No, but I do.

The boss of Florida Department of Law Enforcement agent Bill Tasker sends him to investigate an inmate homicide at Manatee Correctional Prison where, it turns out, the psych ward misplaces mental patients, the prison inspector carries a number of secrets--and something very bad is about to happen.

Handbook of Commercial Policy explores three main topics that permeate the study of commercial policy. The first section presents a broad set of basic empirical facts regarding the pattern and evolution of commercial policy, with the second section investigating the crosscutting legal issues relating to the purpose and design of agreements. Final sections cover key issues of commercial policy in the modern global economy. Every chapter in the book provides coverage from the perspectives of multilateral, and where appropriate, preferential trade agreements. While most other volumes are policy-oriented, this comprehensive guide explores the ways that intellectual thinking and rigor organize research, further making frontier-level synthesis and current theoretical, and empirical, research accessible to all. - Covers the research areas that are critical for understanding how the world of commercial policy has changed, especially over the last 20 years - Presents the way in which research on the topic has evolved - Scrutinizes the economic modeling of bargaining and legal issues - Useful for examining the theory and empirics of commercial policy

Essential for students and scholars in politics and law, Pelc provides a comprehensive account of the politics of treaty flexibility.

Class reunions: a time for memories—good, bad, and, as Virgil Flowers is about to find out, deadly—in this New York Times bestselling thriller from John Sandford. Virgil knows the town of Trippton, Minnesota, a little too well. A few years back, he investigated the corrupt—and as it turned out, homicidal—local school board, and now the town’s back in view with more alarming news: A woman’s been found dead, frozen in a block of ice. There’s a possibility that it might be connected to a high school class of twenty years ago that has a mid-winter reunion coming up, and so, wrapping his coat a little tighter, Virgil begins to dig into twenty years’ worth of traumas, feuds, and bad blood. In the process, one thing becomes increasingly clear to him. It’s true what they say: High school is murder.

Camille Claudel, sister of writer Paul Claudel, was a gifted nineteenth-century French sculptor who worked with Auguste Rodin, became his lover, and then left him to gain recognition for herself in the art world. With a strong sense of independence and a firm belief in her own considerable talent, Claudel created some extraordinary works of art and challenged the social and artistic limitations imposed upon the women of her time. Eventually, however, she crumbled beneath the combined weight of social reproof, deprivation, and art-world prejudices. Her family, distraught by her unconventional behavior as well as her delusions and paranoia, had her committed to a mental asylum, where she died thirty years later. Camille Claudel’s life has been romanticized in print and on film, but this is the first fully researched biography to present a rounded picture of the life and work of this remarkable woman. The book, also available in French, has been widely praised for its gripping presentation of the life of a woman artist in the nineteenth century, and for its successful attempt to free Claudel from the myths that had been woven around her. “The complete story of Claudel’s tragic life has never been thoroughly researched and recounted until now, and Ayral-Clause’s polished, to-the-point coverage is galvanizing… Fair and precise, Ayral-Clause’s clarion biography arouses the only reasonable response to Claudel’s saga: outrage.” — Booklist “Ayral-Clause commands much new data and an admirable objectivity. Highly recommended.” — Library Journal “… scholars will find this book, with its mastery of the sources in their original language, a welcome substitute for outdated previous studies…” — Publisher’s Weekly “By excavating Claudel from the edifice of victimization, Ayral-Clause frees us to focus on her work and the factors, both Rodin-and non-Rodin-related, that nurtured and hindered her career.” — Los Angeles Times “This is a fascinating biography… Using newly discovered private letters, family photographs and medical documents recently released to the public, the author provides the first serious, authoritative portrait of this brilliantly gifted, misunderstood artist.” — Umbrella “Ayral-Clause… resists dogmatic interpretation, choosing instead to view her protagonists as fully and as sympathetically as the evidence allows… Her straightforward narrative style offers a clear and vivid context for Claudel’s life and work.” — Art and Auction “Camille Claudel: A Life is riveting: measured, even-handed and revelatory. The author shows how we have absorbed the legend (Rodin exploited and deserted her), ignorant of the facts… Odile Ayral-Clause brilliantly illuminates Claudel’s vivacity and recounts her downfall.” — Art Quarterly (England) “The author has redefined the relationship between Camille Claudel, her environment and the art world, and brings to light the originality of the work of Camille Claudel in relation to Rodin’s” — L’Oeil (France)

#1 New York Times bestselling author John Sandford continues his phenomenal Prey series—and “for those who think they know everything they need to know about Lucas Davenport, [Field of Prey] proves them wrong…” (Huffington Post) On the night of the fifth of July, in Red Wing, Minnesota, a boy smelled death in a cornfield off an abandoned farm. When the county deputy took a look, he found a body stuffed in a cistern. Then another. And another. By the time Lucas Davenport was called in, it was fifteen and counting, the victims killed over just as many summers, regular as clockwork. How could this happen in a town so small without anyone noticing? And with the latest victim only two weeks dead, Davenport knows the killer is still at work, still close by. Most likely someone the folks of Red Wing see every day. Won’t they be surprised.

More information to be announced soon on this forthcoming title from Penguin USA