Similarities between esoteric and mystical currents in different religious traditions have long interested scholars. This book takes a new look at the relationship between such currents. It advances a discussion that started with the search for religious essences, archetypes, and universals, from William James to Eranos. The universal categories that resulted from that search were later criticized as essentialist constructions, and questioned by deconstructionists. An alternative explanation was advanced by diffusionists: that there were transfers between different traditions. This book presents empirical case studies of such constructions, and of transfers between Judaism, Christianity, and Islam in the premodern period, and Judaism, Christianity, and Western esotericism in the modern period. It shows that there were indeed transfers that can be clearly documented, and that there were also indeed constructions, often very imaginative. It also shows that there were many cases that were neither transfers nor constructions, but a mixture of the two.

Similarities between esoteric and mystical currents in different religious traditions have long interested scholars. This book takes a new look at the relationship between such currents. It advances a discussion that started with the search for religious essences, archetypes, and universals, from William James to Eranos. The universal categories that resulted from that search were later criticized as essentialist constructions, and questioned by deconstructionists. An alternative explanation was advanced by diffusionists: that there were transfers between different traditions. This book presents empirical case studies of such constructions, and of transfers between Judaism, Christianity, and Islam in the premodern period, and Judaism, Christianity, and Western esotericism in the modern period. It shows that there were indeed transfers that can be clearly documented, and that there were also indeed constructions, often very imaginative. It also shows that there were many cases that were neither transfers nor constructions, but a mixture of the two.

The Western Construction of Religion not only provides a critical assessment of the whole history of "religionas it is understood in the West but offers better ways of constructing the study of this central part of human experience.

Assembling original contributions, this book is a pioneering attempt to address the Euro-American esoteric reception and appropriation of China. Positioned between eighteenth-century's mesmerism and intersections with the modern martial arts current, the contributions specifically centre on nineteenth and early twentieth-century occult appraisals and representations. This book opens up an under-explored area of research in the field of East–West interactions and the global history of religions.

The Unknown God gives a view into the twentieth-century North American occult underground influenced by the English occultist and prophet Aleister Crowley, as told through the biography of his disciple in the USA, Wilfred Talbot Smith (1885--1957). It draws on accounts from Smith's social network, which encompassed Caltech rocket scientist Jack Parsons, the Rosicrucian leader H. Spencer Lewis, the Hollywood actor John Carradine, and gay liberationist Harry Hay. Students of esoteric Freemasonry, the Golden Dawn, the Theosophical Society, and the Crowley-based occult orders will find The Unknown God a fascinating resource--this is the book that connects them all.

Contemporary Israeli cinema's engagement with Judaism as cultural identity and mystical tradition. Over the past several decades, the prevailing attitude toward Judaism in Israeli society has undergone a meaningful shift; where the national ethos had once deemed Judaic traditions a vestige of an arcane past incompatible with the culture of a modern state, there is now greater acceptance of these traditions by a sizeable part of Israeli society. Author Dan Chyutin reveals this trend through a parallel shift toward acceptance and celebration of Judaic identity and lifestyle in modern Israeli cinema. Hidden Light explores the Judaic turn in contemporary Israeli filmmaking for what it can tell us about Israel's cultural landscape, as well as about the cinematic medium in general. Chyutin points to the ambivalence of films which incorporate Judaism into Israel's secular ethos; concurrently, he foregrounds the films' attempt to overcome this ambivalence through reference to and activation of experiences of transcendence and unity, made popular by New Age–inflected understandings of Jewish mystical thought. By virtue of this exploration, Judaic-themed Israeli cinema emerges as a crucial example of how film's particular form of "magic" may be exploited for the purpose of affecting mystical states in the audience.

The study of contemporary esoteric discourse has hitherto been a largely neglected part of the new academic field of Western esotericism. Contemporary Esotericism provides a broad overview and assessment of the complex world of Western esoteric thought today. Combining historiographical analysis with theories and methodologies from the social sciences, the volume explores new problems and offers new possibilities for the study of esoterica. Contemporary Esotericism studies the period since the 1950s but focuses on the last two decades. The wide range of essays are divided into four thematic sections: the intricacies of esoteric appeals to tradition; the role of popular culture, modern communication technologies, and new media in contemporary esotericism; the impact and influence of esotericism on both religious and secular arenas; and the recent 'de-marginalization' of the esoteric in both scholarship and society.

Rebelling against Victorian religious and social strictures, occultist Aleister Crowley, soldier J. F. C. Fuller, and poet Victor Neuburg were active contributors and participants in the British secularist movement at the dawn of the twentieth century. Friendship in Doubt examines how the Agnostic movement inspired and introduced them to each other as foundational figures in the new religious movement of Thelema.

In Dark Enlightenment Kennet Granholm explores the historical, sociological, and discursive contexts of contemporary esoteric magic. The book is focused on the Sweden-originated Left-Hand Path magic order Dragon Rouge in particular, but through a detailed contextualizing examination of this case study it offers a broader visage of contemporary esotericism in general. The author takes cue from both the historiography of Western esotericism and the sociological study of new religions and religious change, aiming to provide a transdisciplinary framework for a comprehensive study of esotericism in late modernity.