Drawing on ethnographic research at the British seaside, this book offers an original and insightful anthropological contribution to the study of contemporary Britain and nationalism. The volume focuses on people who have retired from different parts of the UK to the seaside town of Margate and nearby areas, exploring their ethical negotiations and relationship with things that ‘have history’. It considers how residents engage daily with objects, houses and places ‘with character’ and how such ordinary engagements underlie nationalist sentiments and the Brexit vote. Ana Carolina Balthazar demonstrates that those who have reached a comfortable financial position often look for ways to reconnect with their working-class upbringing and, while doing so, engage with the national past in a very tangible manner. Contributing to social scientific debates on class dynamics and ethics, the book provides a different perspective on nationalist populism, one which moves beyond media stereotypes and arguments made about the ‘left behind’ and ‘longing for empire’ in ‘post-industrial’ Britain.

Over recent years, the issues of Brexit, COVID and the ‘migrant crisis’ put Kent in the headlines like never before. Images of asylum seekers on Kent beaches, lorries queued on motorways and the crumbling white cliffs of Dover all spoke to national anxieties, and were used to support ideas that severing ties with the EU was the best – or worst – thing the UK has ever done. In this coastal driftwork, Phil Hubbard – an exiled man of Kent – considers the past, present and future of this corner of England, alighting on a number of key sites which symbolise the changing relationship between the UK and its continental neighbours. Moving from the geopolitics of the Channel Tunnel to the cultivation of oysters at Whitstable, from Derek Jarman’s feted cottage at Dungeness to the art-fuelled gentrification of Margate, Borderland bridges geography, history, and archaeology, to pose important questions about the way that national identities emerge from contested local landscapes.

Around the world, blue-collar politics have become associated with resistance to the multicultural. While this may also be true in Edinburgh, Scotland, a closer look reveals the growth of liberal democratic ideals in the working-class population, which has a much different goal: How can this European city keep the entrepreneurial forces of globalization from commodifying what is distinctly theirs? In Tenement Nation, Christa Ballard Tooley explores the battle for a neighborhood called the Canongate in Edinburgh's Old Town. Tooley's insightful study of the working-class Canongate community as they negotiate gentrification plans offers a complex view of class and nation. The threat of the Canongate's redevelopment motivated many throughout Edinburgh to lend their support to the residents' campaign. Against such development projects, alliances formed between upper-class heritage supporters and working-class urban residents, all of whom turned to institutions such as the European Union and UNESCO for support in restricting commercial development. Tenement Nation explores these negotiations between socioeconomic classes and even nationalities to show what Tooley calls a "working-class cosmopolitanism" in pursuit of social, economic, and political inclusion.

At a time when far, radical, and extreme-right politics are becoming increasingly mainstream globally – sometimes with deadly consequences – research in these fields is essential to understand the most effective ways to combat these dangerous ideologies. Yet engaging with texts and movements that do physical and verbal violence raises a number of urgent ethical issues. Until recently, this has remained understudied, as scholarship on the far right rarely delves explicitly and critically into the ethics of research. This book seeks to remedy this significant gap in an otherwise extensive and growing literature. Originating from a workshop series in 2020, in which an international group of academics at various career stages shared the ethical challenges and best practices they had developed in their research, this edited collection draws together insights from these ongoing conversations, offering urgent critical reflections on key ethical issues.

This book explores privacy practices and the role of digital technologies in the lives of urban Ghanaians, considering how they use language, materiality, and culture to maintain sharp boundaries between the private and public. Focusing on the harbour town of Tema, it offers rich ethnographic portraits that cover topics such as nightlife, domestic architecture, religion, and social media. The volume demonstrates how transformations across Africa such as Pentecostal reformation, neoliberal reforms, and rapid digitisation all raise the need for privacy among middle-class urbanites who use brand new (and very traditional) strategies to uphold an image of their economic or religious state. Overall the book highlights how digital technologies intertwine with local cultures and histories, and how digital anthropology enhances our understanding of the offline as much as the online. It makes a valuable contribution to discourse about the right for privacy and surveillance in the digital age, and will be of interest to scholars from anthropology and African studies.

This book explores the attribution and local negotiation of cultural valuations of artistic and art-institutional practices around the world, and considers the diverse ways in which these value attributions intersect with claims of universality and cosmopolitanism. Taking Michael Herzfeld’s notion of the “global hierarchy of value” as point of departure, the volume brings together six empirical studies of the collection, circulation, classification and exhibition of objects in present-day Brazil, China, India, Japan, South Africa and Indigenous Australia in light of Europe’s loss of global hegemony. Including reflections by a number of senior scholars, the chapters demonstrate that the question of valuation lies at the heart of artistic and art-institutional practices writ large – including museum practices, museum architecture, galleries, auction houses, art fairs and biennales.

The Materiality of Nothing explores the invisible, intangible and transient materials and objects of everyday life and the relationships we have with them. Drawing on over 15 years of original, empirical research, it builds on growing research on the everyday, and unites the established field of material culture and materiality with emerging sociological studies exploring notions of nothing and the unmarked. The chapters cover topics such as lost property, museum curation, plastic microfibres, thrift, music and even hair, illuminating how invisible and intangible materials conjure memories, meanings and identities, inextricably binding us to other people, places and things. In turn, the book also engages with issues of sustainability and consumption, raising questions regarding society’s increasing need for material accumulation and posing some alternatives.

Discloses the radical diversity of the field of democracy that is overlooked by mainstream political science.

A timely overview of populism, one of the most contested concepts in political journalism and the social sciences

The New York Times bestselling author of The Origins of Political Order offers a provocative examination of modern identity politics: its origins, its effects, and what it means for domestic and international affairs of state In 2014, Francis Fukuyama wrote that American institutions were in decay, as the state was progressively captured by powerful interest groups. Two years later, his predictions were borne out by the rise to power of a series of political outsiders whose economic nationalism and authoritarian tendencies threatened to destabilize the entire international order. These populist nationalists seek direct charismatic connection to “the people,” who are usually defined in narrow identity terms that offer an irresistible call to an in-group and exclude large parts of the population as a whole. Demand for recognition of one’s identity is a master concept that unifies much of what is going on in world politics today. The universal recognition on which liberal democracy is based has been increasingly challenged by narrower forms of recognition based on nation, religion, sect, race, ethnicity, or gender, which have resulted in anti-immigrant populism, the upsurge of politicized Islam, the fractious “identity liberalism” of college campuses, and the emergence of white nationalism. Populist nationalism, said to be rooted in economic motivation, actually springs from the demand for recognition and therefore cannot simply be satisfied by economic means. The demand for identity cannot be transcended; we must begin to shape identity in a way that supports rather than undermines democracy. Identity is an urgent and necessary book—a sharp warning that unless we forge a universal understanding of human dignity, we will doom ourselves to continuing conflict.