Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.

This volume offers a new interpretation of Flaccus' Argonautica, a Latin epic poem. Stover's approach to the text is both formalist and historicist as he seeks not only to elucidate Flaccus' dynamic appropriation of Lucan, but also to associate the Argonautica's formal gestures within a specific socio-political context.

The Shahnameh is Iran's national epic. It is a compendium of Iranian myths, legends, and history. Unlike other Indo-European epics, it is not about a war, like the Iliad, or an individual, like the Odyssey, Beowulf, or the Ramayana. The central character of the Shahnameh is Iran, which it glorifies both as subject and hero. Unlike other classical Indo-European epics, the Shahnameh is not in a dead language. It is intelligible to every speaker of Persian in Iran, Afghanistan, and Central Asia.

What was it about Persia’s leadership and military that compelled powerful civilizations like Greece and Rome to fear and respect the might of the largest empire the ancient world had ever seen? The Persian Empire dictated administrative, economic, and artistic trends on an international level for a thousand years. Its people respected diversity and practiced one of the oldest monotheistic religions in the world. But who were these people, really, who gave us the famous Persian carpet and taught us landscape gardening, polo, and wine making? Why do people today who can trace their lineage and traditions back to this remarkable empire still proudly celebrate festivals like Nowruz regardless of their nationality or religion? Discover this and more as you journey back in time over 2,000 years to experience life in the Persian Empire and meet the people who called this great empire home.

"George Black rediscovers the history and lore of one of the planet's most magnificent landscapes. Read Empire of Shadows, and you'll never think of our first—in many ways our greatest—national park in the same way again." —Hampton Sides, author of Blood and Thunder Empire of Shadows is the epic story of the conquest of Yellowstone, a landscape uninhabited, inaccessible and shrouded in myth in the aftermath of the Civil War. In a radical reinterpretation of the nineteenth century West, George Black casts Yellowstone's creation as the culmination of three interwoven strands of history - the passion for exploration, the violence of the Indian Wars and the "civilizing" of the frontier - and charts its course through the lives of those who sought to lay bare its mysteries: Lt. Gustavus Cheyney Doane, a gifted but tormented cavalryman known as "the man who invented Wonderland"; the ambitious former vigilante leader Nathaniel Langford; scientist Ferdinand Hayden, who brought photographer William Henry Jackson and painter Thomas Moran to Yellowstone; and Gen. Phil Sheridan, Civil War hero and architect of the Indian Wars, who finally succeeded in having the new National Park placed under the protection of the US Cavalry. George Black1s Empire of Shadows is a groundbreaking historical account of the origins of America1s majestic national landmark.

“Superb . . . the best one-volume economic history of the United States in a long time and, perhaps, ever.” —Newsweek In this illuminating history, John Steele Gordon tells the extraordinary story of the world’s first economic superpower. He shows how the American economy became not only the world’s largest, but also its most dynamic and innovative. Combining its English political inheritance with its diverse, ambitious population, the nation was able to develop more wealth for more and more people as it grew. Far from a guaranteed success, America’s economy suffered near constant adversity. It survived a profound recession after the Revolution, an unwise decision by Andrew Jackson that left the country without a central bank for nearly eighty years, and the disastrous Great Depression of the 1930s. Yet, having weathered those trials, the economy became vital enough to Americanize the world in recent decades. Virtually every major development in technology in the twentieth century originated in the United States, and as the products of those technologies traveled around the globe, the result was a subtle, peaceful, and pervasive spread of American culture and perspective.

Under the leadership of Genghis Khan, a confederation of nomadic farmers transformed into a powerful military force. This text demonstrations how an aggressive empire could have been established from such agrarian roots, inviting the reader to follow the rise of the Mongol Empire from its founding through its expansion into the Golden Horde in the West under the leadership of Batu and his successors and the Yuan Dynasty in the East under Kublai Khan. It also features the Mongol Empire's important role in the development of trade between the East and the West during the Middle Ages, particularly as recorded by Venetian merchant Marco Polo.

"The Last Imperialist: Sir Alan Burns' Epic Defense of the British Empires studies Sir Alan Burns' career and his arguments in defense of European colonialism. Bruce Gilley describes Burns' intellectual and policy battles with opponents of colonialism and his efforts to slow the decolonization process"--

Save the empire...or let it burn. Revenge failed her... Three years ago, Lo'laeni Nolanhou did the unthinkable, slaying the empress of the cruel Alrenian Empire and freeing her people, the Forwyn slaves. But the price of revenge wasn't freedom, only guilt. Vowing to never kill again, Lo dedicated her life to the god Elhani, serving as a nun within the Circle of Serenity to fight against the injustices still wrought against her people in the torn capital of Alrenor. Then Caesiem, a handsome and mysterious Teramese boy aligned with an underground Forwyn vigilante group, flips her world upside down. The unrest growing within Alrenor is worse than Lo realized. Corruption is everywhere...and the Forwyn vigilantes want an empress slayer. Revenge fuels her... For years, Empress Jaliana, Daughter of Karye, has been a captive in her own palace. A prisoner to her mother's killers. A powerless pawn, alone and unable to take back her throne, her dragons, or her kingdom. Until one night a never-before-seen gift manifests itself within Jalie. It's terrifying. Brutal. Everything she has ever needed. But the Forwyn won't give in easily. They task Kovi, a young soldier, to watch over her, and he challenges everything she's ever believed about her enemies... One empire. An age-old hatred. Two girls who will risk anything-even their souls-for their people.  Not sure which order to read Rachel L. Schade's books in? Empire of Dragons is set in the same world as the Silent Kingdom series, three years later, and follows new characters. If you're interested in both series, it's best to read SK first to avoid all possible spoilers. However, it's NOT necessary to read the SK series first.

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