This book presents the most complete translation to date of Erwin Schrödinger’s work on colorimetry. In his work Schrödinger proposed a projective geometry of color space, rather than a Euclidean line-element. He also proposed new (at the time) colorimetric methods – in detail and at length - which represented a dramatic conceptual shift in colorimetry. Schrödinger shows how the trichromatic (or Young-Helmholtz) theory of color and the opponent-process (or Hering) theory of color are formally the same theory, or at least only trivially different. These translations of Schrödinger’s bold concepts for color space have a fresh resonance and importance for contemporary color theory.

The Republic of Color delves deep into the history of color science in the United States to unearth its origins and examine the scope of its influence on the industrial transformation of turn-of-the-century America. For a nation in the grip of profound economic, cultural, and demographic crises, the standardization of color became a means of social reform—a way of sculpting the American population into one more amenable to the needs of the emerging industrial order. Delineating color was also a way to characterize the vagaries of human nature, and to create ideal structures through which those humans would act in a newly modern American republic. Michael Rossi’s compelling history goes far beyond the culture of the visual to show readers how the control and regulation of color shaped the social contours of modern America—and redefined the way we see the world.

This is a biography of the great scientist, Erwin Schrödinger (author of What is Life?), which draws upon recollections of his family and friends, as well as on contemporary records, diaries and letters. It aims to reveal the fundamental motives that drove him.

Biography of the Austrian physicist

This book provides a comprehensive overview of the historical development of color science, told through the stories of more than 90 of the most prominent figures in the field and their contributions. The text comprises an extensive set of biographical essays about pioneering scientists in the field of color science, describing their most significant achievements and explaining how their findings influenced the general understanding of color. Grouped by historical period, each part is prefaced with a short introduction that sets the essays into context and helps the reader appreciate the background and the importance of the contributions made. Beginning with classical Greece and the works of Plato and Aristotle, the book goes on in the second part to describe the advances made by Islamic scholars such as Ibn al-Haytham between the 10th and 15th centuries. The third part covers contributions from Roger Bacon and Theodoric of Freiberg in the same period. Part four includes discussions on color formation and visual perception for a time period from about the 16th to the 18th centuries encompassing the Age of Enlightenment. This part addresses the works of nineteen pioneers including Descartes, Boyle, Newton, Goethe, Lambert, Purkynje, Runge, Dalton, Young and Chevreul. The final part is the largest section of the book and covers the most recent discoveries and contributions from pioneers born after 1800 and includes over 60 essays. Among the pioneers listed in this chapter are Nobel laureates, vision scientists including Helmholtz, and Hering, and many other notable color pioneers such as Munsell and Land. This part of the book also includes essays on contemporary figures in color science including Adams, Boynton, Crawford, Hardy, MacAdam, Ostwald and Wyszecki and reviews their contributions to this dynamic field. A useful reference for color scientists, science historians, artists and others, Pioneers of Color Science offers a fascinating insight into the development of color science and the nature of scientific advancement.

A comprehensive introduction to colorimetry from a conceptual perspective. Color for the Sciences is the first book on colorimetry to offer an account that emphasizes conceptual and formal issues rather than applications. Jan Koenderink's introductory text treats colorimetry—literally, “color measurement”—as a science, freeing the topic from the usual fixation on conventional praxis and how to get the “right” result. Readers of Color for the Sciences will learn to rethink concepts from the roots in order to reach a broader, conceptual understanding. After a brief account of the history of the discipline (beginning with Isaac Newton) and a chapter titled “Colorimetry for Dummies,” the heart of the book covers the main topics in colorimetry, including the space of beams, achromatic beams, edge colors, optimum colors, color atlases, and spectra. Other chapters cover more specialized topics, including implementations, metrics pioneered by Schrödinger and Helmholtz, and extended color space. Color for the Sciences can be used as a reference for professionals or in a formal introductory course on colorimetry. It will be especially useful both for those working with color in a scientific or engineering context who find the standard texts lacking and for professionals and students in image engineering, computer graphics, and computer science. Each chapter ends with exercises, many of which are open-ended, suggesting ways to explore the topic further, and can be developed into research projects. The text and notes contain numerous suggestions for demonstration experiments and individual explorations. The book is self-contained, with formal methods explained in appendixes when necessary.

The one-stop reference to the essentials of color science and technology—now fully updated and revised The fully updated Third Edition of Color: An Introduction to Practice and Principles continues to provide a truly comprehensive, non-mathematical introduction to color science, complete with historical, philosophical, and art-related topics. Geared to non-specialists and experts alike, Color clearly explains key technical concepts concerning light, human vision, and color perception phenomena. It covers color order systems in depth, examines color reproduction technologies, and reviews the history of color science as well as its relationship to art and color harmony. Revised throughout to reflect the latest developments in the field, the Third Edition: Features many new color illustrations, now fully incorporated into the text Offers new perspectives on what color is all about, diverging from conventional thinking Includes new information on perception phenomena, color order, and technological advances Updates material on such topics as the CIE colorimetric system and optimal object colors Extends coverage of color reproduction to display systems, photography, and color management Contains a unique timetable of color in science and art, plus a glossary of important terms Praise for the previous editions: "A nice bridge to areas usually not covered in academic visual science programs . . . outstanding." —Joel Pokorny, visual scientist at The University of Chicago "A good addition to any library, this should be useful for the color interests of artists, designers, craftsmen, philosophers, psychologists, color technologies, and students in related fields." —CHOICE

Computers are essential for the functioning of our society. Despite the incredible power of existing computers, computing technology is progressing beyond today’s conventional models. Quantum Computing (QC) is surfacing as a promising disruptive technology. QC is built on the principles of quantum mechanics. QC can run algorithms that are not trivial to run on digital computers. QC systems are being developed for the discovery of new materials and drugs and improved methods for encoding information for secure communication over the Internet. Unprecedented new uses for this technology are bound to emerge from ongoing research. The development of conventional digital computing technology for the arts and humanities has been progressing in tandem with the evolution of computers since the 1950s. Today, computers are absolutely essential for the arts and humanities. Therefore, future developments in QC are most likely to impact on the way in which artists will create and perform, and how research in the humanities will be conducted. This book presents a comprehensive collection of chapters by pioneers of emerging interdisciplinary research at the crossroads of quantum computing, and the arts and humanities, from philosophy and social sciences to visual arts and music. Prof. Eduardo Reck Miranda is a composer and a professor in Computer Music at Plymouth University, UK, where he is a director of the Interdisciplinary Centre for Computer Music Research (ICCMR). His previous publications include the Springer titles Handbook of Artificial Intelligence for Music, Guide to Unconventional Computing for Music, Guide to Brain-Computer Music Interfacing and Guide to Computing for Expressive Music Performance.

This book offers a comprehensive introduction in to the various theories of colour and how they developed over the centuries and millennia. As colour is the perception of light by our brains, the book captures not only the physical phenomena but also psychological and philosophical aspects of colours. It starts with ancient studies of Greek philosophers and their insights into light and mirrors, then reviews the theory of colors in the middle ages in Europe and Middle East. The last big part of the book explains the theories of colours by modern scientists and philosophers, starting with Isaac Newton and ending colour schemes of modern digital pictures.

This is the first comprehensive text on the history of color theories since Halbertsma's book of 1947. Color is discussed in close connection with the evolution of ideas of light and vision. The book has chapters on the ancient Greek ideas of vision and color; on the contributions of Arabic science; on the Scientific Revolution from Kepler to Newton; on the early history of the three-color hypothesis; on the trichromatic theory and defective color vision; and on Goethe's, Schopenhauer's and Hering's theories. New understanding of the structure and functions of the retina and the brain finally results in the modern science of color vision. A History of Color has been written for ophthalmologists, optometrists and others who are interested in visual science and its history. The book requires no specialized knowledge.