This book presents twenty essays by Nicholas Rescher, representing more than a decade of his work. The first part of the collection offers thoughts on the history of philosophy from the Presocratics to the twentieth century; the second part features essays on epistemology, the philosophy of science, metaphysics, the theory of historiography, and the logic of temporal concepts. Despite the range of topics, all essays are closely integrated at the methodological level.

This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies

Exploring Shakespeare's intellectual interest in placing both characters and audiences in a state of uncertainty, mystery, and doubt, this book interrogates the use of paradox in Shakespeare's plays and in performance. By adopting this discourse-one in which opposites can co-exist and perspectives can be altered, and one that asks accepted opinions, beliefs, and truths to be reconsidered-Shakespeare used paradox to question love, gender, knowledge, and truth from multiple perspectives. Committed to situating literature within the larger culture, Peter Platt begins by examining the Renaissance culture of paradox in both the classical and Christian traditions. He then looks at selected plays in terms of paradox, including the geographical site of Venice in Othello and The Merchant of Venice, and equity law in The Comedy of Errors, Merchant, and Measure for Measure. Platt also considers the paradoxes of theater and live performance that were central to Shakespearean drama, such as the duality of the player, the boy-actor and gender, and the play/audience relationship in the Henriad, Hamlet, As You Like It, Twelfth Night, Antony and Cleopatra, The Winter's Tale, and The Tempest. In showing that Shakespeare's plays create and are created by a culture of paradox, Platt offers an exciting and innovative investigation of Shakespeare's cognitive and affective power over his audience.

Essays, Paradoxes, Soliloquies is a new selection of Unamuno's essays from across two previously published collections, 1925's Essays and Soliloquies, translated by J. E. Crawford Flitch, and 1945's Perplexities and Paradoxes, translated by Stuart Gross. Here Unamuno forcefully and eloquently expresses his beliefs about religion, ethics, philosophy, and Spanish literature."What remain today are the argumentative Essays, perhaps the most living and enduring of all he wrote[.]" - Jorge Luis Borges