This comedy edition of English in Films is designed for high intermediate and advanced students of English as a Second Language. Comedy is difficult to translate from culture to culture, and these films were selected with this challenge in mind. Each demonstrates a variation on the comedic theme. As always, the films are broken into sections for study purposes with Vocabulary Exercises, Viewing Guides, Discussion/Writing Questions and Tests. Other volumes of English in Films are available. Visit our website; www.EnglishInFlorida.com.

This comedy edition of English in Films is designed for high intermediate and advanced students of English as a Second Language--The Devil Wears Prada, Groundhog Day, Gung Ho, Mrs. Doubtfire & Tin Cup. Comedy is difficult to translate from culture to culture, and these films were selected with this challenge in mind. Each demonstrates a variation on the comedic theme. As always, the films are broken into sections for study purposes with Vocabulary Exercises, Viewing Guides, Discussion/Writing Questions and Tests. Other volumes of English in Films are available. Visit our website; www.EnglishInFlorida.com.The Devil Wears Prada deals with an uninformed person entering an unfamiliar and baffling new landscape and trying to figure it out. The film presents a revealing picture of the fashion industry.An American classic, Groundhog Day shows the humor of sarcasm and irony--Bill Murray's perfected brand of humor.Gung Ho is an adventure into cross cultural confusion when American and Japanese business and manufacturing worlds collide.Mrs. Doubtfire presents Robin Williams' brand of high jinx and slapstick as well as cross-dressing. The film deals with family values and parenting.Tin Cup is a typical romantic spoof (boy meets girl) set in the world of golf.This volume of English in Films is not recommended for beginning students, even on a high level. But students who have some exposure to American culture will gain a lot in an investigation of comic techniques and attitudes in comparison to their own cultures.

The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.

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