The victory ode was a short-lived poetic genre in the fifth century BC, but its impact has been substantial. Pindar, Bacchylides and others are now among the most widely read Greek authors precisely because of their significance for the literary development of poetry between Homer and tragedy and their historical involvement in promoting Greek rulers. Their influence was so great that it ultimately helped to define the European notion of lyric from the Renaissance onwards. This collection of essays by international experts examines the victory ode from a range of angles: its genesis and evolution, the nature of the commissioning process, the patrons, context of performance and re-performance, and the poetics of the victory ode and its exponents. From these different perspectives the contributors offer both a panoramic view of the genre and an insight into the modern research positions on this complex and fascinating subject.

Not much is known about the life of Bacchylides, but everyone knows how great of a poet he was, becoming one of Ancient Greece's best lyrical poets. The Greeks included him in their canonical list of nine lyric poets, and some of his works survived. His career coincided with the rise of drama, including the playwrights Aeschylus or Sophocles, and his lyrics are known for their clarity in expression and simplicity, making it easier to study the lyrical poetry of Ancient Greece. Epinicians were a genre of occasional poetry that resembled victory odes, written in prose in Ancient Greece as lyrics for a chorus. These were commissioned for and performed at the celebration of an athletic victory in the Panhellenic Games and sometimes in honor of a victory in war. Some of Bacchylides' epinicians survived and are reproduced here.

This book addresses the performance and dissemination of Greek poems of the seventh to the fifth centuries BC whose premieres were presented by a chorus singing in a ritual context or in secular celebrations of athletic victories. It explores how choruses presented themselves; individuals' and communities' roles in funding performances and securing the circulation of texts; how performances continued inside and outside family and city, whether chorally or in symposia, with the consequence that Athenian theatre audiences could be expected to appreciate allusion to or reworking of such poetic forms in tragedy and comedy; and how such performances contributed to transmission of the poems' texts until they were collected by Hellenistic scholars.

A collection of papers by international experts on one of the most paradoxical and influential poetic genres of classical antiquity.

Over the course of his life (550-460 BC), the Greek poet Simonides produced poetic work of every kind then extant. Unfortunately, Simonides' corpus has survived only in fragments, though classical scholars have been studying his work for generations. The 1992 discovery of the Oxyrhynchus Papyri revolutionized the study of Simonides, casting particular light on the epic of Plataea. This edited volume gathers the best of the recent research on Simonides' newly expanded oeuvre into a single collection that will be an important reference for scholars of Greek poetry.

Pindar's Library is the first volume to analyse the role played by Pindar's literary, cultic, and scholarly reception in affecting readers' engagement with his poetry, considering the continuities between reading and attending performances, and highlighting elements of readers' experiences which were distinctive to Hellenistic culture.

The Poetics of Victory in the Greek West examines the relationship between epinician and the heroizing narratives about athletes, or "hero-athlete narratives," that circulated orally in Sicily and Italy in the late archaic and early classical period. Drawing on the colorful stories told about athletes in later sources, the fragments of Simonides, and the surviving odes of Pindar and Bacchylides, it argues that epinician was formed in opposition to orally transmitted narratives and that these two forms-epinician and the hero-athlete narrative-promoted opposed political visions, with epinician promoting the Deinomenid empire and its structures and the hero-athlete narrative opposing Deinomenid rule. Combining an intimate knowledge of the material culture of the Greek West with an innovative use of available source material, The Poetics of Victory in the Greek West exposes the rich intersections between athletics and politics in Sicily and Italy, offering a new and compelling account of Deinomenid self-promotion and of the varied and complex communities that operated under the Deinomenids' control or within their shadow. Further, by establishing models of production and interpretation for the orally transmitted narratives and bringing them into dialogue with epinician, The Poetics of Victory in the Greek West reveals much about epinician as a form, how it developed in the Greek West, what meanings it already carried, and what meanings it accrued as it was appropriated by Hieron the second Deinomenid ruler.

Recent scholarship on early Greek lyric has been primarily concerned with the immediate contexts of its first performance. This volume instead turns its attention to the rhetoric and realities of poetic permanence. Taking Pindar and archaic Greek literary culture as its focus, it offers a new reading of Pindar's victory odes which explores not only how they were received by those who first experienced them, but also what they can mean to later audiences. Part One of the discussion investigates Pindar's relationship to both of these audiences, demonstrating how his epinicia address the listeners present at their premiere performance and also a broader secondary audience across space and time. It argues that a full appreciation of these texts involves taking both perspectives into account. Part Two describes how Pindar engages with a wide variety of other poetry, particularly earlier lyric, in order to situate his work both within an immanent poetic history and a contemporary poetic culture. It shows how Pindar's vision of the world shaped the meaning of his work and illuminates the context within which he anticipated its permanence. The book offers new insights into the texts themselves and invites us to rethink early Greek poetic culture through a combination of historical and literary perspectives.

Pindar-the 'Theban eagle', as Thomas Gray famously called him-has often been taken as the archetype of the sublime poet: soaring into the heavens on wings of language and inspired by visions of eternity. In this much-anticipated new study, Robert Fowler asks in what ways the concept of the sublime can still guide a reading of the greatest of the Greek lyric poets. Working with ancient and modern treatments of the topic, especially the poetry and writings of Friedrich Hölderlin (1770–1843), arguably Pindar's greatest modern reader, he develops the case for an aesthetic appreciation of Pindar's odes as literature. Building on recent trends in criticism, he shifts the focus away from the first performance and the orality of Greek culture to reception and the experience of Pindar's odes as text. This change of emphasis yields a fresh discussion of many facets of Pindar's astonishing art, including the relation of the poems to their occasions, performativity, the poet's persona, his imagery, and his myths. Consideration of Pindar's views on divinity, transcendence, time, and the limits of language reveals him to be not only a great writer but a great thinker.