Poetry. Translated by Julia Guez and Samantha Zighelboim. In Luis Chaves's EQUESTRIAN MONUMENTS, the stately figure of a former president, Leon CortÈs, is counterbalanced by a cast of mock-heroic or non-normative foils: a cross-dresser, a singleton, homunculus, thief, and gardener. Dialogue from The Exorcist coexists alongside lines from the Latin Kyrie, Rex, while sweeping statements about entire generations, continents, and genres find a basis in the most intimate details of home-life. The intersections are uncanny, sometimes hilarious, often sad and unsettling. Chaves's hyper-caffeinated imagination renders each image in this remarkable collection in a way that orients the reader and provides a moment's stasis and clarity before "the waves come and the waves erase it."

Contains a large quantity and variety of epigraphy - Combines both archaeological and epigraphical material - Offers a new cultural history of the Hellenistic city and a detailed examination of family statues - Illustrated throughout

The striking engravings of Julien-David Le Roy's The Ruins of the Most Beautiful Monuments of Greece (1758) first revealed the architectural wonders of ancient Athens to the West. Part architectural theory, part archaeological report, part travelogue, the greatly expanded edition of 1770 -- here translated into English -- is entirely original in its understanding of the spirit of classical Greek architecture and in its influence on the direction of contemporary architectural creation. Book jacket.

Traces the history of the National Mall in Washington, D.C., discussing its plan and structures, and considering how the concept of memorials and memorial space has changed since the nineteenth century.

This sweeping new assessment of Civil War monuments unveiled in the United States between the 1860s and 1930s argues that they were pivotal to a national embrace of military values. Americans' wariness of standing armies limited construction of war memorials in the early republic, Thomas J. Brown explains, and continued to influence commemoration after the Civil War. As large cities and small towns across the North and South installed an astonishing range of statues, memorial halls, and other sculptural and architectural tributes to Civil War heroes, communities debated the relationship of military service to civilian life through fund-raising campaigns, artistic designs, oratory, and ceremonial practices. Brown shows that distrust of standing armies gave way to broader enthusiasm for soldiers in the Gilded Age. Some important projects challenged the trend, but many Civil War monuments proposed new norms of discipline and vigor that lifted veterans to a favored political status and modeled racial and class hierarchies. A half century of Civil War commemoration reshaped remembrance of the American Revolution and guided American responses to World War I. Brown provides the most comprehensive overview of the American war memorial as a cultural form and reframes the national debate over Civil War monuments that remain potent presences on the civic landscape.

THE SUNDAY TIMES HISTORY BOOK OF THE YEAR 2017 'A beautiful and thoughtful exploration of the role of the horse in creating our world' James Rebanks 'Scintillating, exhilarating ... you have never read a book like it ... a new way of considering history' Observer The relationship between horses and humans is an ancient, profound and complex one. For millennia horses provided the strength and speed that humans lacked. How we travelled, farmed and fought was dictated by the needs of this extraordinary animal. And then, suddenly, in the 20th century the links were broken and the millions of horses that shared our existence almost vanished, eking out a marginal existence on race-tracks and pony clubs. Farewell to the Horse is an engaging, brilliantly written and moving discussion of what horses once meant to us. Cities, farmland, entire industries were once shaped as much by the needs of horses as humans. The intervention of horses was fundamental in countless historical events. They were sculpted, painted, cherished, admired; they were thrashed, abused and exposed to terrible danger. From the Roman Empire to the Napoleonic Empire every world-conqueror needed to be shown on a horse. Tolstoy once reckoned that he had cumulatively spent some nine years of his life on horseback. Ulrich Raulff's book, a bestseller in Germany, is a superb monument to the endlessly various creature who has so often shared and shaped our fate.

A “witty, entertaining, educational” blend of travel memoir and Civil War history (Scott L. Mingus, Sr, award-winning author of Flames beyond Gettysburg). Gettysburg is a small, charming city nestled in south central Pennsylvania—but its very name evokes passion and angst, enthusiasm and sadness. For about half the year its streets are mainly empty, its businesses quiet, the weather cold and blustery. For the other months, however, the place teems with hundreds of thousands of visitors, bustling streets and shops, and more than a handful of unique larger-than-life characters. And then, of course, there is the Civil War battle that raged there during the first days of July 1863 at the price of more than 50,000 casualties. Its monuments and guns and plaques tell the story of the colossal clash of arms and societies, just as its National Cemetery bears silent witness to at least part of the cost of that bloody event. Yet, the author explains, he did not fully appreciate the profound meaning of this mammoth battle, its influential characters (living and dead), its deep meaning to our society, until he visited this hallowed ground in person. In this travelogue, you can join him at a host of famous and off-the-beaten-path places on the battlefield, explore the historic town as it is today, and learn fascinating facts and stories. Also included are maps and caricatures provided by award-winning cartoonist Tim Hartman.