

European Writers in Exile collects a series of original essays that address the writers’ universal existential dilemma, when viewed through the lens of exile: who am I, where am I from, and what do I write, and to whom? While we often understand the term “exile” to refer to writers who have either been forced to leave their home country or region or chosen self-exile, this term need not be defined so narrowly, and the contributors to this volume explore a range of interesting and evolving definitions. Various countries in Europe have long been both a refuge for people and writers from many countries and a strife-torn region which has forced many to flee within the continent or beyond it. The phrase “in exile” involves writers moving across borders in multiple directions and for multiple reasons, including for reasons of duress or personal quest, and these themes are addressed and critiqued in these essays. This volume naturally examines the cataclysmic and near-universal exilic experiences relating to the world wars, including essays on Thomas Mann, Vladimir Nabokov, Hannah Arendt and Leo Strauss. Additionally, essays address the unique early twentieth-century experiences of Emile Zola, Franz Kafka, Joseph Conrad, and James Joyce. More contemporary essay subjects include Milan Kundera, Norman Manea, Eva Hoffman, Caryl Phillips, and W. G. Sebald. This collection of transnational, globalized European literature studies envisions understanding the intersection of our contemporary world and various writers in exile in new cultural, historical, spatial, and epistemological frameworks. How does literary production in an increasingly globalized world—when seen from exile—affect a view back towards a country or region left behind? Or, conversely, how does exile push a writer to look outward to new (trans-)nationalized space(s)? These and other questions are important to investigate. Taken in sum, European Writers in Exile offers an academically rigorous, important, and cohesive volume.

This collection of essays looks at the shared experience of exile across different groups in the early modern period. Contributors argue that exile is a useful analytical tool in the study of a wide variety of peoples previously examined in isolation.

Studies on exile in the 19th century tend to be restricted to national histories. This volume is the first to offer a broader view by looking at French, Italian, Hungarian, Polish, Czech and German political refugees who fled to England after the European revolutions of 1848/49. The contributors examine various aspects of their lives in exile such as their opportunities for political activities, the forms of political cooperation that existed between exiles from different European countries on the one hand and with organizations and politicians in England on the other and, finally, the attitude of the host country towards the refugees, and their perceptions of the country which had granted them asylum. Sabine Freitag is Research Fellow at the German Historical Institute in London. Rudolf Muhs is Lecturer in German History at the University of London (Royal Holloway).

A magisterial history of the artists and writers who left Weimar when the Nazis came to power In 1933 thousands of intellectuals, artists, writers, militants and other opponents of the Nazi regime fled Germany. They were, in the words of Heinrich Mann, “the best of Germany,” refusing to remain citizens in this new state that legalized terror and brutality. Exiled across the world, they continued the fight against Nazism in prose, poetry, painting, architecture, film and theater. Weimar in Exile follows these lives, from the rise of national socialism to their return to a ruined homeland, retracing their stories, struggles, setbacks and rare victories. The dignity in exile of Walter Benjamin, Ernst Bloch, Bertolt Brecht, Alfred Döblin, Hanns Eisler, Heinrich Mann, Thomas Mann, Anna Seghers, Ernst Toller, Stefan Zweig and many others provides a counterpoint to the story of Germany under the Nazis.

The studies in East and Central European History Writing in Exile 1939-1989, all written by experts in the history of the region, give answers to the comprehensive question of how the experience of exile during the time of the Nazi and Communist totalitarianism influenced and still influences history writing and the historical consciousness both in the countries hosting exile historians, as well as in the home countries which these historians left. The volume comprises difficult-to-access information about the organization and the work of historians exiled from the Baltic States, including Baltic Germans, Belorusia, Ukraine, and Poland. And it provides reflections on the intellectuals networking between their own national and the foreign traditions in the exile. Contributors are: Olavi Arens, Mirosław Filipowicz, Jörg Hackmann, Volodymyr Kravchenko, Oleg Łatyszonek, Andreas Lawaty, Iveta Leitāne, Artur Mękarski, Andrzej Nowak, Gert von Pistohlkors, Andrejs Plakans, Toivo Raun, Rafał Stobiecki, Mirosław A. Supruniuk, Jaan Undusk, and Maria Zadencka.

This is the first comparative study of literature written by writers who fled from East-Central Europe during the twentieth century. It includes not only interpretations of individual lives and literary works, but also studies of the most important literary journals, publishers, radio programs, and other aspects of exile literary cultures. The theoretical part of introduction distinguishes between exiles, émigrés, and expatriates, while the historical part surveys the pre-twentieth-century exile traditions and provides an overview of the exilic events between 1919 and 1995; one section is devoted to exile cultures in Paris, London, and New York, as well as in Moscow, Madrid, Toronto, Buenos Aires and other cities. The studies focus on the factional divisions within each national exile culture and on the relationship between the various exiled national cultures among each other. They also investigate the relation of each exile national culture to the culture of its host country. Individual essays are devoted to Witold Gombrowicz, Paul Goma, Milan Kundera, Monica Lovincescu, Milos Crnjanski, Herta Müller, and to the "internal exile" of Imre Kertész. Special attention is devoted to the new forms of exile that emerged during the ex-Yugoslav wars, and to the problems of "homecoming" of exiled texts and writers.

Offers a transnational perspective on 17th-century English republicanism, focusing on the lived experiences of English republican exiles.

Immersive, engrossing report on the European refugee crisis A mother puts her children into a refrigerator truck and asks, “What else could I do?” A runaway teenager comes of age on the streets, sleeping in abandoned buildings. A student leaves his war-ravaged country behind because he doesn’t want to kill. Everyone among the thousands of people who come to Europe in search of asylum each year possesses a unique story. But those stories don’t end as they cross into the West. In Lights in the Distance, acclaimed journalist Daniel Trilling draws on years of reporting to build a portrait of the refugee crisis as seen through the eyes of the people who experienced it firsthand. As the European Union has grown, so has a tangled and often violent system designed to filter out unwanted migrants. Visiting camps and hostels, sneaking into detention centers, and delving into his own family’s history of displacement, Trilling weaves together the stories of people he met and followed from country to country. In doing so, he shows that the terms commonly used to define them—“refugee” or “economic migrant,” “legal” or “illegal,” “deserving” or “undeserving”—fall woefully short of capturing the complex realities. The founding story of the EU is that it exists to ensure the horrors of the twentieth century are never repeated. Now, as it comes to terms with the worst refugee crisis since the Second World War, its declared values of freedom, tolerance and respect for human rights are being put to the test. Lights in the Distance is a uniquely powerful and illuminating exploration of the nature and human dimensions of the crisis.