A revelatory, fly-on-the-wall collection of photographs and stories documenting Eddie Van Halen at work in his famed but seldom seen 5150 studio, from the 2004 reunion with Sammy Hagar through the 2007 reunion with David Lee Roth. “When kids ask me how it feels to be a rock star, I say, ‘I’m not a rock star. I’m not in it for the fame, I’m in it because I like to play.’” Eddie Van Halen A fortuitous call from a stranger in the middle of the night led to a once-in-a-lifetime assignment. The stranger was Eddie Van Halen. The assignment, as Eddie related it, was to “capture the truth. Show people how hard I work, because that’s the truth.” Having no idea where this would lead or in what form it might be shared, Andrew Bennett spent portions of the next two years relentlessly documenting everything that occurred inside Eddie’s sanctuary: from rehearsals, recording sessions, and revealing conversations, to vicious arguments, a brotherly brawl, and a wild heist attempt in the middle of the night. Bennett memorialized every square foot of that sacred space, every piece of equipment, and every guitar—including Eddie’s beloved Frankenstrat. Featuring more than two hundred photographs, and accompanied by intimate reflections on what the author witnessed, Eruption in the Canyon presents an incomparable portrait of one of the most revered artists in history.

A revelatory, fly-on-the-wall collection of photographs and stories documenting Eddie Van Halen at work in his famed but seldom seen 5150 studio, from the 2004 reunion with Sammy Hagar through the 2007 reunion with David Lee Roth. "When kids ask me how it feels to be a rock star, I say, 'I'm not a rock star. I'm not in it for the fame, I'm in it because I like to play.'" Eddie Van Halen A fortuitous call from a stranger in the middle of the night led to a once-in-a-lifetime assignment. The stranger was Eddie Van Halen. The assignment, as Eddie related it, was to "capture the truth. Show people how hard I work, because that's the truth." Having no idea where this would lead or in what form it might be shared, Andrew Bennett spent portions of the next two years relentlessly documenting everything that occurred inside Eddie's sanctuary: from rehearsals, recording sessions, and revealing conversations, to vicious arguments, brutal brawls, and a wild heist attempt in the middle of the night. He memorialized every square foot of that sacred space, every piece of equipment, and every guitar-including the beloved Frankenstrat. Featuring more than two hundred photographs, and accompanied by intimate reflections on what the author witnessed, Eruption in the Canyon presents an incomparable portrait of one of the most revered artists in history.

A hardcover coffee table book of photos

On November 13, 1985, catastrophic mudflows swept down the slopes of the erupting Nevado del Ruiz volcano, destroying structures in their paths. Various estimates of deaths ranged as high as 24,000 residents. Though the nature and extent of risk posed by the mudflows to local communities were well documented before the event and extensive efforts had been made to communicate this information to those at risk, the affected communities were caught largely unaware. This volume analyzes the disaster's many aspects: the extent, constitution, and behavior of the mudflows; the nature of damage to structures; the status of the area's disaster warning system; and the extent of the area's disaster preparedness, emergency response actions, and disaster relief effortsâ€"both at the time of the disaster and in the first few months following the event.

-Could the Grand Canyon's rock layers have formed in a single year of Noah's flood?-Why are there no dinosaur, bird or mammal fossils in the canyon's layers?-How do we know that radiometric dating methods are reliable?-How can we tell what happened in the unobserved past?-How long did it take to carve out the canyon?-Is Young Earth Creationism really biblical?Learn the answers to these questions and more to understand how the Grand Canyon testifies to an old earth. Insights from top geologists, highlighted by stunning photographs, provide a memorable guide to these ancient wonders of creation.

In the early morning hours of May 18, 1980, the pristine scenery around Washington's Mount St. Helens was shattered by a powerful explosion that devastated its north slope. The eruption of a landmark mountain had begun. In the aftermath, amid the rivers of mud, blankets of ash, and eerie quiet, scientists made a startling discovery: "nature" was bringing life out of death, re-claiming from the destruction a teeming colony of plant and animal life. Most amazing of all, the geological upheavals had re-created the processes of old that had carved out such marvels as the Grand Canyon. Today, the site stands as a testament to the power of God, who upholds all of creation. In His infinite wisdom, He has shown the modern science of geology that the earth is much, much younger that many suspected.

Presents a collection of surreal poems that blend science and art.

At once terrifyingly destructive and awe-inspiringly beautiful, volcanoes have long fascinated humankind. From Vesuvius and Etna to Krakatau and Mount Saint Helen’s, these molten rock- and ash-spewing geysers have destroyed whole cities and countless lives, and altered the course of history. Yet our understanding of volcanoes on Earth—and throughout the celestial world—remains maddeningly incomplete. With Alien Volcanoes, Rosaly M. C. Lopes and Michael W. Carroll offer a dynamic tour of volcanic activity across the solar system. Through eight gracefully written chapters laced with gripping photographs and stunning artwork, Lopes and Carroll survey the complete spectrum of volcanism in time and location, from the solar system’s origin to the modern era and from the familiar shield volcanoes of the terrestrial worlds to the bizarre superchilled geysers on distant ice moons. In the process, they entertain the possibility of hidden lakes on Saturn’s moon Enceladus, discuss the potential effects of greenhouse gases on Neptune’s moon Triton, reconstruct the last moments of life for Pompeiians in the face of an erupting Mount Vesuvius, and explain how a 4,000-mile-long river of lava could have once flowed freely across the plains of Venus. Richly illustrated with original paintings supplemented by NASA and European Space Agency photographs, Alien Volcanoes advances our knowledge of volcanoes on other heavenly bodies, enhances our ability to comprehend how they came into being on Earth, and describes how we might better predict the impact of future eruptions.

Created for map lovers by map lovers, this rich book explores the intriguing stories behind maps across history and illuminates how the art of cartography thrives today. In this visually stunning book, award-winning journalists Betsy Mason and Greg Miller--authors of the National Geographic cartography blog "All Over the Map"--explore the intriguing stories behind maps from a wide variety of cultures, civilizations, and time periods. Based on interviews with scores of leading cartographers, curators, historians, and scholars, this is a remarkable selection of fascinating and unusual maps. This diverse compendium includes ancient maps of dragon-filled seas, elaborate graphics picturing unseen concepts and forces from inside Earth to outer space, devious maps created by spies, and maps from pop culture such as the schematics to the Death Star and a map of Westeros from Game of Thrones. If your brain craves maps--and Mason and Miller would say it does, whether you know it or not--this eye-opening visual feast will inspire and delight.

“We are homesick everywhere,” writes Tishani Doshi, “even when we’re home.” With aching empathy, righteous anger, and rebellious humor, A God at the Door calls on the extraordinary minutiae of nature and humanity to redefine belonging and unveil injustice. In an era of pandemic lockdown and brutal politics, these poems make vital space for what must come next—the return of wonder and free movement, and a profound sense of connection to what matters most. From a microscopic cell to flightless birds, to a sumo wrestler and the tree of life, Doshi interrupts the news cycle to pause in grief or delight, to restore power to language. A God at the Doorinvites the reader on a pilgrimage—one that leads us back to the sacred temple of ourselves. This is an exquisite, generous collection from a poet at the peak of her powers.