Comprehensive practical manual teaches every step of the engraving process: initials and inscriptions, monograms, decoration and embellishment, more. Also includes care and maintenance of tools. Ideal for beginners. 89 illustrations.

Detailed illustrated instruction in etching, engraving, aquatint, drypoint, mezzotint from preparing plate to mounting print. No better guide for beginners."

In this age of emails, texts, and instant messages, receiving a letter has become a rare treat. Engraved stationery can make a piece of correspondence, whether a short note, formal letter, or business card, even more special. Once an integral part of social life, the use of engraved stationery has become a lost art. In The Complete Engraver, author Nancy Sharon Collins brings this venerable craft to life—from the history and etiquette of engraved social stationery in America to its revival and promise of new visual possibilities. Illustrated with gorgeous, original specimens of social stationery, calling cards, and monograms, The Complete Engraver also includes an instructional section that walks the reader through the engraving process and the steps required to commission engraving work today.

In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.

The North American Industry Classification System (NAICS) is the standard used by Federal statistical agencies in classifying business establishments for the purpose of collecting, analyzing, and publishing statistical data related to the U.S. business economy. It is a joint work between the Untied States, Canada, and Mexico that allows a high level of comparability between the countries. The NAICS officially replaced the SIC (Standard Industrial Classification) system in 1997. The publisher has included the SBA Size Standards Table as an appendix at the back of this book to assist users of the data. Should you have suggestions or feedback on ways to improve this book please send email to [email protected] If you would like to order a copy of this book as a 3 ring punched looseleaf print please contact [email protected]