Escape from Smyrna, a mystery novel set in Turkey and Greece, unveils the intertwining histories of three families, Anglo-American, Turkish, and Greek, bound together by an ancient necklace that incites violence yet has powers of healing and redemption. It is 1982. Four Swiss hippies steal a gold locket from a chapel on a barren Greek island. Soon after, it appears for sale in Istanbul's Covered Bazaar. Oran Crossmoor, an athletic 26-year-old American, buys the locket, recognizing it as part of a lost family heirloom, a necklace of four medieval reliquaries. When he shows it to Leyla Aslanoglu, a rich, witty octogenarian friend of his mother, she claims it as treasure of her family. But neither Oran nor Leyla has any idea that the answer to their conflict over the necklace lies in a dramatic escape from Smyrna decades earlier... ,

This powerful and moving historical novel is inspired by the written recollections and the memories that haunted the author's father, Nicias Aridjis,--a captain in the Greek army, who returned from the fields of battle to Smyrna, 50 miles southeast of his hometown of Tire, in 1922 just as Turkish forces captured this cosmopolitan port city. Smyrna in Flames , by the internationally acclaimed Mexican writer and poet Homero Aridjis, lays bare the unimaginable events and horrors that took place for nine days between September 13 and 22--known as the Smyrna Catastrophe. After capturing Smyrna, Turkish forces went on a rampage, torturing and massacring tens of thousands of Greeks and Armenians and devastating the city--in particular, the Greek and Armenian quarters--by deliberately setting disastrous fires. After years of fighting in World War I and the Greco-Turkish War, Nicias enters a Smyrna under siege. He desperately moves through the city in search of Eurydice, the love of his life whom he left behind. Wandering the streets, the sounds of hopelessness commingle in his mind with echoes of the ancient Greek poets who sang of the city's past glories. Images and voices, suggestive of Homeric ghosts adrift in a catastrophic scenario, conjure up a mythological, historical, geographical quest that, in the manner of classical epic, hovers between the heroic and the horrible, illustrating the depths and depravity of the human soul. Making his way from district to district, evading capture, Nicias observes the last vestiges of normal life and witnesses unspeakable horrors committed by roaming Turkish forces and partisans who are randomly abusing and raping Greek and Armenian women and torturing and murdering their men. What he experiences is literally a living hell unfolding before his eyes. As Nicias passes familiar buildings, cafes, and churches, his mind and soul fill with nostalgia for his earlier life and the promise of love. Fortunately for the reader, the brutal and bloodthirsty scenes of the Smyrna Catastrophe are leavened by the voice of this "visionary poet of lyrical bliss, crystalline concentrations and infinite spaces," as Kenneth Rexroth has described Aridjis. His portrayal of a genocide-in-progress floods our senses, turning these chaotic scenes into a poignant drama. At the very end, aboard one of the last ships out of Smyrna before its final fall, Nicias scours the throng of thousands of desperate Greeks and Armenians pressing forward to escape on already overcrowded ships. Suddenly Turkish forces move in to shoot and stab, and, overwhelmed by the all-pervasive tragedy, Nicias abandons Smyrna and Asia Minor forever. Nicias is not a historian, he is an eyewitness and a survivor, and while the book is written in the context of his personal experiences, knowledge and conjectures of the events of the time, Nicias's son Homero has enriched the narrative with plausible fictional episodes and reports by journalists and written testimony by men and women who lived through the Smyrna Catastrophe.

At last available in a modern, annotated edition, these tales describe combat at sea, extraordinary escapes, and religious conversion, but they also illustrate the power, prosperity, and piety of Muslims in the early modern Mediterranean.

A Financial Times Book of the Year A Foreign Affairs Book of the Year A Spectator Book of the Year “A landmark contribution to the study of these epochal events.” —Times Literary Supplement “Brilliantly researched and written...casts a careful eye upon the ghastly events that took place in the final decades of the Ottoman empire, when its rulers decided to annihilate their Christian subjects...Hitler and the Nazis gleaned lessons from this genocide that they then applied to their own efforts to extirpate Jews.” —Jacob Heilbrun, The Spectator Between 1894 and 1924, three waves of violence swept across Anatolia, targeting the region’s Christian minorities. By 1924, the Armenians, Assyrians, and Greeks, once nearly a quarter of the population, had been reduced to 2 percent. Most historians have treated these waves as distinct, isolated events, and successive Turkish governments presented them as an unfortunate sequence of accidents. The Thirty-Year Genocide is the first account to show that all three were actually part of a single, continuing, and intentional effort to wipe out Anatolia’s Christian population. Despite the dramatic swing from the Islamizing autocracy of the sultan to the secularizing republicanism of the post–World War I period, the nation’s annihilationist policies were remarkably constant, with continual recourse to premeditated mass killing, homicidal deportation, forced conversion, and mass rape. And one thing more was a constant: the rallying cry of jihad. While not justified under the teachings of Islam, the killing of two million Christians was effected through the calculated exhortation of the Turks to create a pure Muslim nation. “A subtle diagnosis of why, at particular moments over a span of three decades, Ottoman rulers and their successors unleashed torrents of suffering.” —Bruce Clark, New York Times Book Review

Long before European empires came to dominate the Middle East, Britain was brought face to face with Islam through the activities of the Barbary corsairs. For three centuries after 1500, Muslim ships based in North African ports terrorized European shipping, capturing thousands of vessels and enslaving hundreds of thousands of Christians. Encountering Islam is the fascinating story of one Englishman's experience of life within a Muslim society, as both Christian slave and Muslim soldier. Born in Exeter around 1662, Joseph Pitts was captured by Algerian pirates on his first voyage in 1678. Sold as a slave in Algiers, he underwent forced conversion to Islam. Sold again, he accompanied his kindly third master on pilgrimage to Mecca, so becoming the first Englishman known to have visited the Muslim Holy Places. Granted his freedom, Pitts became a soldier, going on campaign against the Moroccans and Spanish before venturing on a daring escape while serving with the Algiers fleet. Crossing much of Italy and Germany on foot, he finally reached Exeter seventeen years after he had left. Joseph Pitts's A Faithful Account of the Religion and Manners of the Mahometans, first published in 1704, is a unique combination of captivity narrative, travel account and description of Islam. It describes his time in Algiers, his life as a slave, his conversion, his pilgrimage to Mecca (the first such detailed description in English), Muslim ritual and practice, and his audacious escape. A Christian for most of his life, Pitts also had the advantage of living as a Muslim within a Muslim society. Nowhere in the literature of the period is there a more intimate and poignant account of identity conflict. Encountering Islam contains a faithful rendering of the definitive 1731 edition of Pitts's book, together with critical historical, religious and linguistic notes. The introduction tells what is known of Pitts's life, and places his work against its historical background, and in the context of current scholarship on captivity narratives and Anglo-Muslim relations of the period. Paul Auchterlonie, an Arabist, worked for forty years as a librarian specializing in Middle Eastern and Islamic studies, and from 1981 to 2011 was librarian in charge of the Middle East collections at the University of Exeter. He is the author and editor of numerous works on Middle Eastern bibliography and library science, and has recently published articles on historical and cultural relations between Britain and the Middle East. He is currently an Honorary Research Fellow at the Institute of Arab and Islamic Studies at the University of Exeter.

Spanning eight decades and chronicling the wild ride of a Greek-American family through the vicissitudes of the twentieth century, Jeffrey Eugenides’ witty, exuberant novel on one level tells a traditional story about three generations of a fantastic, absurd, lovable immigrant family -- blessed and cursed with generous doses of tragedy and high comedy. But there’s a provocative twist. Cal, the narrator -- also Callie -- is a hermaphrodite. And the explanation for this takes us spooling back in time, through a breathtaking review of the twentieth century, to 1922, when the Turks sacked Smyrna and Callie’s grandparents fled for their lives. Back to a tiny village in Asia Minor where two lovers, and one rare genetic mutation, set our narrator’s life in motion. Middlesex is a grand, utterly original fable of crossed bloodlines, the intricacies of gender, and the deep, untidy promptings of desire. It’s a brilliant exploration of divided people, divided families, divided cities and nations -- the connected halves that make up ourselves and our world.