"'Free speech' always has been limited by obstacles: national, state, or local laws, organizational rules, social restrictions, incomplete transmission via technology, and the limits of language itself. Now, with the advent of social media platforms such as Twitter, Facebook, Google Plus, and YouTube, a new era has emerged, and free speech has exploded. Never before have we enjoyed such free and diverse access to information, or more freedom to debate issues. But with such openness of language and opinion, we still have a generally poor understanding of the most important issues that we face today. Why? In Enough Said, New York Times CEO Mark Thompson argues that there is a widening gap between political power and the public, because public language is being misused or misunderstood. Drawing from classical rhetoric as well as contemporary political doublespeak, Thompson outlines the dangers of speech without accountability, while identifying positive trends in modern speech and exploring our new age of public engagement."--

There’s a crisis of trust in politics across the western world. Public anger is rising and faith in conventional political leaders and parties is falling. Anti-politics, and the anti-politicians, have arrived. In Enough Said, President and CEO of The New York Times Company Mark Thompson argues that one of the most significant causes of the crisis is the way our public language has changed. Enough Said tells the story of how we got from the language of FDR and Churchill to that of Donald Trump. It forensically examines the public language we’ve been left with: compressed, immediate, sometimes brilliantly impactful, but robbed of most of its explanatory power. It studies the rhetoric of western leaders from Reagan and Thatcher to Berlesconi, Blair, and today’s political elites on both sides of the Atlantic. And it charts how a changing public language has interacted with real world events – Iraq, the financial crash, the UK's surprising Brexit from the EU, immigration – and led to a mutual breakdown of trust between politicians and journalists, to leave ordinary citizens suspicious, bitter, and increasingly unwilling to believe anybody. Drawing from classical as well as contemporary examples and ranging across politics, business, science, technology, and the arts, Enough Said is a smart and shrewd look at the erosion of language by an author uniquely placed to measure its consequences.

If you make your bed, you lie in it, my parents used to say, growing up in a very traditional household with my father as the head and my mom, the caregiver. When I got married, I wanted moreI wanted some independence. My life took a turn when I discovered my marriage was a lie. In the midst of getting out, I was raped, got pregnant, and was trapped in the marriage. The situation got worse, and the battle to escape was a challenge that I do not wish on my worst enemy. Riddled with guilt of not wanting my son made me overcompensate for the injustice against this innocent child. I was determined to get out even if it meant I left the crime scene in a body bag. I remarried a loving and amazing man, but my past was an invisible obstacle which made me angry and happy on the same day. My battle to survive against all odds came at a pricepost-traumatic stress disorderand many sessions with a psychologist and psychiatrist helping me to have a better relationship with my son and to get to know myself better with the goal to heal.

As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - and on the other, he traces a notion of ‘musicality’ in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metaphors and principles derived from a wide range of genres. Roesner looks in particular at the ways in which those who attempted to experiment with, advance or even revolutionize theatre often sought to use and integrate a sense of musicality in training and directing processes and in performances. His study reveals both the continuous changes in the understanding of music as model, method and metaphor for the theatre and how different notions of music had a vital impact on theatrical innovation in the past 150 years. Musicality thus becomes a complementary concept to theatricality, helping to highlight what is germane to an art form as well as to explain its traction in other art forms and areas of life. The theoretical scope of the book is developed from a wide range of case studies, some of which are re-readings of the classics of theatre history (Appia, Meyerhold, Artaud, Beckett), while others introduce or rediscover less-discussed practitioners such as Joe Chaikin, Thomas Bernhard, Elfriede Jelinek, Michael Thalheimer and Karin Beier.

DigiCat presents to you this unique SF collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. H. G. Wells: The Time Machine The War of the Worlds The Island of Doctor Moreau The Invisible Man... Jules Verne: Journey to the Center of the Earth 20.000 Leagues under the Sea The Mysterious Island... Mary Shelley: Frankenstein The Last Man Edgar Wallace: Planetoid 127 The Green Rust... Otis Adelbert Kline: The Venus Trilogy The Mars Series Malcolm Jameson: Captain Bullard Series Garrett P. Serviss: Edison's Conquest of Mars A Columbus of Space The Sky Pirate... Arthur Conan Doyle: The Professor Challenger Series Francis Bacon: New Atlantis Edwin A. Abbott: Flatland Jack London: Iron Heel The Scarlet Plague The Star Rover... Robert Louis Stevenson: Dr Jekyll and Mr Hyde George MacDonald: Lilith H. Rider Haggard: King Solomon's Mines She William H. Hodgson: The House on the Borderland The Night Land... Edgar Allan Poe: Some Words with a Mummy Mellonta Tauta... H. P. Lovecraft: Beyond the Wall of Sleep The Cats of Ulthar Celephaïs Edward Bellamy: Looking Backward: 2000–1887 Equality... Mark Twain: A Connecticut Yankee in King Arthur's Court Owen Gregory: Meccania the Super-State Margaret Cavendish: The Blazing World Jonathan Swift: Gulliver's Travels William Morris: News from Nowhere Samuel Butler: Erewhon Edward Bulwer-Lytton: The Coming Race James Fenimore Cooper: The Monikins Hugh Benson: Lord of the World Fred M. White: The Doom of London Ernest Bramah: The Secret of the League Arthur D. Vinton: Looking Further Backward Robert Cromie: The Crack of Doom Anthony Trollope: The Fixed Period Cleveland Moffett: Richard Jefferies: After London Francis Stevens: The Heads of Cerberus Percy Greg: Across the Zodiac David Lindsay: A Voyage to Arcturus Stanley G. Weinbaum: Stories from the Solar System Abraham Merritt: The Moon Pool The Metal Monster... Hyne: The Lost Continent

Volume one of a four volume collection of the works of Samuel Beckett.

Our past was painful and a lot of mistakes were made, but that was then - this is now.Mia wants a fight? I'll give her one.She wants to leave me? I'll make her stay.This is our future. She belongs to me.Our past wasn't just painful, it was soul-shattering, and no amount of time will change that.Adam wants a fight? Bring it.He won't let me leave? I'll make him pay.This is my future. I don't belong to him.Follow Adam and Mia's journey through the deliciously dysfunctional madness they like to call...marriage.Author's note: This is the third book in the This Can't be Happening Series, but it can be read as a stand-alone.Author's warning: Mature content, lots of cussing (as in, A LOT), a five-foot-three, redheaded, terror of a woman and a sexy, possessive, crazy, hot alpha cop.

DigiCat presents to you this thoughtfully assembled collection of the greatest science fiction books written by the incomparable H. G. Wells: The Time Machine The War of The Worlds The Island of Doctor Moreau The Invisible Man The First Men in the Moon When the Sleeper Wakes The Shape of Things to Come The Food of the Gods In the Days of the Comet A Modern Utopia The War in the Air The Chronic Argonauts In the Abyss The Star The Crystal Egg

This carefully crafted ebook: "The Invisible Man (Complete Edition)" is formatted for your eReader with a functional and detailed table of contents. The Invisible Man is a science fiction novella. The Invisible Man of the title is Griffin, a scientist who has devoted himself to research into optics and invents a way to change a body's refractive index to that of air so that it absorbs and reflects no light and thus becomes invisible. He successfully carries out this procedure on himself, but fails in his attempt to reverse the procedure. Herbert George Wells (1866 – 1946), known as H. G. Wells, was a prolific English writer in many genres, including the novel, history, politics, and social commentary, and textbooks and rules for war games. This carefully crafted ebook: "The Invisible Man (Complete Edition)" is formatted for your eReader with a functional and detailed table of contents. The Invisible Man is a science fiction novella. The Invisible Man of the title is Griffin, a scientist who has devoted himself to research into optics and invents a way to change a body's refractive index to that of air so that it absorbs and reflects no light and thus becomes invisible. He successfully carries out this procedure on himself, but fails in his attempt to reverse the procedure. Herbert George Wells (1866 – 1946), known as H. G. Wells, was a prolific English writer in many genres, including the novel, history, politics, and social commentary, and textbooks and rules for war games. This carefully crafted ebook: "The Invisible Man (Complete Edition)" is formatted for your eReader with a functional and detailed table of contents. The Invisible Man is a science fiction novella. The Invisible Man of the title is Griffin, a scientist who has devoted himself to research into optics and invents a way to change a body's refractive index to that of air so that it absorbs and reflects no light and thus becomes invisible.

The Invisible Man by H G WELLS : The Invisible Man Annotated The Invisible Man is a science fiction novel by H. G. Wells. The Invisible Man is a science fiction novel by H. G. Wells. Originally serialized in Pearson's Weekly in 1897, it was published as a novel the same year. From the founding father of science fiction H.G. Wells, a masterpiece about a man trapped in the terror of his own creation. The Invisible Man by H G WELLS : The Invisible Man Annotated The Invisible Man is a science fiction novel by H. G. Wells. The Invisible Man inspired The Map of Chaos by New York Times bestselling author Félix J. Palma. As a gift to readers, this ebook edition includes an excerpt from The Map of Chaos. The Invisible Man is the most famous novel by the famous English writer H.G. Wells. It describes the fate of the scientist-physicist Griffin, who invented a machine that makes a person invisible. But for all the sensationalism of the discovery it concealed in itself a lot of pretty uncomfortable situations. In such situations the main hero of the novel always finds himself. The tragic story of a talented scientist who imagines himself a "superman" is distinguished by a tense, almost detective storyline and strikes a combination of psychological and everyday authenticity with the fantasy of the events taking place. The Invisible Man by H G WELLS : The Invisible Man Annotated The Invisible Man is a science fiction novel by H. G. Wells. “In the night, he must have eaten and slept; for in the morning he was himself again, active, powerful, angry and malignant, prepared for his last great struggle against the world.” Griffin, an ingenious research scientist, develops a process that can render physical objects invisible. Having successfully performed it on himself, he soon realises that it is impossible to survive like this. and now this invisible man is desperate to reverse the process. Will Griffin be able to become visible again? Or Will his obsession for invisibility result in his doom? An outstanding work of science fiction, H. G. Wells’ the Invisible Man brings forth the destructive effects science can have on humanity. This masterpiece has been adapted into numerous films, TV series, stage plays and radio dramas. The Invisible Man by H G WELLS : The Invisible Man Annotated The Invisible Man is a science fiction novel by H. G. Wells. ‘Wells is the Prospero of All the Brave New Worlds of the Mind and the Shakespeare of Science Fiction.’ – Brian Aldiss. The Invisible Man by H G WELLS : The Invisible Man Annotated The Invisible Man is a science fiction novel by H. G. Wells. The Invisible Man is a science fiction novel by H. G. Wells. Originally serialized in Pearson's Weekly in 1897, it was published as a novel the same year. The Invisible Man the title refers to is Griffin, a scientist who has devoted himself to research into optics and invents a way to change a body's refractive index to that of air so that it neither absorbs nor reflects light and thus becomes invisible. He successfully carries out this procedure on himself, but fails in his attempt to reverse it. An enthusiast of random and irresponsible violence, Griffin has become an iconic character in horror fiction. The Invisible Man by H G WELLS : The Invisible Man Annotated The Invisible Man is a science fiction novel by H. G. Wells.