The Essential Turgenev will provide American readers with the first comprehensive, portable edition of this great Russian author's works. It offers an extensive introduction to the writings that established Turgenev as one of the preeminent literary figures of his time, and reveals the breadth of insight into changing social conditions that made Turgenev a portal to Russian intellectual life. Readers will find complete, exemplary translations of Turgenev's finest novels, Rudin, A Nest of Gentry, and Fathers and Sons, along with the lapidary novella First Love. The volume also includes selections from Sportsman's Sketches, seven of Turgenev's most compelling short stories, and fifteen prose poems. It also contains samples of the author's nonfiction drawn from autobiographical sketches, memoirs, public speeches, plus the influential essay "Hamlet and Don Quixote" and correspondence with Dostoevsky, Tolstoy, and others.

Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels ofIvan Turgenevwhich areFathers and Sons and Rudin. Ivan Turgenev's works offer realistic, affectionate portrayals of the Russian peasantry and penetrating studies of the Russian intelligentsia who were attempting to move the country into a new age. Turgenev poured into his writings not only a deep concern for the future of his native land but also an integrity of craft that has ensured his place in Russian literature. Novels selected for this book: - Fathers and Sons - Rudin This is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.

Examines the cultural outlook in the Anglo-Saxon world, in this period, through an analysis of the reception of Turgenev's work in translation in a number of writers including Henry James and George Gissing.

Dualism is a motif that runs through literature of all genres and historical contexts, inspiring argumentation at the highest level and showing the formation of ideas in association as a creative exchange. It arises with special pertinence in western literature since the Renaissance and Reformation. In Dualisms, noted scholar Ricardo J. Quinones considers four major intellectual encounters: Erasmus and Luther, Voltaire and Rousseau, Turgenev and Dostoevsky, and Sartre and Camus. These four instances, Quinones argues, are important for what they are and what they represent: major intellectual contests that created the modern era and remain the 'agons' of our time. Through in-depth analysis, this study looks at the clarifications that emerged from four famous polemics. Discerning an 'itinerary of their encounters,' Quinones suggests a shared paradigm of development that is true for each of the examples of dualism. In all four cases, the two participants represented the vanguard of their time, and all of the debates started from shared intellectual positions until subsequent events revealed substantially different temperaments. It is the inescapable tension and connection between prior affinities and the discord of debate that continue to intrigue us. Dualisms is a tour-de-force, encompassing intellectual history, philosophy, theology, and literary criticism. It provides fresh perspectives on some of the most famous intellectual debates in all of literature, and considers the implications that they continue to have for the study of the humanities in the modern world.

Includes: The Diary of a Superfluous Man, A Tour in the Forest, Yakov Pasinkov, Andrei Kolosov, and A Correspendence. The Diary of a Superfluous Man is an 1850 novella by Russian author Ivan Turgenev. It is written in the first person in the form of a diary by a man who has a few days left to live as he recounts incidents of his life. The story has become the archetype for the Russian literary concept of the superfluous man.

Hansen-Love, that the meaning of a work of literature is generated by the interaction of paradigmatic and syntagmatic mechanisms. The image of character in Turgenev's stories is the result of devices characteristic of "narrative" as well as of "verbal art". It is partly created with the help of leitmotivs that form sequences of equivalences, and of intertextual references. Thus (social) representation is supplemented by lyrical and philosophical overtones. Comparable observations have been made by V. M. Markovic (1982) on Turgenev's novels, as well as on those by Puskin, Gogol and Lermontov.

Generally thought to be the work that led to the abolishment of serfdom in Russia, "Sketches from a Hunter's Album (A Sportsman's Sketches)" is a series of short stories, written in 1852, that gained Turgenev widespread recognition for his unique writing style. These stories were the result of Turgenev's observations while hunting all over Russia, particularly on his abusive mother's estate at Spasskoye. A definitive work of the Russian Realist tradition, this collection of sketches unveils the author's insights on the lives of everyday Russians, from landowners and their peasants, to bailiffs and mournful doctors, to unhappy wives and mothers. Turgenev captures their tragedies and triumphs, losses and love in a set of stories that condemned the behavior of the ruling class. Considered subversive writing, Turgenev was confined to his mother's estate, yet his "Sketches" opened the eyes of many people of his time, proving him not only an artist but also a social reformer whose abilities ultimately affected the lives of countless Russians.

Consequences of Consciousness shows how great Russian authors conversed with each other through their fictions as they explored both the limits and the autonomy of subjective consciousness.

In 1859, Charles Baudelaire is writing the poetry and criticism of the new urban cultural and social world which would make him described by a number of historians as the first modern. Indeed, it is he who coined the term ‘modernity’. In the east, Ivan Turgenev with On the Eve begins reflections about Russia and modernity which would result in his next novel, set in 1859, Fathers and Sons. The latter still resonates today. In Switzerland, Jacob Burckhardt is inventing the Renaissance as a means of understanding what is happening in his own time. Indeed, we never talked about a Renaissance until Burckhardt published his The Civilization of the Renaissance in Italy in 1860, something he wrote in order to better understand his own times. In the West, several important and central works of European culture are being written in England by both British writers and exiles. Marx is researching Das Capital and writing A Contribution to the Critique of Political Economy. Mazzini is writing his major work on modern nationalism, The Duties of Man, just as Italy is beginning its decade of unification and the European map is beginning a period of extraordinary change. John Stuart Mill published his On Liberty in early 1859, still the work that is the modern ground of democratic ideas dealing with the relationship between liberty and authority. And in November 1859 one of the dozen or so most influential works of all of European history and science, one that shattered many pre-modern concepts, The Origin of Species, was published by Charles Darwin. The thinkers who were prominent at the time were, in a full sense, public intellectuals. Their works were read, debated, applauded, feared, defended and scorned in the public forums, what philosophers sometimes called the marketplace. It was in 1859 that modernity, the world as we now know it, gets confronted and encountered. As a result concepts and ideas we still use, then new, get thought about and become part of the public discourse. From this point on, the dialogue is forever transformed.

"First Published in 1998, Routledge is an imprint of Taylor & Francis, an informa company."