2014 Reprint of Original 1912 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. "Laughter" is a collection of three essays by French philosopher Henri Bergson, first published in 1900. In a short introduction, Bergson announces that he will try to define the comic, but he does not want to give a rigid definition of the word; he wants to deal with the comic as part of human life. His ambition is also to have a better knowledge of society, of the functioning of human imagination and of collective imagination, but also of art and life. Bergson begins to note three facts on the comic: 1] the comic is strictly a human phenomenon. A landscape cannot be a source of laughter, and when humans make fun of animals, it is often because they recognize some human behavior in them. Man is not only a being that can laugh, but also a being that is a source of laughter. 2] laughter requires an indifference, a detachment from sensibility and emotion: 3] it is more difficult to laugh when one is fully aware of the seriousness of a situation. It is difficult to laugh alone, it is easier to laugh collectively. One who is excluded from a group of people does not laugh with them, there is often a complicity in laughter. Thus the comic is not a mere pleasure of the intellect, it is a human and social activity, it has a social meaning.

When life is funny, make some jokes about it. Billy Plimpton has a big dream: to become a famous comedian when he grows up. He already knows a lot of jokes, but thinks he has one big problem standing in his way: his stutter. At first, Billy thinks the best way to deal with this is to . . . never say a word. That way, the kids in his new school won’t hear him stammer. But soon he finds out this is NOT the best way to deal with things. (For one thing, it’s very hard to tell a joke without getting a word out.) As Billy makes his way toward the spotlight, a lot of funny things (and some less funny things) happen to him. In the end, the whole school will know -- If you think you can hold Billy Plimpton back, be warned: The joke will soon be on you!

Excerpt from An Essay on Laughter: Its Forms, Its Causes, Its Development, and Its Value The present work is, I believe, the first attempt to treat on a considerable scale the whole subject of Laughter, under its various aspects, and in its connections with our serious activities and inter ests. As such, it will, I feel sure, lay itself open to the criticism that it lacks completeness, or at least, proportion. A further criticism to which, I feel equally sure, it will expose itself, is that it clearly reflects the peculiarities of the experience of the writer. The anticipation of this objection does not, however, disturb me. It seems to me to be not only inevitable, but desirable - at least at the present stage of our knowledge of the subject - that one who attempts to understand an impulse, of which the intensities and the forms appear to vary greatly among men, of which the workings are often subtle, and of which the sig nificance is by no means obvious, should, while making full use of others' impressions, draw largely on his own experience. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

DigiCat Publishing presents to you this special edition of "An Essay on Laughter: Its Forms, Its Causes, Its Development and Its Value" by James Sully. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.