Precocious in childhood, irrepressible in old age, Miss Topaz Edgeworth’s singular accomplishment is to live out an entire century in unflagging – and mostly oblivious – optimism. At once outmoded and unconventional, tyrannical and benign, Topaz leads a largely unexamined life. But the magical quality of her consciousness, revealed through stunning narrative technique, makes her into one of the most delightful characters in Canadian literature. Published in 1949, The Innocent Traveller is Ethel Wilson’s most original literary achievement.

The eighteen pieces collected in Mrs. Golightly and Other Stories bring together the many and subtle voices of Ethel Wilson, demonstrating her extraordinary range as a writer. From the gentle mockery of the title story to the absurdist reportage of “Mr. Sleepwalker,” Wilson exerts unerring narrative control. Revealing what is “simple and complicated and timeless” in everyday life, these stories also venture into irrational realms of experience where chance encounters assume a malevolent form and coincidence transmuted into nightmare. First published in 1961, Mrs. Golightly and Other Stories is a diverse and rewarding collection, unified by Ethel Wilson’s distinct and engaging wit.

Walking out on a demoralizing second marriage, Maggie Lloyd leaves Vancouver to work at a fishing lodge in the interior of British Columbia. But the serenity of Maggie’s new surroundings is soon disturbed by the irrational jealousy of the lodge-keeper’s wife. Restoring her own broken spirit, Maggie must also become a healer to others. In this, she is supported by her eccentric friend, Nell Severance, whose pearl-handled revolver – the Swamp Angel – becomes Maggie’s ambiguous talisman and the novel’s symbolic core. Ethel Wilson’s best-loved novel, Swamp Angel first appeared in 1954. It remains an astute and powerful study of one woman’s integrity and of the redemptive power of compassion.

Ethel Wilson is one of Canada's most important writers. This biography draws on archival material and interviews to describe, in detail, her early life as an orphan in England and Vancouver and her long writer's apprenticeship, spanning from the publication of some children's stories in 1919 to the appearance of "Hetty Dorval" in 1947. 2003.

In the two novellas that make up The Equations of Love, Ethel Wilson describes ordinary people in perilous circumstances with extraordinary insight and compassion. “Tuesday and Wednesday” reconstructs the events of two days in the life of Mort and Myrtle Johnson, whose uninspired marriage is strangely transformed by the tragic intervention of fate. “Lilly’s Story” is the study of a woman who, protecting her daughter, invents a new identity for herself, only to live as a fugitive from her own happiness. Fist published in 1952, these intuitive and richly ironic stories reveal the unspoken longings and surprising motives that balance the equations of love.

Ellen Guppy is the reluctant heroine of Ethel Wilson’s final novel,Love and Salt Water. Saddened by a painful childhood, Ellen has adopted a skeptical independence and learned too well to hold her heart in reserve. But, as the novel unfolds, Ellen undergoes something of a sea-change; learning to accept love along with the sorrow that is rarely far from love. First published in 1956,Love and Salt Wateris a mature and, at times, disturbing synthesis of Ethel Wilson’s major themes: the independence of human lives, the strange alchemy of chance, and the healing illumination of love.

When Ethel Wilson published her first novel, Hetty Dorval, in 1947, she was nearly sixty years old. With her following books, she established herself as British Columbia's most distinguished fiction writer and one of Canada's best loved and most studied authors. Although she enjoyed and even encouraged her reputation as an unambitious latecomer who wrote for her own pleasure, she was, as David Stouck reveals in this book, a person who took her writing very seriously. Drawing on the Wilson papers held at the University of British Columbia, Stouck provides an important survey of Wilson's talents while at the same time offering the fullest biography of the author to date.

Born in the slums of Vancouver, B.C., Lilly fights for a better life for her child.

Beginning in the 1890s, reaching its first full realization by modernist writers in the 1920s, and brought to its heyday during the Canadian Renaissance starting in the 1960s, the short story has become Canada's flagship genre. It continues to attract the country's most accomplished and innovative writers today, among them Margaret Atwood, Mavis Gallant, Alice Munro, Carol Shields, and many others. Yet in contrast to the stature and popularity of the genre and the writers who partake in it, surprisingly little literary criticism and theory has been devoted to the Canadian short story. This collection redresses that imbalance by providing the first collection of critical interpretations of a range of thirty well-known and often-anthologized Canadian short stories from the genre's beginnings through the twentieth century. A historical survey of the genre introduces the volume and a timeline comparing the genre's development in Canada, the US, and Great Britain via representative examples completes it. The collection is geared both to specialists in and to students of Canadian literature. For the latter it is of particular benefit that the volume provides not only a collection of interpretations, but a comprehensive introduction to the history of the Canadian short story. Reingard M. Nischik is professor and chair of American Literature at the University of Constance, Germany.