(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line.

As we celebrate Erroll Garner's centennial (June 15, 2021) this new edition will inspire a new generation of Garner enthusiasts. Erroll Garner: The Most Happy Piano, Centennial Edition, is divided into three sections, as was the original 1985 edition. The first section, "His Story," has been updated to include the vital records of the interviewees who participated in the oral history project. With the passage of time, most of the voices in the oral history are now gone. "His Times" is a chronology of Erroll Garner's ancestral background dating back to the early 1800s and his personal and professional life from birth to his death in 1977. Most of the additions to the chronology were in the 1940s during his appearances at Mercur's Music Bar in downtown Pittsburgh, details that were unavailable at the time of the original edition's publication."His Recorded Music" is a detailed discography featuring the 78, 45, and 33 1/3 rpm discs issued (and unissued) over Erroll Garner's recorded history from 1937 to 1975.

As we celebrate Erroll Garner's centennial (June 15, 2021) this new edition will inspire a new generation of Garner enthusiasts. Erroll Garner: The Most Happy Piano, Centennial Edition, is divided into three sections, as was the original 1985 edition. The first section, "His Story," has been updated to include the vital records of the interviewees who participated in the oral history project. With the passage of time, most of the voices in the oral history are now gone. "His Times" is a chronology of Erroll Garner's ancestral background dating back to the early 1800s and his personal and professional life from birth to his death in 1977. Most of the additions to the chronology were in the 1940s during his appearances at Mercur's Music Bar in downtown Pittsburgh, details that were unavailable at the time of the original edition's publication."His Recorded Music" is a detailed discography featuring the 78, 45, and 33 1/3 rpm discs issued (and unissued) over Erroll Garner's recorded history from 1937 to 1975.

(Piano Instruction). The Hal Leonard Jazz Piano Method is a comprehensive and easy-to-use guide designed for anyone interested in playing jazz piano from the complete novice just learning the basics to the more advanced player who wishes to enhance their keyboard vocabulary. There are lots of fun progressions and licks for you to play and absorb. The accompanying audio includes demonstrations of all the examples in the book! Topics include essential theory, chords and voicings, improvisation ideas, structure and forms, scales and modes, rhythm basics, interpreting a lead sheet, playing solos, and much more!

NOW IN PAPERBACK! J.J. Johnson, known as the spiritual father of modern trombone, has been a notable figure in the history of jazz. His career has embodied virtually every innovation and development in jazz over the past half-century. In this first comprehensive biography, filmography, catalog of compositions, and discography, the authors explore Johnson's childhood and early education, document his first compositions, and examine his classical roots, thereby creating a unique and powerful illustration of the composer's technical and stylistic development. New in the paperback edition is an Epilogue containing vital information about Johnson's suicide as well as an Index of Discography Titles.

18 profiles of lively contributors to jazz and popular music.

"Both as a person and as a musician, he was number one in my book." --Benny Carter Bassist George Duvivier (1920-1985) was one of the most universally respected musicians in jazz. His impeccable musicianship graced the big bands in the 1940s and led to musical associations with virtually every important jazz and popular artist. His prolific recording career spanned all styles of music, from Eubie Blake to Eric Dolphy, Billie Holiday to Barry Manilow. Duvivier was a most astute and articulate observer of the musical scene. A large part of this book is devoted to his own reflections on growing up in Harlem in the 1920s and 1930s, the evolution of the bass, life in the commercial studios, and his memories of close associates--Coleman Hawkins, Jimmie Lunceford, Bud Powell, Lena Horne, and many others. In addition, twenty of Duvivier's colleagues, including Louie Bellson, Ron Carter, Milt Hinton, Ed Shaughnessy, Arthur Taylor, and Joe Wilder, have contributed, covering a variety of musical and social issues, as well as providing a loving portrait of an extraordinary artist. Duvivier's musical style is discussed by David Chevan, who has included transcriptions of several solos. An extensive discography/solography traces Duvivier's incredibly diverse recording career. With dozens of previously unpublished photos.

This annotated bibliography contains over 700 entries covering adult non-fiction books on jazz published from 1990 through 1999. Entries are organized by category, including biographies, history, individual instruments, essays and criticism, musicology, regional studies, discographies, and reference works. Three indexes—by title, author, and subject—are included.

Martin provides a new overall assessment of the importance of Charlie Parker through an analysis of his improvisations in a variety of genres. Earlier studies of Parker argue that his style is based on an extensive network of melodic formulas that are combined to create solos. Because the same formulas appear throughout his improvisations regardless of the theme, these studies concluded that the solos do not usually relate to the original melodies. Charlie Parker and Thematic Improvisation provides a much-needed reassessment by showing that Parker's solos are often related to the original themes in unexpected and sometimes ingenious ways. The conclusion sums up features of Parker's style and discusses his contribution in the context of Western music history. Numerous transcriptions are provided. This groundbreaking technical study will be of interest to musicologists and serious students of jazz.