We are in the center of the most life-changing technological revolution the Earth has ever known. In little more than 65 years, an eye-blink in human history, a single technological invention has launched the proverbial thousand ships, producing the most sweeping and pervasive set of changes ever to wash over humankind; changes that are reshaping the very core of human existence, on a global scale, at a relentlessly accelerating pace. And we are just at the very beginning. Silicon Earth: Introduction to Microelectronics and Nanotechnology introduces readers with little or no technical background to the marvels of microelectronics and nanotechnology, using straightforward language, an intuitive approach, minimal math, and lots of pictures. The general scientific and engineering underpinnings of microelectronics and nanotechnology are described, as well as how this new technological revolution is transforming a broad array of interdisciplinary fields, and civilization as a whole. Special "widget deconstruction" chapters address the inner workings of ubiquitous micro/nano-enabled pieces of technology, such as smartphones, flash drives, and digital cameras. Completely updated and upgraded to full color, the Second Edition: Includes new material on the design of electronic systems, the future of electronics, and the societal impact of micro/nanotechnology Provides new widget deconstructions of cutting-edge tech gadgets like the GPS-enabled smartwatch Adds end-of-chapter study questions and hundreds of new color photos Silicon Earth: Introduction to Microelectronics and Nanotechnology, Second Edition is a pick-up-and-read-cover-to-cover book for those curious about the micro/nanoworld, as well as a classroom-tested, student-and-professor-approved text ideal for an undergraduate-level university course. Lecture slides, homework examples, a deconstruction project, and discussion threads are available via an author-maintained website.

From a New York Times bestseller, a sci-fi “novel of great charm and freshness, with improbable situations, weird complications, vital characters . . . ” (Kirkus Reviews). What if the entire universe happened to be the creation of alien minds? Dreens are extraordinary storytellers—and they can actually make the worlds they imagine come to life—and this is the origin of Earth and the entire known universe. Even though Dreens live far across the universe, the human race has the technology for interstellar travel and the military power to destroy the aliens’ core planet. But Earth itself is only sustained by the continued existence of the Dreens. If the last Dreen dies, all of humanity will disappear! A science fiction adventure showcasing the imagination that made Frank Herbert famous and the wry wit and satire that brought Brian Herbert critical acclaim.

In the first novel of this captivating science fiction series, an android fights for its survival and holds the power to reverse a deadly virus that could lead to the world's destruction. The year is 5120. There is no life left on Earth, at least not in the human sense. With humans colonizing other planets, robots and androids live on Earth, attempting to return it to its former glory. A new kind of virus sweeps through the land, causing corruption and massive destruction. As the malicious virus attacks its host and spawns a chain reaction that threatens to end what's left of the planet, the robots neglect their restoration duties. Adam, a genetically engineered bionic teen, can produce light to reverse the evolution of the virus. He alone may hold the secret to saving the planet. But before that can happen, Adam and his robot companions must make a final stand for Earth against a high-tech foe threatening the globe.

"Oztrailer" has mysteriously turned into a nation of brain-eating zombies. The nation's only hope is Stinky Squad, a motley collecti on of loser teens who have developed revolting superpowers such as acid vomit, wallmelting farts and super-sticky pimple pus. A cracking pace and even a touch of romance. But scratch deeper and this book also resonates with powerful themes: social justice, racism, bullying and much more. "A fart-fest with a surpassingly warm heart. Stench is an inspired character." Sally Rodgers, children's author.

Just as the restoration of Michelangelo’s Last Judgment sparked enormous controversy in the art world, so are environmental restorationists intensely divided when it comes to finding ways to rehabilitate damaged ecosystems. Although environmental restoration is quickly becoming a widespread pursuit, debate over the methods and goals of this endeavor often halts progress. The same question confronts artistic and environmental restorationists: Which systems need restoring, and to what states should they be restored? In Earth Repair: A Transatlantic History of Environmental Restoration, Marcus Hall explores the answer to this question while offering an alternative to the usual narrative of humans disrupting and spoiling the earth. Hall’s purpose is not to deny that humans have done lasting damage but to show that those who believed in restoration did not always agree on what they wanted to restore, or how, or to what form. With guidance from the pioneer conservationist George Perkins Marsh, the reader travels between the United States and Italy to see that restoration has taken many forms over the past two hundred years, from maintaining and repairing, to gardening and naturalizing. By contrasting land management in these two countries and elsewhere, Earth Repair clarifies different meanings of restoration, shows how such meanings have changed through time and place, and suggests how restorationists can apply these insights to their own practices.

Addressing a variety of views on hell, the Bible, and the character of God, offers an eloquent response to the recent media storm surrounding questions of eternal destiny.

In 1755, the famous Portuguese tile maker Pêro Manuel Pires is empathetic to a fault. He is dedicated to freeing slaves with the proceeds of his art and hiring the freed to work in his tile factory, triggering rage and repercussions from a competitor. Pêro harbors a female artist whose risqué creations keep the shop’s works in demand by Lisbon’s elite. The success of her designs does not sit well with one of Pêro’s longtime workers, bringing him and his loved ones under the menacing eye of the Inquisition, with threat of imprisonment and closure of his shop. Risking his life and liberty, Pêro is determined to push forward. But on All Saints Day, November 1st, Portugal is struck by earthquakes, tidal waves and massive fires, and Pêro loses what is most dear to him. Will he escape? Or stay to fight for freedom and the future? A historical novel set in 18th century Lisbon, Cut From The Earth is a riveting story of courage, determination and survival.

The core dilemma in environmental advocacy may be illustrated by the question, "When we communicate about the world, should we stress what we know or what we feel?" The contributors to The Symbolic Earth argue that it is more important to decide how we should talk about what we know and feel. In their view, the environment is larely a product of how we talk about the world. Because the environment is a social construction, the only hope we have of preserving it is to understand and alter the fundamental ways we discuss it. This collection first examines the ways in which discourse creates environment perceptions. Subjects discussed range from the description of natural scenery to the advocacy of political interest groups, from the everyday interactions of citizens facing environmental crises to the greenwashing of corporate imagemakers, and from the psychology of the mass public to the social constructions of the mass media. The authors include nationally known scholars of environmental history, rhetorical theory, ethnography, communication and journalism studies, public policy, and media criticism.