Despite comparisons between Erasmus and Voltaire having become common-place in the course of the nineteenth century, this is the first full study to bring them together in their careers, their works, and their historic afterlives. Each was a force for change in his time and thus ranks among the masters of modern liberalism. Beginning with the continuities between the Renaissance and the Enlightenment, award-winning scholar Ricardo J. Quinones joins Erasmus and Voltaire as voices of moderation and reason that remain capable of addressing the philosophical crises of twentieth-century thought. A companion piece to Dualisms, Quinones' 2007 book, Erasmus and Voltaire differs in method: where its predecessor looked to inveterate, unyielding differences, this new work looks to similarities. In delving beneath the obvious differences between these two intellectual giants, Quinones uncovers the great practical and spiritual vocations that unite them.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Candide by Voltaire from Coterie Classics All Coterie Classics have been formatted for ereaders and devices and include a bonus link to the free audio book. “Do you believe,' said Candide, 'that men have always massacred each other as they do to-day, that they have always been liars, cheats, traitors, ingrates, brigands, idiots, thieves, scoundrels, gluttons, drunkards, misers, envious, ambitious, bloody-minded, calumniators, debauchees, fanatics, hypocrites, and fools?' Do you believe,' said Martin, 'that hawks have always eaten pigeons when they have found them?” ― Voltaire, Candide Candide is a young man who is raised in wealth to be an optimist but when he is forced to make his own way in the world, his assumptions and outlook are challenged.

With a new Introduction by the author, this “erudite and brilliantly readable book” (The Observer, London) expertly dissects the political, economic, and social origins of Western civilization to reveal a culture cripplingly enslaved to crude notions of rationality and expertise. With a new introduction by the author, this “erudite and brilliantly readable book” (The Observer, London) astutely dissects the political, economic and social origins of Western civilization to reveal a culture cripplingly enslaved to crude notions of rationality and expertise. The Western world is full of paradoxes. We talk endlessly of individual freedom, yet we’ve never been under more pressure to conform. Our business leaders describe themselves as capitalists, yet most are corporate employees and financial speculators. We call our governments democracies, yet few of us participate in politics. We complain about invasive government, yet our legal, educational, financial, social, cultural and legislative systems are deteriorating. All these problems, John Ralston Saul argues, are largely the result of our blind faith in the value of reason. Over the past 400 years, our “rational elites” have turned the modern West into a vast, incomprehensible, directionless machine, run by process-minded experts—“Voltaire’s bastards”—whose cult of scientific management is empty of both sense and morality. Whether in politics, art, business, the military, entertain­ment, science, finance, academia or journalism, these experts share the same outlook and methods. The result, Saul maintains, is a civilization of immense technological power whose ordinary citizens are increasingly excluded from the decision-making process. In this wide-ranging anatomy of modern society and its origins—whose “pages explode with insight, style and intellectual rigor” (Camille Paglia, The Washington Post)—Saul presents a shattering critique of the political, economic and cultural estab­lishments of the West.

Harvey Mitchell’s book argues that a reassessment of Voltaire’s treatment of traditional Judaism will sharpen discussion of the origins of, and responses to, the Enlightenment. His study shows how Voltaire’s nearly total antipathy to Judaism is best understood by stressing his self-regard as the author of an enlightened and rational universal history, which found Judaism’s memory of its past incoherent, and, in addition, failed to meet the criteria of objective history—a project in which he failed. Calling on an array of Jewish and non-Jewish figures to reveal how modern interpretations of Judaism may be traced to the core ideas of the Enlightenment, this book concludes that Voltaire paradoxically helped to foster the ambiguities and uncertainties of Judaism’s future.

Dualism is a motif that runs through literature of all genres and historical contexts, inspiring argumentation at the highest level and showing the formation of ideas in association as a creative exchange. It arises with special pertinence in western literature since the Renaissance and Reformation. In Dualisms, noted scholar Ricardo J. Quinones considers four major intellectual encounters: Erasmus and Luther, Voltaire and Rousseau, Turgenev and Dostoevsky, and Sartre and Camus. These four instances, Quinones argues, are important for what they are and what they represent: major intellectual contests that created the modern era and remain the 'agons' of our time. Through in-depth analysis, this study looks at the clarifications that emerged from four famous polemics. Discerning an 'itinerary of their encounters,' Quinones suggests a shared paradigm of development that is true for each of the examples of dualism. In all four cases, the two participants represented the vanguard of their time, and all of the debates started from shared intellectual positions until subsequent events revealed substantially different temperaments. It is the inescapable tension and connection between prior affinities and the discord of debate that continue to intrigue us. Dualisms is a tour-de-force, encompassing intellectual history, philosophy, theology, and literary criticism. It provides fresh perspectives on some of the most famous intellectual debates in all of literature, and considers the implications that they continue to have for the study of the humanities in the modern world.

North/South focuses on the dramatic changes in the intellectual and political typography of a Europe divided between the countries of the North and of those of the South.