The essays, articles, and interviews that make up Essays of a Soviet Scientist offer a revealing portrait of Vitalii Gol'danskii and his generation. Here are Gol'danskii's reminiscences of his extraordinary scientific mentors and colleagues, his reflections on science's obligations to humanity, his writings on the arts and the media, his courageous and passionate arguments against nuclear weapons, and his warnings about the resurgence of anti-Semitism in today's Russia. Through the compassionate, authoritative perspective of Vitalii Gol'danskii, we find in the life of a man and a nation many lessons for us all. The role of science and the scientist in society...the oppressive influence of authoritarianism on a nation's intelligentsia...scientific integrity versus political expedience...the endurance of a people riding the great emotional pendulum of history...Essays of a Soviet Scientist has much to say about these and other crucial matters.

This translation of A Brief History of Radio Astronomy in the USSR makes descriptions of the antennas and instrumentation used in the USSR, the astronomical discoveries, as well as interesting personal backgrounds of many of the early key players in Soviet radio astronomy available in the English language for the first time. This book is a collection of memoirs recounting an interesting but largely still dark era of Soviet astronomy. The arrangement of the essays is determined primarily by the time when radio astronomy studies began at the institutions involved. These include the Lebedev Physical Institute (FIAN), Gorkii State University and the affiliated Physical-Technical Institute (GIFTI), Moscow State University Sternberg Astronomical institute (GAISH) and Space Research Institute (IKI), the Department of Radio Astronomy of the Main Astronomical Observatory in Pulkovo (GAO), Special Astrophysical Observatory (SAO), Byurakan Astrophysical Observatory (BAO), Crimean Astrophysical Observatory, Academy of Sciences of the Ukraine (SSR), Institute of Radio Physics and Electronics of the USSR Academy of Sciences (IRE), Institute of Terrestrial Magnetism, the Ionosphere and Radio-Wave Propagation Institute (IZMIRAN), Siberian Institute of Terrestrial Magnetism, the Ionosphere and Radio-Wave Propagation (SibIZMIRAN), the Radio Astrophysical Observatory of the Latvian Academy of Sciences and Leningrad State University. A Brief History of Radio Astronomy in the USSR is a fascinating source of information on a past era of scientific culture and fields of research including the Soviet SETI activities. Anyone interested in the recent history of science will enjoy reading this volume.

Thanks to the opening of archives and the forging of exchanges between Russian and Western scholars interested in the history of medicine, it is now possible to write new forms of social and political history in the Soviet medical field. Using the lenses of critical social histories of healthcare and medical science, and looking at both new material from Russian archives and interviews with those who experienced the Soviet health system, the contributors to this volume explore the ways experts and the Soviet state radically reshaped medical provision after the Revolution of 1917. Soviet Medicine presents the work of an international group of leading scholars. Twelve essays—treating subjects that span the 74-year history of the Soviet Union—cover such diverse topics as how epidemiologists handled plague on the Soviet borderlands in the revolutionary era, how venereologists fighting sexually transmitted disease struggled to preserve the patient's right to secrecy, and how Soviet forensic experts falsified the evidence of the Katyn Forest massacre of 1940. This important volume demonstrates the crucial role played by medical science, practice, and culture in the shaping of a modern Soviet Union and illustrates how the study of Soviet medical history can benefit historians of medicine, science, the Soviet Union, and social and gender historians.

Introduction: Stalin, science, and politics after the Second World War -- "A Marxist should not write like that": the crisis on the "philosophical front" -- "The future belongs to Michurin": the agricultural academy session of 1948 -- "We can always shoot them later": physics, politics, and the atomic bomb -- "Battles of opinions and open criticism": Stalin intervenes in linguistics -- "Attack the detractors with certainty of total success": the Pavlov session of 1950 -- "Everyone is waiting": Stalin and the economic problems of communism -- Conclusion: science and the fate of the Stalinist system.

Fascinated by the myth of the Russian avant-garde and scornful of official art, the West has been selective in its engagement with Russian visual culture. Yet how do contemporary Russian scholars and critics themselves approach the history of visual culture in the former Soviet Union? Taking its title from a Russian word that can refer to the 'texture" of life, painting, or writing, this anthology assembles thirteen key essays in art history and cultural theory by Russian-language writers. The essays erase boundaries between high and low, official and dissident, avant-garde and socialist realism, art and everyday life. Everything visual is deemed worthy of analysis, whether painting or propaganda banners, architecture or candy wrappers, mass celebrations or urban refuse. Most of the essays appear here in English for the first time. The editors have selected works of the past twenty years by philosophers, literary critics, film scholars, and art historians. Also included are influential earlier essays by Mikhail Bakhtin, V. N. Voloshinov, and Sergei Eisenstein. Compiled for general readers and specialists alike, Tekstura is a valuable resource for anyone interested in Russian and Soviet cultural history or in new theoretical approaches to the visual.

The Unmaking of Soviet Life brings together ten essays from award-winning author Caroline Humphrey. Humphrey explores such topics as the mafia, barter, bribery, and the new shamanism, locating them in the experiences of a wide range of subjects.

A chronicle of the lives of twelve notable and celebrated Soviet scientists from the Cold War era, a time of great scientific achievement in the USSR.

Edited by eminent historian Ronald Grigor Suny, this unique collection of primary documents and important scholarly articles frames both the revolutionary changes and broad continuities in Soviet history. Organized chronologically and covering political, social, and cultural history from a variety of viewpoints, selections include official pronouncements and dissident manifestos, public speeches, private letters, and previously un-translated documents.

By the 1980s the Soviet scientific establishment had become the largest in the world, but very little of its history was known in the West. What has been needed for many years in order to fill that gap in our knowledge is a history of Russian and Soviet science written for the educated person who would like to read one book on the subject. This book has been written for that reader. The history of Russian and Soviet science is a story of remarkable achievements and frustrating failures. That history is presented here in a comprehensive form, and explained in terms of its social and political context. Major sections include the tsarist period, the impact of the Russian Revolution, the relationship between science and Soviet society, and the strengths and weaknesses of individual scientific disciplines. The book also discusses the changes brought to science in Russia and other republics by the collapse of communism in the late 1980s and early 1990s.

Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.