Estate Landscapes in Northern Europe is the first study of the role of the landed estate as an agent in the shaping of landscapes and societies across northern Europe over the past five centuries. Leading us into the fascinating variations of manorial worlds, the present volume seeks to open the field to include a broader perspective on estate landscapes. Estate - or manorial - landscapes were distinctive elements within the historic landscape and created their own character. Marked by larger scale fields associated with the home or demesne farm as well as a higher proportion of woodland and timber trees the landscapes reflected the scale of the resources available to the landowner and the control they exerted over the local communities. But they also represented the performative aspects of life for the elite, such as their engagement with hunting. While existing works have tended to emphasize the economic and agricultural aspect of estate landscapes, this volume draws out the social, cultural and political impact of manors and estates on landscapes throughout northern Europe. The chapters provide insights into a broad range of histories, such as the social worlds of burghers and nobility in the Dutch Republic, or the relationship between the distribution of land and the agitation for electoral reform in nineteenth-century England. Elsewhere in Scandinavia the impact of the reformation and conquest in Norway is balanced against the continuity of ownership in Sweden, where developing the natural resources for industrial enterprise such as ironworks and sawmills brought in new owners. Estate Landscapes in Northern Europe is the first product of the collaboration of researchers from Norway, Germany, Sweden, the United Kingdom, Denmark, and the Netherlands, joined together in the European Network for Country House and Estate Research (ENCOUNTER).

Denmark s many manors are a treasure trove of natural and cultural riches. In addition to the scenic beauty and magnificent architecture they have to offer, they also stand as monuments to more than five centuries of Danish history. The landscapes and buildings of Denmark s manors offer an enchanting foray into a fascinating universe, animating the country s cultural heritage. Denmark s famous fairytale author Hans Christian Andersen and the internationally renowned storyteller Isak Dinesen were both fascinated by the unique atmosphere of the Danish country house, which as their fairytales and stories reveal was a lasting source of inspiration in their writings. Also today, the cultural and natural environment of the manor continues to appeal to the heart and soul, opening the eyes of the readers to the multifaceted splendours. This beautifully designed book provides the reader with the key to understanding and experiencing this cultural heritage. More than one hundred of Denmark s seven hundred manors are now partially or wholly open to the public. This book is your guide to them all. Two hundred beautiful photographs, many of them by the acclaimed photographer Roberto Fortuna, accompany the texts on the manors. The work is prefaced by H.R.H. the Prince Consort of Denmark and also includes a chapter on the Danish nobility by the Historian Ditlev Tamm. "

This text makes use of the unique and extant cultural forms of architecture and the visual arts, as well as statistics and other forms of documentary evidence.

This book explores Brahe's wide range of activities which encompass much more than his reputed role of astronomer. Christianson broadens this singular perspective by portraying Brahe as Platonic philosopher, Paracelsian chemist, Ovidian poet, and devoted family man. This pioneering study includes capsule biographies of two dozen men and women, including Johannes Kepler, Willebrord Snel, Willem Blaeu, several bishops and numerous technical specialists all of whom helped shape the culture of the Scientific Revolution. Under Tycho Brahe's leadership, their teamwork achieved breakthroughs in astronomy, scientific method, and research organization that were essential to the birth of modern science.

Swedish Interiors is the first book to share the history, progression, and key elements of Swedish style and how to use it in many different styles of homes. From the white and blue-hued images of the familiar Gustavian style to the gold accents and luxurious patterns found in the Swedish Baroque, Rococo, and Biedermeier periods, the secret to Swedish design is in having the confidence to mix old and new while maintaining a clean and simple aesthetic. Swedish Interiors emphasizes light, comfort and elegance. The authors operate Eleish Van Breems Antiques, a renowned Swedish antiques and decorating resource. Featured on Martha Stewart Living, and in Country Living, House Beautiful, Travel & Leisure, the New York Times, Traditional Home, Better Homes and Gardens, Victoria, and Yankee.

Experience a place the way the locals do. Enjoy the best it has to offer. And avoid tourist traps. At Frommer’s, we use 150 outspoken travel experts around the world to help you make the right choices. Frommer’s. Your guide to a world of travel experience. Choose the Only Guide That Gives You: Outspoken opinions on what’s worth your time and what’s not. Exact prices, so you can plan the perfect trip no matter what your budget. Off-the-beaten-path experiences and undiscovered gems, plus new takes on top attractions. The best hotels and restaurants in every price range, with candid reviews.

Hans Christian Andersen is indisputably the best known of all Scandinavian writers, his tales and stories having been translated probably into more languages than any other work except the Bible. He is also one of the greatest travelers of nineteenth-century belles lettres and few were the major European cities, capitals, and countries he did not visit, many of them several times: Vienna, Berlin, Dresden, Leipzig, Weimar, Paris, and London. He met and became friends with some of the most outstanding representatives of the European artistic community: Charles Dickens, Victor Hugo, Alexandre Dumas père, Franz Grillparzer, Heinrich Heine, the Brothers Grimm, Wilhelm von Kaulbach, Franz Liszt, Felix Mendelssohn-Bartholdy, Clara and Robert Schumann, to mention a few.Andersen was the first notable Danish writer of proletarian origin, and even though he was never able to overcome his personal traumas, he became extremely successful in climbing the social ladder receiving invitations wherever he went from nobility and royalty and being showered with recognition and decorations. He read aloud to and was feted by Maximilian II of Bavaria, Friedrich Wilhelm IV of Prussia, Grand Duchess Sophia of Austria, and Friedrich August II of Saxony. Even though he also was a frequent visitor at the Danish court Andersen always felt more appreciated abroad.In spite of Andersen's status as a world-renowned writer, no critical treatment has thus far discussed him as a key figure in European contemporary culture and a cosmopolitan personality. The contributors to the present volume -- all of whom are acclaimed Andersen scholars -- have made extensive use of the vast material available in Andersen's diaries, almanacs, autobiographies, and letters. Most of this material, now made available in English for the first time, allows a new Andersen to emerge, different from the traditional portrayal of him as a content and happy storyteller -- a myth indeed! To the contrary, all contributors of this volume discuss his complexity, the traumas and disillusionments of a professional artist constantly struggling to maintain his position and incessantly worried about running out of inspiration.This volume -- besides presenting biographical information in an international perspective -- focuses on Andersen's fascinating psychological make-up, his taste in music, literature, and the pictorial arts, the contemporary critical reception of his work, and explores his creative universe in a more general sense including his poetry, novels, plays, and travelogues. Andersen's overall artistic achievements are viewed in the context of world literature.