An epic graphic novel about the experience of Chinese immigrants in North America over the past 150 years.

Working on the Transcontinental Railroad promises a fortune—for those who survive. Growing up in 1860s China, Tam Ling Fan has lived a life of comfort. Her father is wealthy enough to provide for his family but unconventional enough to spare Ling Fan from the debilitating foot-binding required of most well-off girls. But Ling Fan’s life is upended when her brother dies of influenza and their father is imprisoned under false accusations. Hoping to earn the money that will secure her father’s release, Ling Fan disguises herself as a boy and takes her brother’s contract to work for the Central Pacific Railroad Company in America. Life on “the Gold Mountain” is grueling and dangerous. To build the railroad that will connect the west coast to the east, Ling Fan and other Chinese laborers lay track and blast tunnels through the treacherous peaks of the Sierra Nevada, facing cave-ins, avalanches, and blizzards—along with hostility from white Americans. When someone threatens to expose Ling Fan’s secret, she must take an even greater risk to save what’s left of her family . . . and to escape the Gold Mountain alive.

Guangdong -- Gold Mountain -- Central Pacific -- Foothills -- The High Sierra -- The Summit -- The Strike -- Truckee -- The Golden Spike -- Beyond Promontory.

In this thrilling Restoration-era sequel to Gentleman Captain, Captain Quinton--beset by pirates, Knights of Malta, and saboteurs--sails to Africa in search of a fabled mountain of gold.

On his 12th birthday, Kai learns that he must leave his home in China and journey alone to Gold MountainAmericato live with his father. The year is 1934, and the U.S. does not welcome Chinese immigrants. When Kai arrives he is detained on Angel Island in a crowded barracks, with harsh interrogations and the threat of being returned to China. Will Kai ever be free to join his father?

When she was a girl, Lisa See spent summers in the cool, dark recesses of her family`s antiques store in Los Angeles' Chinatown. There, her grandmother and great-aunt told her intriguing, colourful stories about their family`s past - stories of missionaries, concubines, tong wars, glamorous nightclubs, and the determined struggle to triumph over racist laws and discrimination. They spoke of how Lisa`s great-great-grandfather emigrated from his Chinese village to the United States, and how his son followed him. As an adult, See spent fives years collecting the details of her family`s remarkable history. She interviewd nearly one hundred relatives and pored over documents at the National Archives, the immigration office, and in countless attics, basements, and closets for the initmate nuances of her ancestors` lives. The result is a vivid, sweeping family portriat that is att once particular and universal, telling the story not only of one family, but of the Chinese people in America - and of America itself, a country that both welcomes and reviles its immigrants like no other culture in the world.

A sci-fi classic returns to print in its true, best, and original form! With renewed interest in Alexander Key's extraordinary 1968 novel, fans can dive into Escape to Witch Mountain as it was meant to be read. The powerful, thrilling story of Tony and Tia—twins joined by their paranormal gifts, on the run from evil forces that seek to suppress their forgotten pasts—is more gripping and relevant than ever. Praise for Escape to Witch Mountain: "Action, mood, and characterization never falter in this superior science fiction novel..."—Library Journal "Fantasy, science fiction, mystery, adventure—the story is all of these, with enough suspense and thrills to keep young readers glued to its pages from first to last."—Book World "Fascinating science fiction."—Elementary School Library Collection, Bro-Dart Foundation

A longtime professor of Ethnic Studies at the University of California at Berkeley, Ronald Takaki was recognized as one of the foremost scholars of American ethnic history and diversity. When the first edition of A Different Mirror was published in 1993, Publishers Weekly called it "a brilliant revisionist history of America that is likely to become a classic of multicultural studies" and named it one of the ten best books of the year. Now Rebecca Stefoff, who adapted Howard Zinn's best-selling A People's History of the United States for younger readers, turns the updated 2008 edition of Takaki's multicultural masterwork into A Different Mirror for Young People. Drawing on Takaki's vast array of primary sources, and staying true to his own words whenever possible, A Different Mirror for Young People brings ethnic history alive through the words of people, including teenagers, who recorded their experiences in letters, diaries, and poems. Like Zinn's A People's History, Takaki's A Different Mirror offers a rich and rewarding "people's view" perspective on the American story.

Family circumstances force siblings Ying and Lai Yue to flee their home in China to seek their fortunes in Australia. Life on the gold fields is hard, and they soon abandon the diggings and head to nearby Maytown. Once there, Lai Yue gets a job as a carrier on an overland expedition, while Ying finds work in a local store and strikes up a friendship with Meriem, a young white woman with her own troubled past. When a serious crime is committed, suspicion falls on all those who are considered outsiders. Evoking the rich, unfolding tapestry of Australian life in the late nineteenth century, Stone Sky Gold Mountain is a heartbreaking and universal story about the exiled and displaced, about those who encounter discrimination yet yearn for acceptance.

Zed is having a bad day. She's twelve and there's someone around who's killing kids, which she doesn't have time for. Today, she's already knifed a rapist, traded with half the drunks and addicts in town, talked to the dead, bargained with a sociopath, and extracted crucial information from a mental patient - and she hasn't even left the building. Welcome to what Whitbread Prize winner Lindsay Clarke has called ''a nightmare world which I am trying to escape, but cannot. ''Welcome to the Tower, an urban development project no city wants to lay claim to; a place to steer clear of if at all possible, but if you can't, you'll fit right in. Zed is a vivid, claustrophobic, at times nightmarish novel about madness, survival, and crumbling institutions; it is Moby Dick set in the squalor of an inner city, where rules are abandoned, and it's every man (and young girl) for him or herself. In the spirit of J.G. Ballard's High Rise or Iain Banks' The Wasp Factory, Zed depicts a frenzied underworld; it is a novel of verve and feverish, expansive imagination.