"Crossroads Modernism provides an in-depth look at how West African cultural legacies are brought to bear in the structure of a truly African American modernist creative process. Whereas much has been said about the (generally racist) use of blackness in constituting modernism, Crossroads Modernism is the first book to expose the key role that modernism has played in the constitution of blackness in African American aesthetics". --Publisher.

This is the most extensive book on Esu, also known in different locations as Eleda, Exu, Cxu Eleggua, Cxu Elegbara, Legba, Elegba, Elegbera, or Odara. He is the "divine messenger," central to the understanding of Yoruba religion and worldview, as well as their various manifestations and related orisa traditions in the African diaspora--such as Candomblé, Vodou, and Santería/Lukumi. Esu and Ifa (divination with all its sacred texts) or Orunmila (the god of divination) rank as the most widespread and the most worshipped of all the deities. Both Esu and Ifa/Orunmila hold the Yoruba cosmic system together. Esu is now part of what some may label as the Black Atlantic religion; part of the attempt to recover African religions in other lands; as well as part of the use of religion for survival. As the book points out, in Esu's ability to migrate to other lands, he becomes part of transatlantic history, but more so of the tension between relocation and history, between the violence that led to the forced migrations of people and the long healing process of reconciliation with living in strange lands that later became new homelands. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin.

Yoruba theology teaches that there are 401 powers of the right ("angels") called orisha whose role is to act as protectors and facilitators of humankind; there are also 201 powers of the left called ajogun ("demons") whose role is to present humans with challenges and obstacles. Eshu's place is unique because he is both an orisha and the leader of the ajogun! He is both an orisha and the leader of the Ajogun! He is the one in four-hundred-and-one and the one in two-hundred-and-one.

Divining the Self weaves elements of personal narrative, myth, history, and interpretive analysis into a vibrant tapestry that reflects the textured, embodied, and performative nature of scripture and scripturalizing practices. Velma Love examines the Odu—the Yoruba sacred scriptures—along with the accompanying mythology, philosophy, and ritual technologies engaged by African Americans. Drawing from the personal narratives of African American Ifa practitioners along with additional ethnographic fieldwork conducted in Oyotunji African Village, South Carolina, and New York City, Love’s work explores the ways in which an ancient worldview survives in modern times. Divining the Self also takes up the challenge of determining what it means for the scholar of religion to study scripture as both text and performance. This work provides an excellent case study of the sociocultural phenomenon of scripturalizing practices.

With a focus on the connected spiritual legacy of the black Atlantic, Literary Expressions of African Spirituality leads the way to more comprehensive trans-geographical studies of African spirituality in black art. With essays focusing on African spirituality in creative works by several trans-Atlantic black authors across varying locations in the Ameri-Atlantic diaspora, this collection reveals and examines their shared spiritual cosmology. Diasporic in scope, Literary Expressions of African Spirituality offers new readings of black literatures through the prism of spiritual memory that survived the damaging impact of trans-Atlantic slaving. This memory is a significant thread that has often been missed in the reading and teaching of the literatures of the African diaspora. Essays in this collection explore unique black angles of seeing and ways of knowing that characterize African spiritual presence and influence in trans-Atlantic black artistic productions. Essays exploring works ranging from turn-of-the-century African American figure W.E.B. DuBois, South African novelist Zakes Mda, Haitian novelists Edwidge Danticat and Jacques Roumain, as well as African belief systems such as Voudoun and Candomble, provide a scope not yet offered in a single published volume. This collection explores the deep and often unconscious spiritual and psychosocial connectedness of people of African descent in the African and Ameri-Atlantic world.

This concise and accessible textbook introduces students to the anthropological study of religion. It examines religious expression from a cross-cultural perspective and exposes students to the complexities of religion in small-scale and complex societies. The chapters incorporate key theoretical concepts and a wide range of ethnographic material. The fifth edition of The Anthropology of Religion, Magic, and Witchcraft offers: • a revised introduction covering the foundations of the anthropology of religion, anthropological methods, and a push toward decolonizing the anthropology of religion, • expanded coverage of symbols, healing, wizardry, and the intersections of religion with other social institutions, • new case study material with examples drawn from around the globe, especially from Indigenous communities, • marginalia in each chapter introducing provocative small-case examples related to the chapter—many of these can be used as prompts for further research, small in-class case studies, or examples for hands-on learning, • a new chapter on religion and healing, especially useful for Anthropology programs without representation of four fields, as it provides a wider and more interdisciplinary application of the discipline, • a consistent review of foundations from chapter to chapter, linking material and enabling students to connect what they are learning throughout the course, and • further resources via a comprehensive companion website, including interactive activities, critical case studies, updated study questions, bibliographical suggestions (including video), and color images. This is an essential guide for students encountering the anthropology of religion for the first time and also for those with an ongoing interest in this fascinating field.

This compelling reference work introduces the religions of Voodoo, a onetime faith of the Mississippi River Valley, and Vodou, a Haitian faith with millions of adherents today. Unlike its fictional depiction in zombie films and popular culture, Voodoo is a full-fledged religion with a pantheon of deities, a priesthood, and communities of believers. Drawing from the expertise of contemporary practitioners, this encyclopedia presents the history, culture, and religion of Haitian Vodou and Mississippi Valley Voodoo. Though based primarily in these two regions, the reference looks at Voodoo across several cultures and delves into related religions, including African Vodu, African Diasporic Religions, and magical practices like hoodoo. Through roughly 150 alphabetical entries, the work describes various aspects of Voodoo in Louisiana and Haiti, covering topics such as important places, traditions, rituals, and items used in ceremonies. Contributions from scholars in the field provide a comprehensive overview of the subject from various perspectives and address the deities and ceremonial acts. The book features an extensive collection of primary sources and a selected, general bibliography of print and electronic resources.

Written by an international team of experts, this is the first work of its kind to offer comprehensive coverage of folklore throughout the African continent. Over 300 entries provide in-depth examinations of individual African countries, ethnic groups, religious practices, artistic genres, and numerous other concepts related to folklore. Featuring original field photographs, a comprehensive index, and thorough cross-references, African Folklore: An Encyclopedia is an indispensable resource for any library's folklore or African studies collection. Also includes seven maps.