Unexplored Equatorial Guinea finally gets a guidebook! This one-time Spanish colony is one of the smallest countries in continental Africa, both in terms of size and population, and is ranked by the United Nations among the ten least visited countries in the world. From the oil-rich capital of Malabo on the volcanic island of Bioko, set out to explore the jungle interior via the Spanish colonial outpost of Bata, where you'll find pristine national parks teeming with wildlife, incredible white-sand beaches and a wealth of small, traditional communities. Travel here may not always be straightforward, but the rewards are worth it for such a unique experience in the heart of tropical Africa's only Spanish-speaking nation.This is the only in-depth English language guide to Equatorial Guinea, one of the last truly unexplored corners of sub-Saharan Africa. With first-hand descriptions of all seven provinces (including the islands and the mainland), accommodation, maps and itineraries, plus practical details, guides to security and getting a visa, this is all the information you need whether visiting Bioko on business or trekking Río Muni in search of gorillas.

The Licit Life of Capitalism is both an account of a specific capitalist project—U.S. oil companies working off the shores of Equatorial Guinea—and a sweeping theorization of more general forms and processes that facilitate diverse capitalist projects around the world. Hannah Appel draws on extensive fieldwork with managers and rig workers, lawyers and bureaucrats, the expat wives of American oil executives and the Equatoguinean women who work in their homes, to turn conventional critiques of capitalism on their head, arguing that market practices do not merely exacerbate inequality; they are made by it. People and places differentially valued by gender, race, and colonial histories are the terrain on which the rules of capitalist economy are built. Appel shows how the corporate form and the contract, offshore rigs and economic theory are the assemblages of liberalism and race, expertise and gender, technology and domesticity that enable the licit life of capitalism—practices that are legally sanctioned, widely replicated, and ordinary, at the same time as they are messy, contested, and, arguably, indefensible.

Spain’s former African colonies—Equatorial Guinea and Western Sahara—share similar histories. Both are under the thumbs of heavy-handed, postcolonial regimes, and are known by human rights organizations as being among the worst places in the world with regard to oppression and lack of civil liberties. Yet the resistance movement in one is dominated by women, the other by men. In this innovative work, Joanna Allan demonstrates why we should foreground gender as key for understanding both authoritarian power projection and resistance. She brings an ethnographic component to a subject that has often been looked at through the lens of literary studies to examine how concerns for equality and women’s rights can be co-opted for authoritarian projects. She reveals how Moroccan and Equatoguinean regimes, in partnership with Western states and corporations, conjure a mirage of promoting equality while simultaneously undermining women’s rights in a bid to cash in on oil, minerals, and other natural resources. This genderwashing, along with historical local, indigenous, and colonially imposed gender norms mixed with Western misconceptions about African and Arab gender roles, plays an integral role in determining the shape and composition of public resistance to authoritarian regimes.

"The African cities of Bata and Al-Hoceima were created during the Spanish colonial rule of Equatorial Guinea and Morocco. This book constructs their local history to analyse how Spanish colonialism worked, what its legacies were and the imprints it left on their national histories. The work explains the revision of collective memories of the past in the present as a form of decolonisation that seeks to build different foundations for the future in a transnational and glocal framework. The result is an exciting puzzle of individual and collective memories in which Africans contest their colonial cultural heritage and shape their identities at a global level"--

This is a monograph of Equatorial Guinea, which consists of the island of Fernando Po and the continental territory of Rio Muni. It was a small but relatively prosperous Spanish colony up till 1968.

French ethnologist Perrois, who lived in Equatorial Africa from 1965 to 1984, presents the wealth of his research, including a history of colonial conquest and discovery in the region. Providing magnificent illustration are a wealth of photographs, drawings, and maps, and a catalog of the Fang objects (jewelry, masks, and especially statues) in the collection at the Folch Rusinol Museum in Barcelona. 10x115/8". Annotation copyrighted by Book News, Inc., Portland, OR

"Examines how postcolonial literature depicts the clash of traditional and European cultures, reflects the impact of the Macias reafricanization process, and addresses the themes of individual and national identity, Hispanic heritage, and the Equatoguinean diaspora"--Provided by publisher.

Equatorial Guinea is a tiny country roughly the size of the state of Maryland. Humid, jungle covered, and rife with unpleasant diseases, natives call it Devil Island. Its president in 2004, Obiang Nguema, had been accused of cannibalism, belief in witchcraft, mass murder, billion dollar corruption, and general rule by terror. With so little to recommend it, why in March 2004 was Equatorial Guinea the target of a group of salty British, South African and Zimbabwean mercenaries, travelling on an American-registered ex-National Guard plane specially adapted for military purposes, that was originally flown to Africa by American pilots? The real motive lay deep below the ocean floor: oil. In The Dogs of War, Frederick Forsyth effectively described an attempt by mercenaries to overthrow the government of Equatorial Guinea -- in 1972. And the chain of events surrounding the night of March 7, 2004, is a rare case of life imitating art -- or, at least, life imitating a 1970s thriller -- in almost uncanny detail. With a cast of characters worthy of a remake of Wild Geese and a plot as mazy as it was unlikely, The Wonga Coup is a tale of venality, overarching vanity and greed whose example speaks to the problems of the entire African continent.