English Church Monuments in the Middle Ages offers a comprehensive survey of English church monuments from the pre-Conquest period to the early sixteenth century. Ground-breaking in its treatment of the subject in an historical context, it explores medieval monuments both in terms of their social meaning and the role that they played in the religious strategies of the commemorated. Attention is given to the production of monuments, the pattern of their geographical distribution, the evolution of monument types, and the role of design in communicating the monument's message. A major theme is the self-representation of the commemorated as reflected in the main classes of effigy-those of the clergy, the knights and esquires, and the lesser landowner or burgess class, while the effigial monuments of women are examined from the perspective of the construction of gender. While seeking to use monuments as windows onto the experiences and lives of the commemorated, it also exploits documentary sources to show what they can tell us about the influences that helped shape the monuments. An innovative chapter looks at the construction of identity in inscriptions, showing how the liturgical role of the monument limited the opportunities for expressions of self. Nigel Saul seeks to place monuments at the very centre of medieval studies, highlighting their importance not only for the history of sculpture and design, but also for social and religious history more generally.

This is a comprehensive survey of English medieval church monuments. It examines all types of monument-cross slabs, brasses, incised slabs, and sculpted effigies. It analyzes them in an historical context to show what they reveal of the self image and religious aspirations of those they commemorate.--Summary by the editor.

In this innovative and compelling book Nigel Saul approaches the world of the medieval gentry through the monuments they left behind them. The Cobham family left the largest and most spectacular collection of brasses in Britain in their church at Cobham, and other magnificent brasses in Lingfield, and elsewhere. Medieval brasses have hitherto been studied chiefly from an antiquarian or technical perspective; Nigel Saul for the first time shows how they served as a link between the living and the dead. Commemoration was inseparable from the wider dynamics of society. Through the brasses and through family history he takes us to the heart of gentry aspirations and fears, successes and disappointments. This extensively illustrated study offers a new paradigm for the study of medieval church monuments and makes a major contribution to our understanding of gentry culture.

Excerpt from English Church Monuments A. D. 1150-1550: An Introduction to the Study of Tombs and Effigies of the Medieval Period Devonshire. - Colyton, 96. Exeter Cathedral, 8, 29, 47, 61, 70, 71, 83, 87 94 112, 188, 189, 190, 213. Feniton, 101. Paignton, 91, 146, 149. Tiverton, 159. Woodleigh, 93. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In this innovative and compelling book Nigel Saul approaches the world of the medieval gentry through the monuments they left behind them. The Cobham family left the largest and most spectacular collection of brasses in Britain in their church at Cobham, and other magnificent brasses in Lingfield, and elsewhere. Medieval brasses have hitherto been studied chiefly from an antiquarian or technical perspective; Nigel Saul for the first time shows how they served as a link between the living and the dead. Commemoration was inseparable from the wider dynamics of society. Through the brasses and through family history he takes us to the heart of gentry aspirations and fears, successes and disappointments. This extensively illustrated study offers a new paradigm for the study of medieval church monuments and makes a major contribution to our understanding of gentry culture.

"English Church Architecture of the Middle Ages: An Elementary Handbook" by A. Freeman Smith is a must-read for anyone interested in architecture and art. The book examines the way churches were designed during Medieval times when religion was a dominant force in the world. It gives an outline of the leading characteristics of Gothic Architecture, as found in churches of the Middle Ages in England. And it is hoped that it may be found useful to those visiting those noble buildings.