First edition of Bell's (1774-1842) important study of the anatomy and physiology of facial expression. The expressions, attitudes, and movements of the human body had always interested scientists as well as artists, but never before had thy been treated with such depth and conciseness. The work reflects Bell's brilliance as both artist and anatomist, and inspired Darwin's own Expression of the Emotions (1872), which he described Bell as one of the founders of the subject as a branch of science. Reyolds, 404, Wellcome, II, p.135, B & L Rootenberg,1987

Sir Charles Bell (1774-1842), the Scottish anatomist-surgeon, was a true polymath. His original ideas on the nervous system have been likened to those of William Harvey on the circulation of blood, and his privately published pamphlet detailing his ideas about the brain has been called the Magna Carta of neurology. He described the separate functions of different parts of the nervous system, new nerves and muscles, and several previously unrecognized neurological disorders, and he characterized the features of the facial palsy and its associated features now named after him. His sketches and paintings of the wounded from the Napoleonic Wars and his essays on the anatomical basis of expression changed the way art students are taught and influenced British and European artists, particularly the Pre-Raphaelites. He was a renowned medical teacher who founded his own private medical school, took over the famous Hunterian school, and helped establish the University of London and the Middlesex Hospital Medical School. So how is it that a man of such influence is virtually unknown today by most neuroscientists, biologists, and clinicians? Sir Charles Bell: His Life, Art, Neurological Concepts, and Controversial Legacy discusses the work and teachings of this brilliant man. His reputation was tarnished by charges of intellectual dishonesty and fraud, but his work changed the way scientists and clinicians think about the nervous system and its operation in health and disease, led directly to the work of Charles Darwin on facial expressions, and influenced the way artists view the human body and depict illnesses and wounds. Masterfully written by Dr. Michael J. Aminoff in his signature approachable style, this is the perfect addition to any library of medical history.

Sir Charles Bell (1774-1842), the Scottish anatomist-surgeon, was a true polymath. His original ideas on the nervous system have been likened to those of William Harvey on the circulation of blood, and his privately published pamphlet detailing his ideas about the brain has been called the Magna Carta of neurology. He described the separate functions of different parts of the nervous system, new nerves and muscles, and several previously unrecognized neurological disorders, and he characterized the features of the facial palsy and its associated features now named after him. His sketches and paintings of the wounded from the Napoleonic Wars and his essays on the anatomical basis of expression changed the way art students are taught and influenced British and European artists, particularly the Pre-Raphaelites. He was a renowned medical teacher who founded his own private medical school, took over the famous Hunterian school, and helped establish the University of London and the Middlesex Hospital Medical School. So how is it that a man of such influence is virtually unknown today by most neuroscientists, biologists, and clinicians? Sir Charles Bell: His Life, Art, Neurological Concepts, and Controversial Legacy discusses the work and teachings of this brilliant man. His reputation was tarnished by charges of intellectual dishonesty and fraud, but his work changed the way scientists and clinicians think about the nervous system and its operation in health and disease, led directly to the work of Charles Darwin on facial expressions, and influenced the way artists view the human body and depict illnesses and wounds. Masterfully written by Dr. Michael J. Aminoff in his signature approachable style, this is the perfect addition to any library of medical history.

Approx.369 pagesApprox.369 pages

Sir Charles Bell was among the last of a generation medical men who formed their careers, their research, and their publications through the private classrooms of early-nineteenth-century London; whose ambitions for reform were fundamentally about conserving something quintessentially British; and whose politics were shaped by the exigencies of developing a living through various kinds of patronage in a time when careers in medical science simply did not exist. Within a decade or two that world was gone. Professionalization and regularized educationthe ambitions of reformershad been realized, along with regular career paths. With that change, the classroom shattered, its functions divided among other spaces, each with its own audience and function: the laboratory, the clinic, the classroom. They are the spaces of modern medicine, the ones we recognize today, and we see them as the hallmark of medical science. Through Bell s story, artfully told by the author, we witness medical science and medical reform in London s classrooms at a time when modern medicine, with its practical universities with set curricula, staffed by medical professionals, was being born. "

Pioneering work by the great modernist painter, considered by many to be the father of abstract art and a leader in the movement to free art from traditional bonds. 12 illustrations.