The pastor and gospel musician writes about usind God's help to overcome generations of dysfunction.

The weekly source of African American political and entertainment news.

Black Men Worshipping analyzes the discursive spaces where Black masculinity is constructed, performed, and contested in American religion and culture. It judiciously considers the anxiety that emerges from Black male negotiations with these constructions

This book started with a conversation with a friend about how their life and my life could have been so different if certain things had happened at a certain point in time. I was motivated to explore that proposition, and my exploration led to the writing of this book. I began to realize that so many of us reach back into the past for answers, without realizing the amazing destiny that God has prepared for us, if we would just decline to reach back and not ponder the "what ifs." One of the realities of life is the difficult process of decision-making. Once a decision has been made, after extrapolating the best information available and at your disposal, there should be a limited amount of "what ifs."

This multiauthor book concentrates on themes and images of religion in film. It features analysis of some of the most important directors in the twentieth century, includiing Coppola, Chaplin, Hitchcock, and Truffaut, among others.

The weekly source of African American political and entertainment news.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

Temporality, Eternity, and Wisdom invites readers into the text of Augustine's most widely read book to consider if rhetoric conflicts with Christianity and if Christians should condemn and abandon its use. In the Confessions, Augustine seems to answer such questions with an emphatic yes. Through a comprehensive review of the classic text, Calvin L. Troup argues that Augustine does indeed reject the dominant rhetorical tradition of the late Roman Empire, known today as the Second Sophistic. Troup notes, however, that Augustine's rejection of that rhetoric dates from long before his conversion. Troup argues that when Augustine converts, the semiotic integration of time and eternity in the incarnate Christ motivates him to espouse a substantial, practical alternative to the Second Sophistic that is nonetheless a form of rhetoric--a Christian rhetoric.

Offers Christian singles advice on finding and becoming an ideal spouse by learning to follow God's guidance.

Male-centered theology, a dearth of men in the pews, and an overrepresentation of queer males in music ministry: these elements coexist within the spaces of historically black Protestant churches, creating an atmosphere where simultaneous heteropatriarchy and "real" masculinity anxieties, archetypes of the "alpha-male preacher", the "effeminate choir director" and homo-antagonism, are all in play. The "flamboyant" male vocalists formed in the black Pentecostal music ministry tradition, through their vocal styles, gestures, and attire in church services, display a spectrum of gender performances - from "hyper-masculine" to feminine masculine - to their fellow worshippers, subtly protesting and critiquing the otherwise heteronormative theology in which the service is entrenched. And while the performativity of these men is characterized by cynics as "flaming," a similar musicalized "fire" - that of the Holy Spirit - moves through the bodies of Pentecostal worshippers, endowing them religio-culturally, physically, and spiritually like "fire shut up in their bones". Using the lenses of ethnomusicology, musicology, anthropology, men's studies, queer studies, and theology, Flaming?: The Peculiar Theo-Politics of Fire and Desire in Black Male Gospel Performance observes how male vocalists traverse their tightly-knit social networks and negotiate their identities through and beyond the worship experience. Author Alisha Jones ultimately addresses the ways in which gospel music and performance can afford African American men not only greater visibility, but also an affirmation of their fitness to minister through speech and song.