England, My England is a collection of short stories by D. H. Lawrence. Individual items were originally written between 1913 and 1921, many of them against the background of World War I. Most of these versions were placed in magazines or periodicals. Ten were later selected and extensively revised by Lawrence for the England, My England volume. This was published on 24 October 1922 by Thomas Seltzer in the US. The first UK edition was published by Martin Secker in 1924.

Chris Steele-Perkins presents a sweeping, unique record of what he thinks makes England truly English.

A delightful, wide-ranging anthology about England and the English over the centuries – songs, poems, hymns, letters and prose – this compendium is entertaining, witty, lyrical and heart-warming. With contributions from Sir Thomas Beecham, Rupert Brooke, William Blake, Noel Coward, Rudyard Kipling, John Betjeman and many more, there is also a chapter entitled 'As Others See Us', which includes George Mikes' observation, 'An Englishman, even if he is alone, forms an orderly queue of one.' With chapters on the English garden, language, institutions, heritage and how we see ourselves, this is a comprehensive treasury of the country and its people. An entertaining, eclectic and serendipitious collection that will delight and surprise in equal measure, England, My England is a real treasure house of pleasing patriotism to savour and share.

BOOKER PRIZE FINALIST • From the internationally acclaimed bestselling author The Sense of an Ending comes a "wickedly funny” novel (The New York Times) about an idyllic land of make-believe in England that gets horribly and hilariously out of hand. Imagine an England where all the pubs are quaint, where the Windsors behave themselves (mostly), where the cliffs of Dover are actually white, and where Robin Hood and his merry men really are merry. This is precisely what visionary tycoon, Sir Jack Pitman, seeks to accomplish on the Isle of Wight, a "destination" where tourists can find replicas of Big Ben (half size), Princess Di's grave, and even Harrod's (conveniently located inside the tower of London). Martha Cochrane, hired as one of Sir Jack's resident "no-people," ably assists him in realizing his dream. But when things go awry, Martha develops her own vision of the perfect England. Julian Barnes delights us with a novel that is at once a philosophical inquiry, a burst of mischief, and a moving elegy about authenticity and nationality.

A picture book story about the triumph of hope, love, and determination, Coming to England is the inspiring true story of Baroness Floella Benjamin: from Trinidad, to London as part of the Windrush generation, to the House of Lords. When she was ten years old, Floella Benjamin, along with her older sister and two younger brothers, set sail from Trinidad to London, to be reunited with the rest of their family. Alone on a huge ship for two weeks, then tumbled into a cold and unfriendly London, coming to England wasn't at all what Floella had expected. Coming to England is both deeply personal and universally relevant – Floella's experiences of moving home and making friends will resonate with young children, who will be inspired by her trademark optimism and joy. This is a true story with a powerful message: that courage and determination can always overcome adversity.

The fourteen short stories collected in this volume were written between 1913 and 1921, most of them against the background of the 1914-18 War. All but one were published in slightly different versions by magazines and periodicals on both sides of the Atlantic. Ten were selected and revised by Lawrence for his collection England, My England published in 1922 in the United States and 1924 in Britain. Some of the stories included in this volume are "Tickets Please", "The Blind Man", "Monkey Nuts", "Wintry Peacock", "Hadrian", "Samson and Delilah", "The Primrose Path", "The Horse-Dealer's Daughter", and "The Last Straw". The texts aim to recover Lawrence's own intentions, which editors and publishers all too frequently ignored or altered. Where possible, manuscripts and corrected typescripts are used as base-texts. The introduction traces the composition and revision of the stories, setting them in the context of Lawrence's life and work. The textual apparatus gives variant readings, and explanatory notes identify sources, references and quotations. The 1915 version of "England, My England" is given in an appendix.

'England is a family in which the young are generally thwarted and most of the power is in the hands of irresponsible uncles and bedridden aunts. Still, it is a family.' 'England Your England' is one of the most compelling and insightful portraits of the nation ever written. Shot through with Orwell's deeply felt sense of patriotism and love for his homeland, the essay is at the same time unfailingly clear-eyed about the nation's failings: entrenched social inequality, a dishonest press and a class system that only works for those at the top. Written during the Second World War, as the bombs were falling on England, the essay today speaks to the nation's current moment of crisis just as urgently as it did in Orwell's own time. It is a crucial read for anyone who wants to understand who we are, and where we've come from.

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Fearing that England was about to be wiped from the face of the earth by the Nazi bombers flying overhead, Orwell put pen to paper and set out to make a record of English culture. England Your England, the sixth in the Orwell’s Essays series, is this record, and is an important tableau of the nation’s history, and demonstrates a resolute refusal to bow to the threatening forces of Fascism. 'It just keeps being horribly relevant.' (David Olusoga, The Guardian) 'A writer who can – and must – be rediscovered with every age.' (Irish Times)

*MATT HAIG’S NEW NOVEL THE LIFE IMPOSSIBLE IS AVAILABLE TO PRE-ORDER NOW * FROM THE NUMBER ONE SUNDAY TIMES BESTSELLING AUTHOR Meet the Hunter family: Adam, Kate, and their children Hal and Charlotte. And Prince, their Labrador. Prince is an earnest young dog, striving hard to live up to the tenets of the Labrador Pact (Remain Loyal to Your Human Masters, Serve and Protect Your Family at Any Cost). Other dogs, led by the Springer Spaniels, have revolted. As things in the Hunter family begin to go badly awry – marital breakdown, rowdy teenage parties, attempted suicide – Prince’s responsibilities threaten to overwhelm him and he is forced to break the Labrador Pact and take desperate action to save his Family.

A collection of stories from one of the foremost figures in literature, 'The Wintry Peacock' details the disastrous effects of World War One. It follows Egbert as he struggles to find his identity as a soldier, husband, and father. When all that he was avoiding comes back to him, Egbert is thrown into a balancing act, juggling his time between reconciling with his family, and coping with the onslaught of injuries, infidelities, and deaths that war so inevitably brings. DH Lawrence's uncompromising rawness is perfect for those who enjoyed Sylvia Plath's 'The Bell Jar'. DH Lawrence (1885-1930) was an English poet and novelist. Famed for his lyrical prose, he was uncompromising in his mission to uncover the consequences of modernity and industrialization, particularly on sexuality, instinct, and spontaneity. His works, although innovative, were not truly appreciated until after his death, the most notable of which 'Lady Chatterley's Lover' was adapted to screen in 1981.