A tense world struggles in chaos…and the clock is ticking. Events are aligning as mankind spirals into anger, war, fear, and hopelessness. Nations are at odds with populism and globalism. Political leaders and dictators vie for power and influence. Looking back, you wonder “how did we get here?” Yet, these events are only signposts to the real future of mankind…the prophetic end of days. Globalism and Israel remain the two important factors to understanding key biblical prophecies. Signals abound that this generation is on the edge of experiencing a transition into the Tribulation. There may be no more dramatic proof that this sudden change is about to happen than what has resulted from the election of Donald J. Trump as president of the United States. In addition to being staunchly anti-globalism, Trump is stridently pro-Israel; moving the American Embassy from Tel Aviv to Jerusalem is proof. Now discover: Why Israel is such an important target for SatanHow America is part of the biblical propheciesWhich country is Babylon the Great – and why it will be destroyed Follow prophecy expert Terry James as he shares a collection of pivotal essays from 2015 to 2017 that reveal and highlight the prophetic clues that have brought us to this point in the countdown to a coming judgment. It all comes down to a single question — are you prepared for what is to come?

In this wide-ranging collection of essays Ronald E. Osborn explores the politically subversive and nonviolent anarchist dimensions of Christian discipleship in response to dilemmas of power, suffering, and war. Essays engage texts and thinkers from Homer's Iliad, the Hebrew Bible, and the New Testament to portraits of Dietrich Bonhoeffer, Noam Chomsky, and Elie Wiesel. This book also analyzes the Allied bombing of civilians in World War II, the peculiar contribution of the Seventh-day Adventist apocalyptic imagination to Christian social ethics, and the role of deceptive language in the Vietnam War. From these and other diverse angles, Osborn builds the case for a more prophetic witness in the face of the violence of the "principalities and powers" in the modern world. This book will serve as an indispensible primer in the political theology of the Adventist tradition, as well as a significant contribution to radical Christian thought in biblical, historical, and literary perspectives.

Surely we are in those days, when earthquakes, pestilence, famine, war, and false christs dot the glove. Thses are birth pains, Jesus said. They signal climactic changes in the history of man and the physical realm. The planet is quivering under the pressures brought to bear eons ago.

Seeing Flannery O'Connor in the company of poets, rather than realistic prose writers, this work shows how she uses recurring figures of speech to transform or re-create the external world. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In the two thousand years that have elapsed since the time of Christ, Christians have been as much divided by their faith as united, as much at odds as in communion. And the contents of Christian confession have developed with astonishing energy. How can believers claim a faith that has been passed down through the ages while recognizing the real historical contingencies that have shaped both their doctrines and their divisions? In this carefully argued essay, David Bentley Hart critiques the concept of "tradition" that has become dominant in Christian thought as fundamentally incoherent. He puts forth a convincing new explanation of Christian tradition, one that is obedient to the nature of Christianity not only as a "revealed" creed embodied in historical events but as the "apocalyptic" revelation of a history that is largely identical with the eternal truth it supposedly discloses. Hart shows that Christian tradition is sustained not simply by its preservation of the past, but more essentially by its anticipation of the future. He offers a compelling portrayal of a living tradition held together by apocalyptic expectation--the promised transformation of all things in God.

This collection of essays examines the ways in which recent Shakespeare films portray anxieties about an impending global wasteland, technological alienation, spiritual destruction, and the effects of globalization. Films covered include Titus, William Shakespeare's Romeo & Juliet, Almereyda's Hamlet, Revengers Tragedy, Twelfth Night, The Passion of the Christ, Radford's The Merchant of Venice, The Lion King, and Godard's King Lear, among others that directly adapt or reference Shakespeare. Essays chart the apocalyptic mise-en-scenes, disorienting imagery, and topsy-turvy plots of these films, using apocalypse as a theoretical and thematic lens.

Can social theories forge new paths into an uncertain future? The future has become increasingly difficult to imagine. We might be able to predict a few events, but imagining how looming disasters will coincide is simultaneously necessary and impossible. Drawing on speculative fiction and social theory, Theory for the World to Come is the beginning of a conversation about theories that move beyond nihilistic conceptions of the capitalism-caused Anthropocene and toward generative bodies of thought that provoke creative ways of thinking about the world ahead. Matthew J. Wolf-Meyer draws on such authors as Kim Stanley Robinson and Octavia Butler, and engages with afrofuturism, indigenous speculative fiction, and films from the 1970s and ’80s to help think differently about the future and its possibilities. Forerunners: Ideas First Short books of thought-in-process scholarship, where intense analysis, questioning, and speculation take the lead

AN NPR BEST BOOK OF THE YEAR • An absorbing, deeply felt book about our anxious present tense—and coming to grips with the future, by the author of the award-winning To Be a Machine. “Deeply funny and life-affirming, with a warm, generous outlook even on the most challenging of subjects.” —Esquire We’re alive in a time of worst-case scenarios: The weather has gone uncanny. A pandemic draws our global community to a halt. Everywhere you look there’s an omen, a joke whose punchline is the end of the world. How is a person supposed to live in the shadow of such a grim future? What might it be like to live through the worst? And what on earth is anybody doing about it? Dublin-based writer Mark O’Connell is consumed by these questions—and, as the father of two young children, he finds them increasingly urgent. In Notes from an Apocalypse, he crosses the globe in pursuit of answers. He tours survival bunkers in South Dakota. He ventures to New Zealand, a favored retreat of billionaires banking on civilization’s collapse. He engages with would-be Mars colonists, preppers, right-wing conspiracists. And he bears witness to places, like Chernobyl, that the future has already visited—real-life portraits of the end of the world as we know it. What emerges is an absorbing, funny, and deeply felt book about our anxious present tense—and coming to grips with what’s ahead.

In these incendiary essays, George Monbiot tears apart the fictions of religious conservatives, the claims of those who deny global warming and the lies of the governments and newspapers that led us into war. He takes no prisoners, exposing government corruption in devastating detail while clashing with people as diverse as Bob Geldof, Ann Widdecombe and David Bellamy. But alongside his investigative journalism, Monbiot's book contains some remarkable essays about what it means to be human. Monbiot explores the politics behind Constable's The Cornfield, shows how driving cars has changed the way we think and argues that eternal death is a happier prospect than eternal life.

This “magnificently compelling” essay collection explores obsession, anxiety, and Existential dread from the Book of Revelation to the Liberace Museum (Minneapolis Star Tribune). The sermons of Joni Tevis’ youth filled her with dread, a sense “that an even worse story—one you hadn’t read yet—could likewise come true.” In this revelatory collection, she reckons with her childhood fears by exploring the uniquely American fascination with apocalypse. From a haunted widow’s wildly expanding mansion, to atomic test sites in the Nevada desert, her settings are often places of destruction and loss. And yet Tevis transforms these eerie destinations into sites of creation as well, uncovering powerful points of connection. Whether she’s relating her experience of motherhood or describing the timbre of Freddy Mercury’s voice in “Somebody to Love,” she relies on the same reverence for detail and sense of awe. And by anchoring her attention to the raw materials of our world—nails and beams, dirt and stone, bones and blood—she discovers grandeur in the seemingly mundane. Winner of the 2016 Firecracker Award for Creative Nonfiction Finalist for the 2016 Pat Conroy Southern Book Prize