A Taste of Blood Ever since his abduction by the Eternal Order of Vampires, Gray Donohue has finally found his true calling: vengeance. He will stop at nothing to bring his fellow Impure vampires the freedom they deserve. Now if he could just release his primal need for the beautiful vampire who saved his life—and rules his thoughts and desires… After nearly killing the senator she was assigned to protect, Dillon is now in mortal danger. The jaguar within her has been unleashed, and she can no longer control it. Sex is the only thing that can tame her shift. And Gray is the only man who can make her surrender to a passion strong enough to overpower her inner beast. But she doesn’t want to surrender—she wants her life back. Because she is determined never to belong to anyone, especially not Gray—the male whom destiny claims is her mate…

A Taste of Blood Ever since his abduction by the Eternal Order of Vampires, Gray Donohue has finally found his true calling: vengeance. He will stop at nothing to bring his fellow Impure vampires the freedom they deserve. Now if he could just release his primal need for the beautiful vampire who saved his life--and rules his thoughts and desires... After nearly killing the senator she was assigned to protect, Dillon is now in mortal danger. The jaguar within her has been unleashed, and she can no longer control it. Sex is the only thing that can tame her shift. And Gray is the only man who can make her surrender to a passion strong enough to overpower her inner beast. But she doesn't want to surrender--she wants her life back. Because she is determined never to belong to anyone, especially not Gray--the male whom destiny claims is her mate...

When Erion’s son is kidnapped by the evil vampire Cruen, Erion vows to stop at nothing to find his hideaway—including intercepting the traveling party of Cruen’s beautiful bride-to-be. But instead of a vulnerable caravan, Erion is met by a feral band of female demons that includes Hellen, the bride—a creature of dark magic and darker passion. Though the safety of his son is foremost, Erion can’t deny his unexpected connection to Hellen—inflaming a manic desire as primal as it is irresistible. As their bond intensifies, they move toward an inevitable and terrifying battle. With time running out, Erion realizes he must not only find and rescue his son but protect Hellen from Cruen and the underworld forces waiting to destroy her for her betrayal.

Petra becomes Synjon's savior after he is attacked by an evil vampire, but when she becomes pregnant with his child, Syn turns his back on her.

"Bequeathed the Triple C Ranch, the Cavanaugh brothers return home to Texas to confront the painful memories of their childhood and the truth about their sister's murder...."--P. [4] of cover.

Perfect for fans of From Blood and Ash and A Shade of Vampire - but with added spice!Jak's life has only one meaning; break the curse or die trying. Marius's life has no meaning; not since he was cursed into the twisted, blood thirsty creature of night. For years the witches have waited for their salvation, a way to return the magic that was sacrificed when the curse was first cast. Jak, a boy born with power that the witches have not seen in a century, is their prophesied saviour. The one who is to kill the creature, break the curse and restore magic to his coven. Sent to the creature's castle as the final Claim, Jak must get close enough to land the final blow. It is what he has trained all his life to accomplish. Not all is as it seems when Jak uncovers secrets and half-truths. The creature is not the haunting beast he had been brought up to hate. Emotions war as new feelings are uncovered. For what is more dangerous than hate? Lust. Lord of Eternal Night is a complete, M/M *stand-alone novel*, inspired by Beauty and the Beast? with added bite.

Law and Ecology: New Environmental Foundations contains a series of theoretical and applied perspectives on the connection between law and ecology, which together offer a radical and socially responsive foundation for environmental law. While its legal corpus grows daily, environmental law has not enjoyed the kind of jurisprudential underpinning generally found in other branches of law. This book forges a new ecological jurisprudential foundation for environmental law – where ‘ecological' is understood both in the narrow sense of a more ecosystemic perspective on law, and in the broad sense of critical self-reflection of the mechanisms of environmental law as they operate in a context where boundaries between the human and the non-human are collapsing, and where the traditional distinction between ecocentrism and anthropocentrism is recast. Addressing current debates, including the intellectual property of bioresources; the protection of biodiversity in view of tribal land demands; the ethics of genetically modified organisms; the redefinition of the 'human' through feminist and technological research; the spatial/geographical boundaries of environmental jurisdiction; and the postcolonial geographies of pollution – Law and Ecology redefines the way environmental law is perceived, theorised and applied. It also constitutes a radical challenge to the traditionally human-centred frameworks and concerns of legal theory.

This book is an anthology of poetry of the highest quality, revolutionizing the field of poetry. Some of the themes considered are: love,peace,death,war,friendship,hatred, the tragedies of September 11, heroism, mathematics, proof, and life in general. All poetry in this anthology is deep and profound. In the unlikely event that any reader feels otherwise, it is only because they don't understand poetry.

The Cavanaugh brothers left behind River Black, Texas, long ago. But after their father dies, bequeathing them the Triple C, a cattle ranch that sustains their small town, they return—and confront the painful memories of their childhood home and the truth about their sister’s murder… For years, James Cavanaugh has traveled the world as a horse whisperer, but even the millions he’s earned hasn’t healed the pain he hides behind his stoic exterior. Forced to tackle old demons at the ranch, James throws himself into work to avoid his true feelings. Until he meets a woman who shakes the foundations of his well-built walls… Sheridan O’Neil’s quiet confidence has served her well, except when it comes to romance. Refusing to allow her heard to led her to disaster, she chooses to focus solely on work. But after Sheridan is rescued from a horse stampede by the most beautiful cowboy she’s ever met, her vow to keep her heart penned wavers. Only, as Sheridan uncovers James’s belief that no woman is safe with him, she wonders if such a wounded man could ever give in to love, or if some hearts are too broken to be healed.…

Mark Berry explores the political and religious ideas expounded in Wagner's Ring through close attention to the text and drama, the multifarious intellectual influences upon the composer during the work's lengthy gestation and composition, and the wealth of Wagner source material. Many of his writings are explicitly political in their concerns, for Wagner was emphatically not a revolutionary solely for the sake of art. Yet it would be misleading to see even the most 'political' tracts as somehow divorced from the aesthetic realm; Wagner's radical challenge to liberal-democratic politics makes no such distinction. This book considers Wagner's treatment of various worlds: nature, politics, economics, and metaphysics, in order to explain just how radical that challenge is. Classical interpretations have tended to opt either for an 'optimistic' view of the Ring, centred upon the influence of Young Hegelian thought - in particular the philosophy of Ludwig Feuerbach - and Wagner's concomitant revolutionary politics, or for the 'pessimistic' option, removing the disillusioned Wagner-in-Swiss-exile from the political sphere and stressing the undoubtedly important role of Arthur Schopenhauer. Such an 'either-or' approach seriously misrepresents not only Wagner's compositional method but also his intellectual method. It also sidelines inconvenient aspects of the dramas that fail to 'fit' whichever interpretation is selected. Wagner's tendency is not progressively to recant previous 'errors' in his oeuvre. Radical ideas are not completely replaced by a Schopenhauerian world-view, however loudly the composer might come to trumpet his apparent 'conversion'. Nor is Wagner's truly an Hegelian method, although Hegelian dialectic plays an important role. In fact, Wagner is in many ways not really a systematic thinker at all (which is not to portray him as self-consciously unsystematic in a Nietzschean, let alone 'post-modernist' fashion). His tendency, rather, is agglomerative,