This major voice in French philosophy presents a classic study of how particular political and cultural ideas come to dominate society. Spanning the years 1964 to 1973, On Ideology contains the seminal text, “Ideology and Ideological State Apparatus” (1970), which revolutionized the concept of subject formation. In “Reply to John Lewis” (1972–73), Althusser addressed the criticisms of the English Marxist toward On Marx and Reading Capital. Also included are “Freud and Lacan” (1964) and “A Letter on Art in Reply to André Daspre” (1966).

Louis Dumont's Essays on Individualism is an ambitious attempt to place the modern ideology of individualism in a broad anthropological perspective. The result of twenty years of scholarship and inquiry, the interrelated essays gathered here not only trace the genesis and growth of individualism as the dominant force in Western philosophy, but also analyze the differences between this modern system of thought and those of other, nonmodern cultures. The collection represents an important contribution to Western society's understanding of itself and its place in the world.

Louis Althusser has tackled a wide variety of subjects, including philosophy, economics, psychology, aesthetics and political science. This book contains a selection of his writings.

The Western Ideology brings together for the first time Andrew Gamble’s writings on political ideas and ideologies, which illustrate the main themes of his writing in intellectual history and the history of ideas, including economic liberalism and neoliberalism, and critiques from both social democratic and conservative perspectives.

Liberalism is the dominant ideology of our time, yet its character remains the subject of intense scholarly and political controversy. Inspired by the work of Michael Freeden, this book brings together an internationally-respected cast of scholars to debate liberalism and to redefine the very essence of what it is to be a liberal.

Often called a religion of peace, Islam has become one of the most dangerous threats to the modern way of life. In Essays on the Ideology and Menace of Islam, author Martin Slann explores the impact of the Islamic religion in today's culture. This collection of essays will open your eyes to the truth behind Islam, the effects of Muslim immigration, and the governmental influence aiming to accept this belief system. Slann reveals how this religion from the Middle East is changing social standards in western society, from Europe to the United States of America. This timely work exposes the action of liberal political leaders to implement the teachings of the Koran while putting the security of the American people at risk. With a focus on politics, as well as religious and historical evidence, Slann's profound work provides a realistic look at the fourteen-century-long conflict between Islam and the west.

First published in 1982, this book is inspired the ideas generated by Eric Hobsbawm, and has taken shape around a unifying preoccupation with the symbolic order and its relationship to political and religious belief. It explores some of the oldest question in Marxist historiography, for example the relationship of ‘base’ and ‘superstructure’, art and social life, and also some of the newest and most problematic questions, such as the relationship of dreams and fantasy to political action, or of past and present — historical consciousness — to the making of ideology. The essays, which range widely over period and place, are intended to break new ground and take on difficult questions.

Fredric Jameson takes on the allegorical form Works do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context.

This book is a collection of the earliest essays of Thomas Szasz, in which he staked out his position on “the nature, scope, methods, and values of psychiatry.” On each of these issues, he opposed the official position of the psychiatric profession. Where conventional psychiatrists saw themselves diagnosing and treating mental illness, Szasz saw them stigmatizing and controlling persons; where they saw hospitals, Szasz saw prisons; where they saw courageous professional advocacy of individualism and freedom, Szasz saw craven support of collectivism and oppression.